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INTERVIEW: John Romita, Jr.

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A couple of weeks ago, Clang! Boom! Steam! and I got the chance to talk to John Romita, Jr. about a number of things, but mainly it was Kick-Ass that we were there to talk about.

John Romita, Jr. is the artist of Kick-Ass, but he’s been in comics drawing flagship Marvel titles and characters since the late 1970s.  He’s had a tenure with pretty much every major Marvel character and his art has aged like a fine wine over the years, getting better and better.  John Romita’s name on a book these days is a mark of quality and consistency.

When the first issue of Kick-Ass came out, it seemed like a stretch for Romita, who had always done these mainstream, all-ages Marvel books.  Kick-Ass is a fairly violent, bloody book.  No one would have guessed that it would have suited Romita so well.

During our interview, one of the first things we talked about was the level of controversy that is sure to be stirred once the media and conservatives catch wind of the character of Hit-Girl.  (Hit-Girl is a profanity spewing, 8 year old, bad-guy-killing, bad-ass.)

“I thought, ‘My God, there’s going to be some controversy about that character.’ And then I’ve lost all semblance of my morals, because I remember days when I would say, ‘That’s way over the top, I don’t care for movies like that,’ because when I had a baby, I had to be more careful about what my son sees and I’d never let him see that sort of thing and as he got older and he saw things on the Internet, I couldn’t shield him from every single thing, even regular TV.  So here I am at the point where I have a 13 year old son and he was IN the movie as an extra, and I can’t keep him from seeing it, and he’s even talked me into reading the whole 8 issues, so, so much for me being a ‘moral’ father.  I think that the controversy will actually help out.  The minute some wacko on the right complains about the   indignity of the film and the degrading nature of it, more people will want to see it.  I don’t know if that’s good or bad, but from a financial point of view, more see it.  From a fathers point of view, I’m almost embarrassed to embrace all the good that happens to it and I’m sorry to all the parents.”

After we talked about the controversy, we talked about the translation of his work into the film, his career as an artist, the future of Kick-Ass (as well as about the sequel to Kick-Ass) and his current work on The Avengers and the Heroic Age of Marvel.

The last thing we talked about in the interview is John Romita’s upcoming work with Howard Chaykin Shmuggy and Bimbo.

“It’s the best story I’ve ever worked on.  It’s based on two formerly live people that grew up in the forties with my parents.  Two hit-men.  There’s more to them along the super-natural lines that meets the eye.”

He also related to us a tremendous story about Mark Millar and the time he tried to drink whiskey through various bodily orifices.

To listen to the whole interview, please download it from our iTunes feed here.

In the interview, we talked a little bit about the Kick-Ass movie book, it’s available from Titan and you can pick up a copy on Amazon here.

Titan has also been good enough to provide us with a copy to give away to you guys that’s part of the grand prize Kick-Ass contest ending Friday. There will be a full review of the book later in the week as part of our countdown to Kick-Ass!

Kick-Ass is published by Marvel in the US and Titan Books in the UK

PODCAST: March’s Big Shiny Podcast

This episode features: Zombietron, Kill-Tacular-Tron, Arse-Bot, Mexicus Prime, Proletaria-tron, Swank-Mo-Tron, and special guest and local comic shop badass, Kiley

The March edition of the Big Shiny Podcast features the usual group of assholes you love to hate with special guest, Kiley. In this podcast we run down what’s going on in comics in Marvel and DC, give you some “fun” Ghostbusters “news”, and do our typical recap of movie news. During the second half though, Kill-Tacular-Tron and Kiley – who have both already seen Kick-Ass (assholes) – give us their review and thoughts on the film. Be warned, there are spoilers, so when we say “turn this podcast off now if you don’t want to know anything about Kick-Ass“, take that warning seriously.

Finally, while you are at out iTunes page, be sure to check out the BSR!-exclusive audio-interviews with Mark Millar, John Romita, Jr., Jame Arnold Taylor, and Scot Snyder!

March Big Shiny Podcast

  • iTunes – Be sure to subscribe, rate and comment!
  • BSR mp3 – available shortly

CONTEST: Kick-Ass!

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We’re going to have some Kick-Ass giveaways all week on our Facebook page and via our Twitter, but we’re kicking off the grand prize contest here and now.

For the grand prize we have a whole slew of stuff:

  • The Book: Kick-Ass: Creating the Comic, Making the Movie (courtesy of Titan Books)
  • An embroidered Kick-Ass Ball Cap
  • A Kick-Ass T-Shirt
  • A Kick-Ass cock and balls insignia Key-chain with attached permanent marker
  • Kick-Ass Lenticular mini-poster
  • 2 Big Shiny Robot stickers and a commemorative 2nd Anniversary BSR! poster

What do you need to do to win all this stuff?  It’s pretty simple.  All you need to do is create a superhero identity for facebook.  Go to www.IWillKickAss.com and use their superhero creator to create  a superhero (or make your own from scratch) and create a facebook fan page.  The contest ends on April 15th at midnight and the superhero with the most fans (and has driven the most fans to add Kick-Ass and Big Shiny Robot! to their facebook) will win the grandprize!

Be sure to advertise your fan page everywhere you can (and be sure to mention that it’s a Kick-Ass contest sponsored by Big Shiny Robot!) and let us know about it.  Comment here with links to your fan pages and we’ll keep an eye on them and feature some of them.

We’ll still be giving away shirts and hats and posters over the course of the next week, so be sure to add us on facebook and twitter to find out how you can win.

Kick-Ass opens in theatres across the United States on April 16th, and you pretty much have to go see it immediately.

Swank’s Rebuttal to the 70 Minute Phantom Menace Review – Part 4 (of 7)

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I’m a little baffled by the level of wishes for my bodily harm since I’ve been writing these rebuttals.  It crossed a line yesterday when one commenter wished someone would come to my house and punch me in the face, and then punch my eight year old son in the face for being named Anakin.

It’s amazing, really.  I would, however, like to apologize for calling prequel bashers the “tea baggers” of the Star Wars fan community.  It was insulting, and I will from here on out refrain from name calling.  Thank you “lazypadawan” for calling me out on that.

Having said that, I’d like to say one more thing before we get into the rebuttal for Part 4.  People keep telling me that these movies are terrible and devoid of entertainment, but that is really a matter of opinion.  I’m not saying you guys have to like them, and to be honest, I’m writing these articles for the people like me who do enjoy them and feel really beat up on by a very loud, vocal, and uncouth minority of people who dislike the prequels with a vengeance unseen in modern cinema.  What I am saying though, is that you have to admit that there are people out there who derive entertainment and enjoyment from them and that they’re not idiots.  Sometimes I think people who like the Matrix are idiots, but I’m wrong.  There’s just something about those movies I don’t understand and get.  I think they’re terrible and stupid (well, I only ever bothered watching the first one, but since it was so bad I didn’t continue on to the rest), but I wouldn’t ever try to ruin someone else’s enjoyment of them.  I guess what I’m saying is that if you guys who hate the prequels want to be taken seriously and actually debate the merits of my arguments versus Mr. Plinkett’s, you really need to tone down your rhetoric and ratchet down the hate.  And as we all know, hate is the path to the dark side.

Click the links to read Part OnePart Two, and Part Three of my rebuttal.  To watch the original review,” target=”_blank”> click here.

And so, we move on to:

Part 4

Part Four of Red Letter Media’s attack on The Phantom Menace opens with a rehash of problems presented earlier about the invasion of Naboo. And like I said in Part 2, the invasion makes complete sense using the internal logic of the story. I’ve been told that that’s the wrong thing to do, but how can you judge a film by discarding it’s consistent internal logic? That would be like judging it for what it’s not, when instead we should look to its merits. But the invasion makes sense to the Trade Federation, whose strings are being pulled by Sidious. Like I said before, my theory of why they need the treaty signed is so that Palpatine can go to the senate, plead his sob story, and install himself as Chancellor. The plan worked out differently and he was able to have Amidala do it for him, but his intention was to have her sign a treaty by force and then have her killed, since there’s nothing more mobilizing to a body politic than dead children.

And for those who say, “You’re just making this crap up,” you need to understand that when you watch movies, all of the information doesn’t have to be spoon fed to you for there to be a subtext, or story that needs to be read between the lines. Sometimes it backfires (like Michael Mann’s Miami Vice) and sometimes it works really well, like it does here. It also works really well in hundreds of other movies by guys like Stanley Kubrick, Martin Scorsese, Akira Kurosawa, PT Anderson, and on and on and on. American Graffiti is another good example of a film where the story was tenuous on the surface, but as you watch the film and examined the subtext, it really pops.

Then the reviewer has a problem with the fact that Obi-Wan and Qui-Gon don’t actually know that the Trade Federation is going to attack the Naboo and subsequently take down the Gungans. From a story-telling standpoint, it would have been awful boring watching them race around on the ship to find more conclusive evidence of the pending invasion (other than the invasion army). It would be like a bad episode of Scooby Doo or something. For the sake of expediency in the story telling, we can assume that they know and move on. As far as the internal logic of the story goes, it’s reasonable for the Jedi to assume that the invasion is happening because when they left the army it was on a forced march toward cities to invade. And who knows what they discovered or overheard on the landing ships? The point is, this argument is a trap. As boring as the reviewer claims this moment in the film is, it would have been twice as boring for the Jedi to run around and collect that conclusive evidence before moving on with the story.

The next point of contention is the fact that Obi-Wan and Qui-Gon have to travel to the other side of the world to reach the capital city of Naboo. “Why didn’t the droids land outside the one city or in the city to capture it?” The simple answer is that they did. It’s ridiculous to assume that of this entire planet there are only two cities. And since there are hundreds of invasion craft, it’s completely reasonable to assume that the ships Obi-Wan and Qui-Gon stowed away on were on their way to conquer other cities on the planet. They asked Jar Jar to lead them to the nearest city, which was Otoh Gunga. They asked the leaders there the quickest way to the leadership of the Naboo, which was on the other side of the planet. Again, following the internal logic of the film (which is all we should be basing our critiques on), this is a perfectly reasonable and exciting chain of events.

On the next point, I’m actually going to concede a little bit. The Trade Federation probably shouldn’t have sent 8 battle droids to guard Amidala on her way to the processing camp. They knew the Jedi were missing. They should have sent them with 8 destroyer droids, which had routed the Jedi before. But having said that, I still think processing Amidala into a camp sounds way more menacing than the reviewer. It invokes visions of the holocaust and Auschwitz to me. I’m sorry he didn’t bring enough imagination to the table to think about that. Especially since later in the film we see that message from Sio Bibble, warning them that there is a lot of suffering going on. (I would have liked to see some of that suffering, but this IS a kids movie and I think it would have been over the top.)

In the next part of the video, the reviewer seems to argue semantics about Captain Panaka’s choice of words for running the blockade, which I have to admit, made me laugh for the first time watching these. But to say this scene is garbage because of the techno-babble mechanics of the blockade and the ship is to say the exact same thing about Luke losing Artoo in A New Hope during the trench run. I mean, Artoo wasn’t exactly doing a whole lot to help Luke out there, except offer moral support and boosting his thrusters. In fact, this scene of Artoo saving the day against this blockade in Phantom Menace actually strengthens that weakness during the Battle of Yavin. But then the reviewer takes issue with the fact that the Queen, a 14 year old monarch who hasn’t seen the galaxy would deign this droid with her thanks. I mean, she spends the rest of the movie making decisions with the wide-eyed naivety of a child (going into Mos Espa with Qui-Gon, her plan to take her planet back, etc.) but this time it’s just too much to understand? This just seems awful nitpicky, more than any of the other more substantive points he’s brought up in his videos. And is it so unbelievable that as part of her cover, to keep it secret from the Jedi (and moreso the audience) that Padme is really the Queen that she would be sent to clean the droid? Not at all. Again, this seems way too nitpicky for him to waste his time with.

By this time, it really feels like he’s running out of steam on part 4.

The video wraps up with Mr. Plinkett calling Qui-Gon a drunk for heading to Mos Espa with Artoo, Jar Jar, and Padme. Since Qui-Gon and Padme are the main characters in this portion of the saga, it would have made little sense for them to stay on the ship. And like Qui-Gon says later in the film, “Nothing happens by accident.” Because Qui-Gon brought Jar Jar and Padme, they were able to get to know each other and more about each others cultures in order to bring them together in the end. And without bringing Padme, Anakin probably wouldn’t have stuck around to talk to her. And without Jar Jar, Anakin couldn’t have broken up that fight with Sebulba, and he would never have invited them to take refuge at his house and there would be no Star Wars saga. It’s like Back to the Future: if Obi-Wan went to get the part, Anakin and Padme never would have met, and that means Luke and Leia wouldn’t have existed.

And since I pay attention to the story and the internal logic of it, I am rewarded with it making sense. The force (who because of the midi-chlorians dismissed it as no longer mystical) were guiding Qui-Gon to the vergance in the force that was Anakin Skywalker. I’m alarmed at how much of what is actually in the film has been discarded from the memories of the prequel bashers, because all of the problems they seem to have with the film are fixed by simply watching it with a suspension of disbelief and a keen attention to detail.

Make sure you come back for Part 5 of the Phantom Menace review soon.  Love it or hate it, it’s coming.

Get your voice heard! Video Game Voters Network

As a gamer I follow little to no politics. It may be wrong, but I catch the feeling that a lot of my kind are pretty much similar. Although I admit this is a bad thing, it is still the way I am.  Even with this attitude when I hear of gaming related information I try to look into it and become concerned, this affects my livelihood, and no one messes with my bread and butter.

Usually it’s just crack-pots like Jack Thompson screaming that games turn us into raving lunatics. The usual garbage that  Grand Theft Auto is the reason for drug trafficking, and that all kids playing it are turned into gang-bangers.  There is no possibility that the market the game appeals to is gang-bangers, or teens who wish they had street cred.

Our friends at the Video Game Voters Network are the opposite of me. They are the gamers that care, and they keep BSR, and any gamer that wants to know the happenings informed. They dropped us this information today:

Soon, the U.S. Supreme Court may decide whether to hear a case that could have a lasting impact on computer and video games.

The case before the Court involves a law passed by the state of California attempting to criminalize the sale of certain computer and video games. Two previous courts rejected the California law as unconstitutional, but soon the Supreme Court could have the final say.

Whatever the Court’s ruling, we must be prepared to continue defending our rights now and in the future. To do so, we need a large, powerful movement of gamers to speak with one voice and show that we won’t sit back while lawmakers try to score political points by scapegoating video games and treating them differently than books, movies, and music.

If the Court decides to hear the case, we’re going to need thousands of activists like you who can help defend computer and video games by writing letters to editors, calling into talk radio stations, and educating Americans about our passion for and appreciation of computer and video games.

You can help build this movement right now by inviting all your friends and fellow gamers to join the Video Game Voters Network.

Use our simple tool to send an email to everyone you know asking them to stand up for gaming rights:
Learn about the movement here .

Anywho, my main point is keep your gaming legal, and keep censorship to a minimum.  I’m not advocating that all games should have a Dante’s Inferno style porn groove, or that every game should have nudity, blood, sex and booze. I’m simply saying that if it tells a story, and it’s a solid title, that the government shouldn’t choose what we view. We as the consumer should make our choice, and for or our children, the parents should once again make the choice.

We’d love to hear your opinion, feel free to discuss below, or post other information in the comments.

TRAILER: Clone Wars Season 2 Finale

For anyone who thought they didn’t want to watch the Clone Wars cartoon because it was too kid oriented, or wasn’t telling cool stories, this trailer is for you.

I literally shed a tear of joy watching this. This is Star Wars as it ought to be and it is out to tell a story a lot of us were incredibly interested in.

Boba Fett guest stars in the season finale and he is out for revenge for the murder of his father at the hands of Mace Windu.

Ahsoka is teamed up with Plo Koon in some of the coolest and best lit shots I’ve seen in the entire series. The tone and pacing of this trailer are top notch.

Kudos to whoever cut this trailer. This is tremendous.

This Week IN Comics

Most of you know that Big Shiny Robot! has a weekly column in one of Salt Lake City’s alternative weekly papers, IN This Week.  What we try to do every week is bring an audience who may be unfamiliar with the world of comics and encourage them to step into it.

This week, I offered them all an assignment, and I’m going to ask you guys do the same.  Go to your local comic book store and add a comic to your hold.  Make it something you’ve never heard of.

To read the online version of the story, click here.

Or click on the image to read it as it’s laid out in the paper below:

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Chris Evans’ Cap Has His Bucky!

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Just about a week after the long-anticipated announcement of who would don the star-spangled costume of Captain America Variety is reporting that we now also have our Bucky!

Sebastian Stan (who is apparently on CW’s “Gossip Girl” and has some sort of role in Hot Tub Time Machine) will play the orphan who becomes Captain America’s side-kick against the Nazis. Comic fans of course know that Bucky later becomes Winter Soldier (and if you really want to get into it, later becomes the new Captain America).

As is the case with most of the thesps Marvel signs to star in its pics, Stan’s deal includes appearing in multiple films, including sequels to “Captain America” and other superhero titles such as “The Avengers.”

Of course, we will have to wait and see how Bucky and possibly is later alter-ego are handled on the big screen as The First Avenger: Captain America starts filming this summer in Europe (IRONY!) and will be hitting theaters July 2011!

Marvel Comics Debut on the iPad!

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Marvel announced today that more than 500 comics will be available for the iPad with the launch of their first AP through iTunes.

The best news comes most of the way into the press release when they say that I can use this Ap on my iPhone. Though it does make me want to get an iPad even more.

This is a real game-changer in the world of Digital Comics. Now all they need to do to make it perfect is sell a version of it that’s tied to your Marvel Digital selection so you don’t have to pay $1.99 per book. If you pay for the book though, I imagine iTunes will store it on your iPad or iPhone or iTunes or whatever, and I think that means you can keep that digital copy of that book. That’s also a great big step for Marvel. So, this certainly has it’s pros and cons.

More details here:

New York, N.Y. – April 2, 2010 – Marvel Entertainment is proud to announce the launch of the Marvel Comics App for iPad on the App Store. This landmark app launches with over 500 of Marvel’s greatest comic books, from classic stories to modern tales, featuring Iron Man, Captain America, Spider-Man, Hulk, Thor and more of the world’s most popular Super Heroes. The Marvel Comics App brings the world of Marvel to iPad owners with each comic presented at incredibly high resolution possible on iPad’s full color screen, a user-friendly search engine, innovative viewing options and more.

“We’re excited to introduce an unparalleled digital comic experience to our fans with the Marvel Comics App for iPad,” said Dan Buckley, publisher & CEO, Marvel Publishing. “The iPad is the first device that offers us a chance to present digital comics that are even close to replicating the experience of reading a print comic. This new world of digital comics distribution provides us great opportunities to reach new readers, allow consumers to sample our diverse stories and characters, and we believe it will drive these new fans into the App Store and local comic shops each week to find even more.”

Fans will be granted unrivaled access to Marvel’s rich library of comics, with launch titles ranging from the first appearances of characters such as Spider-Man and the X-Men to modern classics like the debut of Red Hulk, Jonathan Hickman’s acclaimed Fantastic Four run, Joss Whedon & John Cassaday’s Astonishing X-Men and lots more. Every comic available through the Marvel Comics App is optimized for the iPad through painstaking re-coloring and re-digitizing of select content.

Marvel worked with ComiXology to create the perfect app for new readers, offering the option to preview three pages from each available comic before purchasing and a cutting edge recommendation engine for every fan to find a comic they’re sure to love. The app also arms fans with a handy comic shop locator, allowing them to find their local retailer’s address and phone number and then journey even further into the Marvel Universe. To further enhance the mobile reading experience on the iPad, the Marvel Comics App features multiple viewing modes, taking readers panel-by-panel through the comic book in a smooth, action-packed progression using just the swipe of a finger.

The Marvel Comics App for iPad is available for free from the App Store on iPad or at www.itunes.com/appstore/. Individual comics are priced at just $1.99 each with new content arriving every week.

To commemorate this historic event, Marvel is offering select titles free for a limited time, such as New Avengers #1, which launched a new era for super hero comics; Captain America #1, Invincible Iron Man #1 & Thor #1, the perfect place for new readers to discover the titular heroes; and Super Hero Squad #1, suited for fans of all ages, especially our youngest ones.

The Marvel Comics App is also available for iPhone and iPod touch. For all the details on Marvel’s historic announcement and a closer look at the Marvel Comics App, please visit www.marvel.com/iPad.