Tag Archives: Top

REVIEW: Star Wars: The Clone Wars – 4.12 ‘Slaves of the Republic’

Talk about your Empire Strikes Back of Clone Wars episodes?

There’s really not a way to talk about this episode in my mind without spoilers, so, be warned.

This episode was nothing but the perfect middle part of a Star Wars trilogy. It had elements of so many Star Wars films, though, it’s hard to say where it drew most of its inspiration, though the plot bore little resemblance to any of the Star Wars movies.

After the events of the last episode, having lost an entire colony of Togruta to slavers, Anakin, Obi-wan, and Ahsoka decide to go undercover into the world of slavery in the Star Wars galaxy. Anakin and Obi-wan disguise themselves as slavers and Ahsoka as a slave. But, like all the best laid plans of mice and men, things go pretty much horribly awry.

Obi-wan is caught, then Anakin rescues him in classic Return of the Jedi style, then they get caught, then Ahsoka gets caught. Then Anakin is forced into the service of the slavers if he wants his friends to live.

And that’s pretty much where the episode ends.

There’s some very telling character moments in this episode that I love. Firstly, Anakin’s assumed name in this episode is Lars. That’s a pretty big tip of his hat to the man who rescued his mother from slavery and I doubt the use of the name was merely coincidental. And since he mentions it to no one, playing it off as though it’s just some assumed name, with this mission in particular it seems as though he’s quietly showing his gratitude.

Just that one little moment was so touching that it made me love the writing in this episode. But there were so many more.

First off, handing Artoo the lightsabers and pulling them out just like Luke on the skiff in Jedi gave me a chill. Doubling down on that, having Ahsoka and Obi-wan ignite their lightsabers as well in a fashion reminiscent of the Jedi in Attack of the Clones. And Obi-wan getting on the flying lizard creature that seemed so much like the one in Revenge of the Sith? I love watching this show made by people who love Star Wars as much as I do.

But this episode also had a lot of difficult concepts and moments that hit me right in the gut. Not in a bad way mind you, but this episode was just one big downer. Obi-wan gets shot in the back, a slave commits suicide after a failed assassination attempt, another slaver drops a dozen slaves out the bottom of a repulsor platform just to make Obi-wan realize who will be hurt if he’s insubordinate.

It was harsh.

Add to that the fact that Anakin is being forced to do things that are completely outside his will in an effort to save his friends. He’s in a difficult position and there are no easy ways out of it. Difficult choices are going to have to be made, and none of the choices are very Jedi like.

This whole enterprise is the insidious nature of Palpatine’s plan. But where is he? Like the rest of this season, there is so much coming back to The Phantom Menace, not just story and thematic elements, but the Phantom Menace himself. The Jedi are going to have to sell their souls to make it through the war, Anakin in particular. He relies more and more on his force choking as the war goes on, making his reaction in Revenge of the Sith to Padme all the more telling. But it’s not just Anakin here. Ahsoka almost kills that guard, knocking him off the building with the force. And Obi-wan is beaten in this episode, the entire galaxy is on his shoulders and he just wants to help, but there’s just nothing he can do.

This was an incredibly dark episode and I can’t stop turning it over in my head. It was challenging and worked so well and in all the right ways.

But none of this story could have been told without the stage it was told on. This show looks incredible, even more now that it ever has before. The lighting, the sets, even the sky and horizon, are all characters, each one a brilliant tool to tell such a heartbreaking story.

I really don’t understand how they keep topping themselves. Seriously, that last group of shots of the flying-lizard creatures flying through the sunset was absolutely gorgeous.

To the cast and crew of this episode of The Clone Wars, all I can say is this: Well done.

Viz Media to Release “Art for Hope” Digital Art Anthology

Press Release:

VIZ MEDIA TO RELEASE ART FOR HOPE DIGITAL ART ANTHOLOGY IN DECEMBER

Innovative Art Book Created In Partnership With Autodesk To Benefit Japanese Disaster Recovery; Exhibit Of Artwork Also Takes Place In Las Vegas At Autodesk University

VIZ Media has announced the upcoming debut of ART FOR HOPE, a limited edition digital art book anthology created in partnership with Autodesk, Inc. (NASDAQ: ADSK) to benefit Architecture for Humanity. The anthology will be available for a limited time, from December 1, 2011 to May 31, 2012, for $4.99 through VIZManga.com and the VIZ Manga App for iPad®, iPhone® and iPod® touch. 100% of VIZ Media’s net proceeds will support Architecture for Humanity’s ongoing disaster reconstruction efforts in Japan. To learn more about these rebuilding projects, please visit: www.ArchitectureForHumanity.org.

 

Untitled by Jorge Monlongo

Untitled by Jorge Monlongo

Each of the 40 artists participating in the ART FOR HOPE anthology used Autodesk® SketchBook® digital paint and drawing software applications in some way to create original pieces for the anthology. The artists, both professional and amateur, hail from around the world and from diverse fields, and range in style from the realistic to the fantastic, each illustrating the theme of “Hope.” Notable contributors include Eisner Award and Harvey Award winner Rob Guillory, Harvey Award winner Lark Pien, muralist Sirron Norris, and MAMESHIBA artists Jorge Monlongo and Gemma Correll.

Selections from ART FOR HOPE will also be exhibited at the Autodesk annual user conference, Autodesk University, taking place at the Venetian Hotel in Las Vegas, NV from November 29th to December 1st. Access to the exhibit is free to the public within the Creative Studio a unique hands-on space to celebrate the creative spirit and showcasing a variety of Autodesk software and products. More information on the exhibit and conference is available at:

http://www.sketchbooknews.com/news/creative-studio-art-exhibit.html.

VIZ Media and Autodesk are very proud of and grateful to the following artists for their contributions to the ART FOR HOPE digital art anthology:

Janet Alvarado                                         Don’t Lose Hope

Asuka 111 (Patipat Asavasena)          Hope

Azure                                                           Untitled

Greg Baldwin of CreatureBox              Sheltered

Alan Bay                                                      A Little Piece of Hope

Drew Blom                                                  Calvin Hedge and the Iron Golem

Steve Boura                                                Bright Future

Carsten Bradley                                       A Wish for You

Matthew Britton                                      Regrowth

Veronica Casson                                     The Guest Room

Geikou Chen                                             Rainbow Bridge to Tomorrow

Gemma Correll                                       Pierre, le Chat Français

Kalii Delarosa                                          The Rainbow in the Rain

Conrado Hernan Villa Gil                     Untitled

Dave Guertin                                            First Flight

Rob Guillory                                            Hope

Rodolpho Langhi                                  A New Sunrise

C. Lijewski                                               Light Side of Dark

Chris Lui                                                  Birds of a Feather

Holly Mongi                                           Good Morning, Friend

Jorge Monlongo                                  The Sprout and the Bean

Brian Muelhaupt                                 Ojizo-sama

Shaun Mullen                                       Kodama (Tree Spirits)

Susan Murtaugh                                  Enduring Beauty

Ray N.                                                     Deliverance

Joe Ng                                                     Rise Above the Storm

Sirron Norris                                      Kibou

Jacques Pena                                      Love

Luis Peso                                              Gathering Hope

Lark Pien                                              Wishes, Dreams

Kyle Runciman                                   Ready to Roll

Francesco Salvati                               DEAR HOPE

Janet Shaw                                           The Hope of Japan

Brad Silverman                                   Dancing Dragon

Joseph Strachan                                 Flight of the Phoenix

James Turner                                       Never Give Up

Colie Wertz                                            Sea Turtle

Pinar Yalcin                                          Beam of Light

John Yandall                                         One Little Sign

Jim Zub                                                   Seed Starter

For more information on the ART FOR HOPE project, please visit www.VIZ.com/artforhope.

For more information on VIZ Media digital initiatives, please visit VIZManga.com or www.VIZ.com/apps/.

Netflix Launches a “Holiday Favorites” List on Their Streaming Service

Yesterday you may have noticed that a new row showed up in your Netflix recommendations list – “Holiday Favorites.” I was looking for something to watch last night before bed and happened to spot the row amongst the rest of my usual recommendations. At first, I figured it would be the usual holiday themed movies and perhaps a musical or two – but this list actually is pretty neat!

The list incorporates the usual holiday classics – movies and musicals like the classic 1947 Miracle on 34th Street, for example – but it has also included holiday episodes from many popular television series! This neat little addition to Netflix is sure to have many watching their favorite holiday episodes from series like 3rd Rock From the Sun, Scrubs, Arrested Development, Fraggle Rock, That 70’s Show, Family Guy, Frasier, and tons more! I’m not sure if the list re-configures given what things you have already rated on Netflix, but even if it doesn’t, it’s still very cool!

That 70's Show Christmas One of my personal favorites from the T.V. lineup is the Christmas episode from Season 4 of That 70’s Show.

I recommend going and giving the list a look – I think you’ll be surprised what holiday episodes you may have forgotten over the years!

REVIEW: Archie #627 (Archie Meets KISS Pt. 1)

The characters of Archie comics have a history of having some truly off-beat crossovers and guest appearances. From classics like the Teenage Mutant Ninja Turtles and the Punisher, along with recent fare such as Obama and Palin, the gang from Riverdale has certainly met their fair share of characters. Add to that list, the foursome of Gene Simmons, Paul Stanley, Tommy Thayer and Eric Singer, collectively known as KISS. Is this story destined to go down in history as one of the more memorable, or does it seem like a stunt? Read on for my opinion!

Archie meets KISS is a 4-part story, and as such, that usually means that the first issue is purely setup. That’s the case here as well, but the setup is compelling enough that I forgave a lot. KISS themselves don’t actually appear until page 11, in fact.  Those first pages are spent establishing that Archie and friends (including Sabrina, which is important) have started the Riverdale Monster Society. It starts off innocuously enough with the gang wanting to help out their community with a simple protection spell. Luckily, they have a friend in Sabrina, the teenage witch who is uniquely equipped to do such a thing. All is well and good then, right? Wrong. Veronica and Reggie’s egos come into play and wreak their usual havoc. Soon, Riverdale is infested with monsters, and the only people who can turn the tide are the members of KISS!

Once the band actually makes their presence known, the awesomeness dials is turned up to 11! Taking a page from the classic Marvel KISS tales, writer Alex Segura casts the band not as their real-life counterparts, but as their stage personas, complete with supernatural powers. Their greatest power is of course the power to ROCK, leading to the best panel in the issue. As part 1 concludes, we’re left with a shocking cliffhanger of the town full of mindless zombie-like denizens! Never has anything made me laugh and simultaneously creeped me out as a zombie-fied Li’l Jinx. I’m eageraly awaiting to see how the story plays out. Surely an Archie/Kiss team up will have the two bands rocking together, which is truly something to anticipate.

Dan Parent’s art style lends itself especially well to the crossover. I find the way he draws faces especially appealing. The teens have rounded, fresh faces, whereas KISS has a much more angular, square-jawed style that just plain works. Everyone is instantly recognizable,  which is doubly important, given the iconic nature of the guest stars. As for the writing, I praised Alex Segura on his first Archie outing a few months ago, and I just want to reiterate it here. I would love to see Mt. Segura on a monthly book.

In closing, if you’re even the least bit curious, it behooves you to pick up Archie Meets Kiss. Check out the preview below if you’re unsure, but trust me, this is the best KISS team up since KISS Saves Santa!

Harry Potter Heading to Hollywood!

This might be the best news I’ve heard in a long time.

Several outlets (including the LA Times) are reporting that by as early as 2015 there will be a Wizarding World of Harry Potter themed land at Universal Studios Hollywood.

I went to the Wizarding World in Orlando over the summer and it was amazing and magical and I loved it, but I wanted to end my life violently the entire time. I always thought Texas was my least favorite state, but I really think it’s Florida. The humidity was miserable, and I was further mocked by the promise of snow that capped each and every building in Hogsmeade.

This way, I’ll be able to enjoy the Wizarding World of Harry Potter in a climate fit for human beings, AND be able to go to Disneyland, the best Disney theme park in the United States, all in the same trip.

However, this will upset me if they disrupt any of the iconic Alfred Hitchcock sets that I haven’t seen yet since I haven’t actually ever been to Universal Studios Hollywood.

But I’d like to know, how many of you would be more likely to go if it were in Hollywood as opposed to Hell…er…Orlando?

Anime Update: 11/30/2011 – Live Action Rurouni Kenshin Pic!

This week on Anime Update: a Live Action Rurouni Kenshin (sometimes still referred to as “Samurai X” under the now defunct ADV Films) pic!

Anime Streaming site Crunchyroll posted this fantastic teaser pic to their site today:

Rurouni Kenshin Live Action

Here we see Kenshin portrayed by Japanese drama star Takeru Sato of Kamen Rider Den-O fame.

Rurouni Kenshin, the story of the wandering samurai, was written by Nobuhiro Watsuki and ran in Japan’s Weekly Shonen Jump from 1994 – 1999. The anime aired in Japan from ’96 to ’98 and was brought to Cartoon Network’s Toonami block shortly after.

The live action adaptation, which was first announced by Warner Bros. Japan in June, is scheduled to release on August 25th, 2012. Apparently the main goal of this release is to make the film an international success and feature a spin-off series shortly after the film’s release. No word yet on who is going to distribute the film in North America or when we’ll be seeing a translation.

For those of you that haven’t watched Rurouni Kenshin yet, you can rent the disks on Netflix in English. Here’s a video clip of the first Japanese opening that aired:

If you’re looking for the full casting list, you can find a neat side-by-side look at the whole bunch here.

PREVIEWS: Star Wars: The Clone Wars 4.12 – ‘Slaves of the Republic’

I really feel like this arc is building up to something that is going to blow us away.

The last episode had some great moments in it, I can’t wait to see what else this one has in store. Especially knowing now that there’s an echo of Return of the Jedi (with Artoo and the lightsaber) in this episode…

From the press release:

In an attempt to locate missing colonists, Anakin, Obi-Wan and Ahsoka go undercover to infiltrate the slavers on Zygerria. Anakin struggles with his emotions as a wily Zygerrian queen forces him to take questionable actions in order to carry out his mission in “Slaves of the Republic,” a new episode of Star Wars: The Clone Wars, airing at 8:00 p.m. ET/PT Friday, December 2nd on Cartoon Network.

FIRST LOOK: The Lizard from The Amazing Spider-Man

A picture of a Pez dispenser has been circulating around, but the Marvel Movies page on facebook gave me my first real glimpse of the Lizard from the upcoming Spider-Man film.

I don’t know about this.

I’ll keep my mouth shut until I see the movie, but everything I’ve seen has been just sort of “meh.” The trailer didn’t feel like a Spider-Man movie to me at all. It felt like Peter Parker was trapped in a Batman movie and that’s not what Spider-Man is to me.

I’m neither here nor there on this particular picture. It could be cool in action.

Who knows?

The Amazing Spider-Man is scheduled hit theatres July 3rd, 2012. It stars Andrew Garfield, Rhys Ifans, and Emma Stone. Marc Webb is directing.

INTERVIEW: Geoff Johns

This interview first appeared on Huffington Post:

For as long as I can remember, Aquaman has been the butt of a lot of jokes. My favorite over the years involves The Geek Show’s desire to have Danny McBride star as the beleaguered and hilariously unpopular hero on land, working hard to taunt bad guys into a car wash so he can use his watery powers against them. “Come into the car wash and tell me that, bro…”

The best part of that would be the wig he’d have to wear.

And though we joke about him, Aquaman can be a pretty badass character. For evidence, you need to look no further than the current DC relaunch of the character. Written by Geoff Johns and drawn by Ivan Reis, the New 52 launch of the character is a take we’ve never seen.

You see, this Aquaman knows he’s the butt of a joke. He’s reminded constantly. The first issue sees him enter a seafood restaurant that was a spot his father had taken him in his youth. Yearning for old times when things weren’t as complicated, he sits down and orders fish and chips.

You could almost hear a needle scratch across a record. Aquaman eating his fishy friends?

An opportunistic blogger calls him out on it, hoping for an interview that would generate millions of hits, and Aquaman explains that he comes from the sea, what else would he eat?

Then the blogger hits him with both barrels: “What’s it like being no-ones favorite super hero?”

By embracing Aquaman’s reputation, Geoff Johns is managing expectations and throwing readers and the character a much needed curve ball to reinvigorate the hero into something incredible.

With two issues out and the third coming this week, I find myself enjoying an Aquaman book, which is the first time I’ve done so in a long time. He’s been fine in team books, but I’m surprised to find how much I’m interested in Aquaman dealing with a new threat from the sea eating humans and him dealing with the fact that no one likes him.

Johns, who is also the Chief Creative Officer at DC, is known for taking characters and breathing new life into them, starting with his epic run on The Flash and his reinvention of the Green Lantern Corp over the last few years. I had a chance to speak with him about Aquaman, the next character he’s set his sights on rejuvenating:

Bryan Young: The take of the book is very much that everyone in the universe and reading the book knows that Aquaman over the years has become the butt of a giant joke. What is it about Aquaman, who by all rights could be a very cool character, caused him to earn such a reputation?

Geoff Johns: I’m not quite sure. Part of it is, in a weird way flattery. Everyone knows Aquaman, probably from all the animation he’s been in over the years from the 70s and the 80s, entering him into the pop culture. I don’t know who made the first Aquaman joke, I’m sure it was comics readers, maybe we all did. But it’s the idea that the perpetuated story of Aquaman is that he only has powers in water and he talks to fish. I think it’s the idea of him in the middle of a city just doesn’t make a lot of sense to people. It’s just the character itself.

BY: With the book you’re embracing that and turning it on its ear. What brought you to that approach?

GJ: I went back and read a lot of the old Aquaman and there’s a lot of great stuff, but there was this attempt to push him as hard as he could to be cool or edgy and I thought that addressing that stuff would appeal to anybody, not just comics readers. It was different, no one had done that yet, and I thought it was more real and honest. And it’s fun, working with an underdog.

BY: You’re writing Justice League also, are there differences in the Aquaman in that book versus his solo book?

GJ: There is. Justice League takes place in the past and Aquaman has a lot more to prove. He’s just starting out. The perception is already beginning and all these super humans are just showing up and here’s Aquaman. The perception is “What’s next? Now we’ve got a guy talking to fish. What can be next?” And I think he’s dealing with that and is more sensitive to that. He’s overcompensating and settling into the more confident forthright hero as the series progresses.

BY: Are we going to see him develop camaraderie with other heroes like with Batman?

GJ: You will see it. Not necessarily with Batman, but you will see him make some connections pretty early on in Justice League. You also see in a later issue, maybe #8, the tensions between him and Green Arrow. You’ll find out why Green Arrow and Aquaman dislike each other very much.

BY: That can make sense, with Green Arrow being very anti-authoritarian and Aquaman being a king…

GJ: It has nothing to do with social issues or political viewpoints. It has to do with an incident that happens between them.

BY: With the Justice League book and Aquaman happening at different times, do you worry that it might be hard for people to keep track of the continuity?

GJ: I think it’s a little tricky. Justice League is five years ago. Aquaman is now. Action Comics is five and a half years ago. There is a bit of a timeline jump that you’ve got to figure out, but I try to make the books I’m writing as accessible as possible for anybody whether you’ve been reading comics for 10 years or 10 weeks. It’s a hard balance, but I think we’re pulling it off.

BY: When you went back and read all the Aquaman material, what jumped out at you as the pinnacle of what he’s been?

GJ: He’s incredibly powerful and his mythology is incredibly intricate. It’s the idea of Atlantis. It’s the depth of stories you can tell. I’ve been writing Green Lantern for a long time and one of the reasons I’ve enjoyed it is because the depth of stories you can tell is pretty endless with Space and everything. With Aquaman there’s actually the opposite of Green Lantern in that it’s inward toward our world, the unknown in our oceans and the depths of the seas…fish that should be extinct, things that just baffle science. Things that shouldn’t exist because it needs some kind of sunlight and the food chain to keep it going and yet there’s nothing like that in the equation down there. There’s so much to draw from for Aquaman.

BY: You’ve got an incredible track record with reinvigorating characters like Wally West and Kyle Rayner, and then having someone replace them pretty quickly. (Barry Allen took over as the Flash and Hal Jordan as Green Lantern). Is this just a plan to replace Arthur Curry in the next few years or is that entirely coincidental?

GJ: There’s no plan to do a new Aquaman. This is Aquaman.

BY: What about the Rogues gallery?

GJ: We worked a lot with Black Manta in Brightest Day and I thought he turned out really well. He’ll be in the book again. To me he’s a pretty ruthless bounty hunter. I think he looks cool already and he’s a great character. There’s a lot of great plans for him. And then eventually we have plans to revamp more of his minor rogues, but most of the villains he’s going to be up against are new.

BY: One last question about the DC relaunch: A lot of people were on the fence about how successful the relaunch was going to be, and now that we’ve seen it become the runaway success that it is, what are you guys doing to keep that momentum up?

GJ: I can speak for the books I’m working on. That’s my day to day more than anything else, but everyone knows the spotlight is on them. All the other writers and artists are trying to bring their A game. Everyone is trying to make the books the best they can be. If they’re not the best they can be, we have to stop and figure out what to do to ensure that. With Aquaman, having Ivan Reiss and Joe Prado on the art…they’re just amazing, you can’t get anyone better drawing this book. It’s a matter of quality. It’s all about keeping the quality up. At the end of the day, people will try #1s and they’ll try a relaunch, but the books got to be good to get them to keep buying it. Especially for characters like Aquaman, where there’s not a whole lot of loyalty to the character yet. It’s all about quality. Each book stands on its own and can be judged on its own, but I think it’s obvious that the DC universe as a whole the quality is going up.

BY: That’s all you can do, thank you very much for your time.

Aquaman #3 hits comic book shops this week. If you’ve ever been interested in getting in on the ground floor of a character about to hit mainstream stardom, now might be the time to do it.