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STAR WARS: Disney’s Orange Harvest

Inside the Magic is on the scene at D23 and recorded this interview with Disney Imagineer Jason Surrell and he had some interesting things to say about the Disney Theme Parks potential for Star Wars.

On the floor at the expo is a series of crates with hints of what might be to come, including the crate reading “Orange Harvest.” Obviously that’s a play on Blue Harvest, and both Disneyland and Disney World happen to live in the Orange County of their respective states, so anything is possible.

You can head to Inside the Magic for their full report and many more pictures of the crates.

The next bit of news comes from Micechat, a generally reliable Disney news site. They’re reporting some very enticing tidbits about the future of Star Wars at Disneyland.

From their inside (but unconfirmed) sources:

The first phase is planned to get underway this winter with the closing of Captain EO and major “placemaking” work on the existing buildings that mostly date from 1967. The 15 months of work would wrap up by early spring 2015 in time for the 60th, and leave a new Star Wars 3D movie in the old Captain EO theater, new destinations programmed into Star Tours based on the seventh Star Wars movie to be released in summer 2015, and a freshened aesthetic to the buildings surrounding Space Mountain. Once the 60th Anniversary begins to wind down, the real work begins on plans to build a Star Wars speeder bike coaster on the old PeopleMover tracks, plus more Star Wars eye candy and freshened facilities throughout the land.

My only problem with the idea of the Speeder Bike coaster on the old PeopleMover tracks is a bit of inside information I got from a Disney employee a couple of years back. When the PeopleMover was replaced by a roller coaster to begin with, they had to close the coaster after just a few years because it wasn’t safe. The infrastructure for the old PeopleMover tracks simply can’t handle the physical forces required to safely accommodate anything that moved much faster than the PeopleMover. But that’s not to say that they can’t fix all that.

But seriously, can you imagine the need of Star Wars fans to see an exclusive 20 minute Star Wars movie at Disneyland? It would increase pilgrimages exponentially.

Whatever Disney decides to do, I’ll be there. I just hope much of it is ready in time for Star Wars Celebration: Anaheim.

SDCC: Cosmos

Swank-mo-tron here. We have another new robot debuting today with his first guest post. His name is Cassidy Ward and his robot name is Neverbot.

Neverbot was on hand for the Cosmos panel at San Diego Comic-Con and gives us a first hand look at it:

Growing up in Utah my education wasn’t exactly what I would have hoped were I to go back now and design it for myself.  Certain elements were emphasized while others were downplayed, this necessitated a re-education of sorts during my early twenties. This is when I discovered Cosmos and Carl Sagan.  The series, and Sagan’s work in general helped shape the new way in which I see the world, this led to many new passions including Star Trek, comic books, and a general love of science.

During the San Diego comic-con a few weeks ago I had the pleasure and privilege of attending a panel surrounding the re-launch of Sagan’s seminal series, re-branded Cosmos: A Space-time Odyssey.

This new incarnation will be hosted by Dr. Neil deGrasse Tyson. For those of you unfamiliar with Dr. Tyson’s work he is the director of the Hayden Planetarium, former adorable little kid and current badass. He has also hosted a number of Nova Science Now specials.

He was joined on the panel by Ann Druyan (Sagan’s widow and co-creator of Cosmos) as well as Brannon Braga (Star Trek: The Next Generation).  I’ve long been a fan of Dr. Tyson as well as Ann and was excited to sit in the same room with them and hear them speak about this project. This alone was enough to get me planted in a seat as close to the front as possible. That was before Bill Nye walked in. The little kid in me, leapt out of his seat and I don’t think I stopped chanting “Bill, Bill, Bill- Bill, Bill, Bill, Bill, Bill, Bill” for the rest of the week.

I DID share air with you Bill, and it WAS the tightest shit.

The panel was introduced and after a few moments the lights dropped and the trailer for the upcoming series debuted. I’ll let it speak for itself.

The visuals are stunning and the use of graphic novel style animation during some of the stories seems interesting. Needless to say I’m excited for it to begin.  Science breeds art, and art science.  This can only be good for us.

The rest of the hour block was filled with question and answer time wherein the role of the show was discussed as well as the role of the individual in spreading scientific literacy. Laughs were had, insights shared, and tears shed. The atmosphere in the room was electric, I’ve never quite felt anything like it.

It’s fair to say that much of the stories we love today were at least in part inspired by scientific literacy and interest. Dr. Tyson remarked:

“If Comic-Con people ruled the world, the future would be invented daily and warfare would be nothing more than bar fights with toy lightsabers.  That is the world I want. “

Well Neil, that’s the world I want to live in as well and I thank you for doing your part in bringing it to fruition.

As Sagan said:

“Somewhere, something incredible is waiting to be known”

I don’t know about you, but I can’t wait.

REVIEW: Trillium #1

DC’s Vertigo imprint has always provided something different and interesting in comics. Lately, books like American Vampire, The Unwritten, and The Wake have been some of the best coming out from any publisher, large or small, so it’s always worth it to give a new Vertigo book a chance. They’ve given us things like Sandman and Fables, and now they’ve given us Jeff Lemire’s Trillium.

After one issue, it’s hard to categorize Trillium. Is it a time travel piece? A post-apocalyptic pandemic story? A 1920s archeological adventure? I’m not quite sure. It has pieces of all of these elements, but it hasn’t committed to one yet. There are two major story dilemmas and since the book is split the way it is, I’m not sure which direction it’s going to head. And because of how brilliantly unorthodox the structure is, it could continue on in both directions, running parallel the entire time.

The only thing I can be sure of at this point is that Trillium is great science fiction in comic book form. It’s unique in its storytelling, dense and well-rendered. Lemire uses the physical space of a comic-book in a way that reminds of Alan Moore’s mastery of the craft during his days of Swamp Thing, literally turning you upside down through your window into this fascinating world. Kudos to Lemire for actually taking the time to design the experience of the book, not just drawing and writing. This is a work of artistic craftsmanship that you just don’t see in comics anymore.

The colors are subdued, almost reminiscent of Lynn Varley’s best work in Ronin, but warmer. The story leaves me asking all of the best questions from classic, but new, science fiction moral dilemmas.

The two point of view characters are at once interesting even though we know barely anything about them whatsoever. But there are so many asked but unanswered questions, I am dying to get my hands on the second issue already. My advice is to race out and pick up issue #1 immediately and have this title added to your pull list immediately.

Jeff Lemire and team should be very proud of this book and I can’t wait to see where it takes me next.

And that’s the best thing you can ask of a Vertigo book.

TRAILER: ‘Ender’s Game’ – The Final Trailer

The final trailer forEnder’s Game, which hits theaters on November 1, 2013, is here!

While this film has had its share of controversy, thanks to the author of the source material, Orson Scott Card, I am still excited as hell to see what they do with this film. Ender’s Game the book wasthebook that got me into actually reading for enjoyment, not just because a teacher assigned some book to read. So, while my personal views on various social and political topics couldn’t differ more from Mr. Card, I still plan to see this film. Though, I will most likely take a cue from other Robots here:

So I’m not going to boycott the movie. What I AM going to do, aside from seeing it at a press screening, is make a donation to a local LGBT charity to more than match every dollar I spend on the movie or blu ray (thanks to KMC1138 for the idea). This way, the people directly involved who worked hard on this project and deserve respect for their work (actors, director, etc) get their due while ensuring that the scales stay tipped on the side of equality and not this mad man. Is it a compromise? Yes, but it works out for everyone and is something that seems just to me.

The latest trailer looks great to me, touching more on the topic that Ender is “special” and we see more action this time around – not to mention the impressive cast they pulled together.

In the near future, a hostile alien race called the Formics have attacked Earth. If not for the legendary heroics of International Fleet Commander Mazer Rackham (Ben Kingsley), all would have been lost. In preparation for the next attack, the highly esteemed Colonel Hyrum Graff (Harrison Ford) and the International Military are training only the best young minds to find the future Mazer.

Ender Wiggin (Asa Butterfield), a shy but strategically brilliant boy, is recruited to join the elite. Arriving at Battle School, Ender quickly and easily masters increasingly difficult challenges and simulations, distinguishing himself and winning respect amongst his peers. Ender is soon ordained by Graff as the military’s next great hope, resulting in his promotion to Command School. Once there, he’s trained by Mazer Rackham himself to lead his fellow soldiers into an epic battle that will determine the future of Earth and save the human race.

[SHH!]

INTERVIEW: David Philip Graham

Competetive gaming has been growing exponentially over the last few years. With this growth there have really been two major forces, eSports: consisting of MLG, WCS and others, and of course the Fighting Game community. Hosting events worldwide culminating every year into Evolution hosted by the group at Shoryuken. With Evo reaching up to 150,000 viewers on Twitch and thousands in attendance the growth for the group has been astounding. With any expansion of something as grass roots as the FGC has been it is only natural that changes will occur and and regulations will be laid down.

One week after EVO, St. Maarten was host to the Video X Games where the worlds greatest qualified to spend time on a tropical island and of course, show off their skills. During the grand finals for Ultimate Marvel Vs. Capcom twitter began erupting with statements of discontent on the character choices and play of the two finalists. Team AGE’s Chris G, and VxG’s Flocker, the two picked teams that they are not well known for but have practiced in the past and many members of the community including Capcom’s, Mark Julio calling for better policing of “collusion” and giving quality events.

Debate went on over twitter and a few days later a new set of rules were released for any tournaments wanting to be considered an EVO qualifier and receive press coverage from FGC sites. All tournament rules are required to hold the following disclaimer:

Collusion of any kind with your competitors is considered cheating. If the Tournament Director determines that any competitor is colluding to manipulate the results or intentionally underperforming, the collaborating players may be immediately disqualified. This determination is to be made at the sole discretion of the Tournament Director. Anyone disqualified in this manner forfeits all rights to any titles or prizes they might have otherwise earned for that tournament.

Once this was released twitter once again erupted in debate over how this will be policed and if it will be fair to players in general. We reached out to David Philip Graham who has been a prominent member of the FGC for years. He commentates most major tournaments and is also a lawyer that focuses on multimedia and video game law. The interview audio will be available in an upcoming episode of Entertainment Is Dead, here is the readable version.

Big Shiny Robot!: Thank you for taking the time to do this sir.

David Phillip Graham: Anytime

BSR!: Twitter was pretty crazy yesterday, watching the two sides go back and forth. With your experience we figured you’d have a tempered view of it.

DPG: Well, the finals sucked. I’ve had to commentate those matches before, where players are clearly not taking it as seriously as you’d like and it sucks. The thing is if you’re one of the players your mind set is “why do I have to conform my play to how other people expect, I’ve gotten this far it should be about what I want to do.” That’s just not realistic, especially in the age of streaming, maybe back in the day. Now it’s annoying to be the commentator and when I was a player if someone who beat me goofed off in the finals I would be frustrated. Because it’s disrespectful, was I that bad? If you’re a viewer it sucks because the stream is less interesting. If you’re a tournament organizer its bad because you put in all this time and money to make a good tournament and event and the players disrespect that, and I’m sure it’s the same for the sponsors. Sponsors don’t like it either as you can see by Madcatz Markman’s reaction. I think it’s a good change and it’s good that we get regulated to a degree. It’s been going on for a while, well forever really, but seemingly worse the last year. The tournament organizers don’t want this and they’ve all come together, these are people with very disparate backgrounds and philosophies, people who in some cases don’t like each other very much all came together on this, which shows they’re pretty serious about it.

BSR!: It shows a lot of growth for the community as well, with Evo having 150,000 viewers we’re seeing growth there. Do you think we’ll see any changes in the players competing or the way teams regulate each other? I feel that Chris G is the heel of the FGC, I’m sure it’s not all him but do you think the regulation on teams will change?

DPG: It’s definitely not just Chris G, Justin Wong has been involved, Filipino Champ, PR Rog, Fanatiq, so like I said it’s been going on for a while and this should help fix that.

BSR!: I didn’t see a lot of response from the Madcatz team besides Markman is that a coincidence or just how it shook out?

DPG: Well he’s mainly the spokesman for Madcatz so that isn’t surprising, but I’m sure other sponsors were just as irritated.

BSR!: That makes sense, Madcatz is definitely one of the more active sponsors. On an unrelated topic one of our readers was hoping you could settle an argument.

DPG: Sure

BSR!: Their questions was about a discussion they had on payout for FGC tournaments vs. MLG or Starcraft they noticed they’re not quite as high. Is that due to a lower interest or the higher learning curve or if the FGC wants to distance themselves from that community?

DPG: I think it’s a mixture of things. There are fewer peripherals in fighting games than in PC based games which leaves fewer opportunities for sponsors to get involved. Those involved are a bit different, I’m not sure why but people in fighting games seem a little more ethnically diverse and a little bit less well off, which neither of those things resounds well to the way advertisers work. There’s also a mindset in the community that is pretty common about not wanting to get involved in more eSports style things, the TO’s are like that I’m like that to an extent, many players are. The top players aren’t so much like that because they understand there is more money, and there is probably more money for me as a commentator (laughs) oh well, not that big of deal. You know top 8 pay out, or get paid out at EVO. Last year they gave first place a bigger percent of the money which annoyed people. This year they redid the formula so it was more balanced and first place didn’t get as much as expected because of that. There is also a different business model on the part of developers and publishers in fighting games. They tend to support with less money compared to Blizzard and Riot. Really the only prominent example of big money is when Warner through in a lot for Mortal Kombat, which they didn’t do with Injustice. Capcom, Atlus and Namco have in the past as well, but not as much as eSports.

Going back to the question of underperformance, we won’t see growth if players don’t take matches like their grand finals seriously. You know if you flew these guys out as a TO you’re going to think twice before doing it next time, sponsors are definitely going to think twice. So those fixing matches or not taking it seriously are really effecting their own payout in the long run.

BSR!: I read an article discussing the FGC growing as a grass roots movement vs. IPL which was closed last year because it cost IGN 1,000,000 to run. What are your hopes for EVO’s growth?

DPG: I think Evo got so many views partially because of the Smash controversy right before. A lot of news sites that don’t normally cover it gave a lot of press to it. Hopefully they come back next year and watch again. Evo will never be like IPL the organizers just aren’t interested in that, it’s definitely much more grass roots. EVO is there for the players, it’s built to satisfy the players and give them enjoyment for their weekend, and it’s not perfect but they are working on that more than they want to satisfy even the top players. As big as it’s going to be I don’t think it will ever become a corporate focused event.

BSR!: Based on attendance they can probably fund ok with a lot of their own cash.

DPG: Yeah, that’s what happened this year, first place didn’t get as much as they expected but they get a lot of attendees and a lot of money, but that gets spent on venue, payouts, crew, and gets broken up eight ways, you see that in the payout.

BSR!: Thanks again for taking the time any final words of wisdom for those hoping to get into fighting games?

DPG: It’s not terribly easy to pick up a fighting game and be serious. Understand it’s a process and nobody gets there immediately, hopefully you have fun along the way. There’s always a stream going on so you can see how other people play and apply it to yourself. You can also check Shoryuken.com, testyourmight.com, dustloop,they all have sources where you can read about play and get more intimate knowledge about game mechanics. My friend James Chen and I have a twice weekly webshow on twitch.tv/ultrachentv, we try to break games down on an intermediate and advanced level. There are definitely resources for any level on line, but it comes down to how interested you are in fighting games and I hope more people invest the time.

David Philip Graham is a man of many talents, find him on twitter @ultradavid, or follow his webshow @ultrachentv. You can also find him at UltraChenTV.com or on Twitch, twitch.tv/ultrachentv

Thomas Winkley is the Gaming Editor for Big Shiny Robot! Find him on twitter @thomaswinkley, or email him Thomas@bigshinyrobot.com

SDCC: The Star Wars Vs. Star Trek Debate

I had the great pleasure of participating in the Psychology of Star Wars vs. Star Trek debate panel at this year’s San Diego Comic-Con. On my team, defending the ‘Wars, was Dr. Drea Letamendi, who we’ve interviewed on Full of Sith in the past. Her website deconstructs the psychology of superheroes and she’s actually Barbara Gordon’s psychologist in Batgirl.

On the opposing side was Dr. Ali Mattu and John Champion (of the Mission Log Podcast.)

The moderator, Brian Ward, from Shout Factory, maintained a generally disciplined debate format structure and we went at it and had a lot of fun.

For those interested in how it shook out, we’ve uploaded the full debate into the Full of Sith podcast feed (which you can get here).

The panel was also filmed in its entirety, so you can watch it here:

DOCTOR WHO: The Twelfth Doctor

Ever since Matt Smith said he was stepping down as the current Doctor in the upcoming Christmas special this year, everyone has their own theory as to who will be his successor, whether from Eddie Izzard, Tom Hiddleston or Rupert Grint (finally a ginger!) to Aneurin Barnard or the possibility that the Doctor might regenerate as a woman this time. While it would have been awesome to have seen an Izzard or Hiddleston take on the titular character, it was pretty much obvious that actors who have so much on their plates already wouldn’t have the time to take on this role as well, and almost everyone I’ve talked to has agreed that it would go to either an unknown or someone who hadn’t been up to much lately.

Well, we finally have our answer. In a live worldwide telecast, the BBC just announced that the Twelfth Doctor will be played by Peter Capaldi who had been a heavy favorite leading up to today.

Peter Capaldi is a Scottish actor who has been a fan of the Doctor ever since he was a kid, has starred in over 40 films and TV shows, and won an Academy Award for his short film Franz Kafka’s It’s a Wonderful Life.

Of course, fans of Doctor Who will also be quick to point out that Peter Capaldi has already spent some time in this universe, both as Caecilius in the 2008 episode The Fires of Pompeii and John Frobisher in Torchwood: Children of Earth.

Considering his love for the series, I’m sure that Capaldi will more than do the character justice. Now it’s just the long wait until Matt Smith passes his bow tie and sonic screwdriver to his new incarnation.

INTERVIEW: LeVar Burton

Recently, I had a chance to talk to LeVar Burton about Star Trek (the Season 4 Blu-ray is out) and Reading Rainbow, as well as the new Reading Rainbow app. Not only do I highly recommend Star Trek on Blu-ray, you should definitely check out the Reading Rainbow app, if you have kids it’s a must. If you’re interested in nostalgia for the show, it works for that as well.

LeVar was an incredibly nice and generous guy and it was a pleasure to take the time to talk to him. He has a lot of very cool things going on and of the interviews I’ve conducted, this one has been one of my favorites. 

Bryan Young: First I wanted to talk about how you got into Reading Rainbow and why that was important for you. Was it just a job when you got it and then it turned into something more important to you after that?

LeVar Burton: No, it was a mission from the very beginning.  Reading Rainbow was an idea that was presented to me in the, what I refer to as the “post sun-spot” that was Roots in my life. The Roots experience was one that really showed me the power that is the medium of television. …It was on television that I really watched the nation become transformed around the issue of slavery and its attendant legacy, racism, in a way that was incredibly powerful. So the idea, when it was presented to me, to use the medium of television to steer kids back in the direction of literature and the written word in the summer months when they’re sitting in front of the television set made ultimate sense to me. It was a no brainer. So I was enthusiastic about the idea of using the medium in such a devilishly good way.

BY: It certainly worked rather well, I think over the years. Every time I mentioned I was doing this interview, the two responses I got, invariably, were either a Star Trek response or literally someone singing the Reading Rainbow theme song to me. I’m sure you must get lots of that.

LB: It’s cool the way that Reading Rainbow has been embraced by those first couple of generations of kids that grew up watching it and the fact that it is still alive as a brand and it is something that they can look forward to their children experiencing. It’s been a great conversation to have with the public in this commercial field this past year because we raised money to market our effort. What we raised money for was to prove out our concept, that the brand still had value and that there was a place for the brand in the ever changing dynamic of how we consume the written word in society.

My business partner, Mark Wolfe, and I really saw the brand and acquiring the brand as an opportunity to have a voice in that conversation going forward. I think what we discovered over the past year is that there are a lot of parents out there, a lot of people who are eager to join with us in this conversation about how to we find the best stuff for our kids in this digital realm, in a culture that is becoming increasingly digital.

BY: That leads me to a question I had about what Reading Rainbow does outside of reading. When I was a kid, my favorite episode was always the Star Trek: The Next Generation behind the scenes episode, that was fascinating to me.  When I found out it was going to be on the Season 2 BluRay, I was really excited to share that with my kids. I’m wondering, I wanted to talk about that experience of bringing those two things together; aside from your connection, it didn’t seem like the easiest fit.

LB: Well, Reading Rainbow was always trying to be “out of the box,” we were “out of the box” as much as we were a television show that was promoting reading! [laughs] There was nothing “inside the box” about Reading Rainbow, nothing at all. And we loved being out of the box, that was the whole point. And get out of the box, the box, the television, this is one way to experience the story but we were continually saying, “you don’t have to take my word for it.Go, get a book. Find out for yourself what’s out there in the world.” I think one of the things we did really successfully with Reading Rainbow, and the tradition continues with the Reading Rainbow app is that we tie the literature to real-world experience.

That’s what that episode, based on the book The Bionic Bunny show was all about. It was an effort, part of a continuing effort to tie the literature that kids read to real-world experience so that literature really does become its intended use, a portal to imaginative thinking. If you can dream it, you can do it. And science-fiction literature, and Star Trek in particular, is the most holistic example of that I can think of, if you can dream it, you can do it, because we literally have this science-fiction television series that is responsible for all sorts of technological advancement that we actually enjoy in our world today.

BY: Definitely. Funny, the Reading Rainbow app is on an iPad and an iPad is something that seems like it was dreamed up for Next Generation.

LB: How cool is that? Is that crazy, or what?

BY: It’s amazing to me, especially going back to watch them again to see how much of that we’ve integrated into our lives without even realizing.

LB: It is amazing. Here we are, just a scant few years later and we have this technology as a part of our everyday experience. It’s very cool, we live in a remarkable time, we really do. That link between the imagination and our reality is so, I guess the word is, quickened.

BY: I want to ask why that focus on literacy and education has been important to you personally throughout your career.

LB: Oh, that’s easy. I come from a family where education is the pinnacle of human experience. Historically, genetically, my people were denied the right of literacy… I come by that which I believe quite honestly. My family, and millions of other families like mine, having come from an oppressed culture where education was denied us, it’s something that we thirst mightily for. If you are a member of my family you are not only in favor of education, but you are in favor of the continuing nature that education should be. There are a lot of teachers in my family, my mother, my older sister, my son, two nieces, it’s like a family business. I believe that I come by that desire in myself really, really honestly, there’s a lot of proof and evidence for it in my bloodline, if you follow me.

BY: Yeah, absolutely. I’ve read that you were a great fan of the original Star Trek series and what it represented, both culturally for yourself and with the pop culture as well. It sounds like that provided an education experience for you, is that something you were interested in when you took the part for Next Generation?

LB: Yeah, absolutely! I did not come to the Next Generation experience a novice, I was really familiar with Gene Roddenberry’s vision, I was really familiar with Star Trek. I was, and continue to be a huge fan of Gene’s vision and of Star Trek. It meant a lot to me as a kid, and continues to mean a lot to me. To grow up and to be a part of that storytelling myth, it’s crazy. Are you kidding me?

[laughs] Come on, man. How good is my life, really?

BY: It must be gratifying then, it’s such a common experience of people, I’m in my early thirties and it’s extremely common in people of my generation, two of the primary influences of learning have been Reading Rainbow and Star Trek. What would you have to say to those people that should be reading books instead?

LB: I stand on my belief that the ability to read and to be literate in at least one language is one of the inalienable rights that I believe are granted to human kind. So if you are literate in one language, you can educate yourself and I think that a free society is the first step of a building block of a sustainable solution to being human. I think for all of these centuries and these millennia we have been looking for a sustainable solution to the problem of being human. Which is to say that we are naturally curious, and it seems, inherently violent. [laughs] So the sustainability of a society has to begin somewhere, and I believe it begins with freedom and not long thereafter comes higher education. Do  you understand what I’m saying?

BY: Yeah.

LB: You have to have freedom, you have to have equality. I feel like, in no small measure, I addressed those two elements in the beginning of my career with Roots, Roots being my first job. Then at some point you have to get onto higher learning, right, and then beyond that, beyond higher learning,  you have to really have a functioning economy that’s based on everyone having their needs met. Once you have an economy where everyone’s having their needs met, that means that you are in the right relationship with your environment, you’re being proper stewards of the ecosystem in which you live. Then that’s where you get sustainability.

BY: That is very much, in my view, what Roddenberry’s vision that he’s been trying to establish over the years with Star Trek.

LB: I could not agree more. I think that Star Trek is one of those myths that point the way toward how we should be operating.

BY: Was it a thirst for knowledge that lead you to directing and telling some of those Star Trek stories yourself?

LB: I was out of an effort in my life to not feel powerless and not simply feel like I was an actor waiting for the phone to ring. I wanted to really develop a different skill set and give myself an opportunity to be the center of the creative process as opposed to be an adjunct to it.

BY: You’ve directed a whole bunch of television, not just Star Trek, you’ve directed more Star Trek than  Jonathan Frakes, which is something…

LB: Only because I’ve directed more hours, that’s all, it’s just a function of numbers. Jonathan, I think everyone would agree, is the most successful, certainly in my view, the most successful director to come out of Star Trek university. There are a lot of good directors, I count myself among them, there’s a lot of us that got our start with Rick Berman’s support for us becoming more a part of the center of the story telling process. For that, I’m forever grateful.

BY: When I’ve talked to him [Frakes] he’s said that he said that when he expressed an interest in directing he said that Berman and everyone there sort of put him through the Paramount film school to know how to do that, is that something you went through as well?

LB: The model was created with Jonathan, the model of Star Trek university was created with Jonathan and it was Rick’s idea. Rick was all for it, but you had to prove your worthiness, you had to prove your mettle.  You had to go to school, you had to get the education that was being offered to you, you had to take advantage of it which means you had to put in the time. That’s all it was, you had to put in the time, you had to come in on your days off. You had to demonstrate that  you really wanted this.

BY: With Star Trek and Reading Rainbow, does it astound you at all that both of the properties that you were so involved in, and even Roots, Roots is something that I was made to watch in school, in elementary school even, then found enjoyment out of it as a story and learning later in my life as well, that all three things that you’re sort of most identified with are so enduring?

LB: I’m a lucky son of a bitch. [laughs]

BY: Is Jeopardy next, if that’s your track record?

LB: I hope so! I really do love Jeopardy, I’ve been watching it since I was in the third grade. I’m a big fan, I try to catch it every night. I badgered Alex for years, Trebek, to do a celebrity version of Jeopardy, he always argued that they never wanted to compromise the integrity of the game. Then I guess they one day decided that they would give it a try and they realized and recognized that there was a way they could do it and not compromise the integrity of the game and make it a genuine competition based on one’s general knowledge of  trivia and world events. Lo and behold, I got my shot and I won on Jeopardy and now Alex is retiring and I think I’m the right guy for the gig.

BY: I know a whole bunch of Star Trek and Reading Rainbow fans that would agree with you.

LB: We’ll see what happens. I really believe in setting an intention in life and if you really put yourself out there, you have a better shot at achieving dreams than if you don’t have an expressed intention.

BY: Wise words, definitely. I want to thank you both for the time talking to me and really a lifetime of education I picked up on the side thanks to you.

LB: Thank you. Like I said, I really am lucky and I genuinely believe that there are some guys who are born with a silver spoon in their mouths and everything really seems to come to them. I don’ think I’m one of those guys, I’m not the guy who gets to do whatever he wants. I’m not a Russell Crowe or I’m not a Tom Hanks, but I am one of those guys who has made good with the opportunities that have come my way and I’m grateful every day for the opportunity to be in this game and for the opportunity to make a difference. It’s why I think we’re all here, to make a difference.

BY: Really quickly, though, what’s next for you that people should be looking for?

LB: Oh, I’m back on TV, the second season of Perception on TNT, we air Tuesday nights at 10:00. And the Reading Rainbow app now available on the iOS and Kindle Fire platforms, this is our first product. We’ve been on the market with this for a year, but the Reading Rainbow app is just the beginning, we’re looking to build a new brand for children and their families that is about enriching content, so that’s the intention that we set. Every day, it’s about the execution.

BY: Thank you very much again for everything.

INTERVIEW: Joey Fatone

One of the things I love most about Full of Sith is the ability to talk to and interface with Star Wars fans like myself from all walks of life. Today gave me the opportunity to chat with Joey Fatone (from ‘NSync, Dancing With the Stars, and his current show My Family Recipe Rocks), and we just talked about Star Wars and it was great.

Tha Mike Pilot and Consetta Parker, my co-hosts on the show, were there as well, asking questions and chatting. It was really a fun interview.

Joey spoke to us about the show he shot at Rancho Obi-wan (airing tonight, info below!), about his would-be cameo in Attack of the Clones, his Star Wars tango from Dancing With the Stars, and even what his favorite Star Wars toys were. It might be one of the best episodes of the show we’ve recorded, it was just a lot of fun and Joey was just a fun guy to nerd out with.

To listen to the show, head over to the Full of Sith website, or check out the show on iTunes or Stitcher.

As for tonight’s episode of My Family Recipe Rocks, it was filmed at Rancho Obi-Wan and they will be giving away memberships to people who answer trivia questions about the episode. From their press release:

Be sure to watch as we’ll ask a trivia question about the show after it airs for a chance to win an Initiate level membership to Rancho Obi-Wan!

The Star Wars themed episode of My Family Recipe Rocks will premiere on Disney XD Thursday, August 1st at 8pm ET/PT. It will air on the Live Well Network August 18th at 8:30 pm ET/PT.

Host Joey Fatone visits the world’s largest collection of Star Wars memorabilia showcased in a museum on the “Ranch Obi Wan” near Skywalker Ranch and cooks a Star Wars themed breakfast from the Star Wars Cookbook with Rancho Obi-Wan’s own Steve Sansweet and Anne Neumann!

This special is part of “Disney Fandom,” a three-night programming event on Disney XD celebrating fans and showcasing programming from Disney, Star Wars, Pixar, Marvel and more.

For sneak peek at the show take a look here! http://family-room.ew.com/2013/07/30/disney-fandom-pixar-star-wars-marvel/