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This Week IN Comics

This week, we review The Avengers #1 and try to hook some new readers coming into comics on the heels of Iron Man 2.  We also chide you once more to come to our LOST event.

In Magazine is kind enough to give us space each week in their print version to try to convert new comics readers and if you live anywhere in the Greater Salt Lake area, you should pick up a copy of the magazine on the newsstands.

As usual, you can read the online version of the article over here, and you can enlarge the image to read the laid out version below:

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George Lucas Writes Letter to ‘LOST’

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Yesterday evening I wrote an article about George Lucas writing a letter to the Executive Producers of LOST. However, against my better judgment I turned it into ammunition for a friendly argument Swank and I have been having about the Star Wars Prequels. In hindsight, this was not the proper forum for that and I am a big enough robot to admit when I am wrong.

Therefor, I am “redoing” this article, the way it should have been in the first place – and using a great suggestion from Budgetron.

A week ago, at the “LOST Live: The Final Celebration” event, ABC Executive Producer, Barry Jossen, stood up and read a letter that George Lucas himself wrote to Damon Lindelof and Carlton Cuse, the Executive Producers of LOST. It read:

Congratulations on pulling off an amazing show. Don’t tell anyone … but when ‘Star Wars’ first came out, I didn’t know where it was going either. The trick is to pretend you’ve planned the whole thing out in advance. Throw in some father issues and references to other stories — let’s call them homages — and you’ve got a series.

In six seasons, you’ve managed to span both time and space, and I don’t think I’m alone in saying that I never saw what was around the corner. Now that it’s all coming to an end, it’s impressive to see how much was planned out in advance and how neatly you’ve wrapped up everything. You’ve created something really special. I’m sad that the series is ending, but I look forward to seeing what you two are going to do next.

Afterward Lindelof said, “I just want to apologize to Mr. George Lucas for everything I said about the prequels …” — drawing one of many big laughs from the hugely appreciative crowd at UCLA’s Royce Hall.

-Zap2it.com

I can only imagine what this must have been like for the Executive Producers and Creators of LOST who have made no attempt to hide their love for Star Wars, littering the series with references to the beloved films since the first season. These guys are obviously big fans of at least the Original Trilogy (considering Lindelof’s tongue-in-cheek response) and it must have been something else to get a letter from George Lucas himself saying, “Hey, I like your work, too.”

So, as all of us LOST/Star Wars fans know very well by now, the show has had several references to Star Wars throughout the last six years – some more obvious than others. So Budgetron and I would like to know:

What is your favorite Star Wars reference from LOST?

Mine? It was one of the most obvious ones when Hurley explained that he was going to write The Empire Strikes Back with some adjustments and send it to George Lucas. I thought it was just great. Here is Hurley, on the Island, death and destruction around every tree, and he still thinks to himself, “Hey, I could rewrite Empire, make it better, and send it to George Lucas!”

Sound off in the comments below with your favorite Star Wars reference from LOST!

CONTEST: For Prequel Appreciation Day!

Today marks the 11th anniversary of the release of The Phantom Menace.  I know a few of you don’t like the prequels much, and others like it begrudgingly so, but a lot of people do like it.  And for those people like me who love it, we’re celebrating what we do like about the prequels today.

For our contest, we will be giving away this 2GB Obi-Wan Kenobi Flash Drive from Mimoco.  (You can check them out here.)

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All the lucky winner has to do is go to the comments below and tell us what you like about the prequels.  Snarky prequel bashing comments will be disqualified.

And you can enter twice by going over to the Star Wars Examiner page, subscribing to my updates there and commenting on the contest page there.

The winner will be decided randomly tomorrow, so get commenting!

Nathan Fillion as Ant-Man?

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We know that Edgar Wright has been in talks for ages on an Ant-Man project, and we know that there has been more speculation of it recently.

To date, no one has really mentioned a cast, though knowing Edgar Wright’s relationship, I think we all sort of settled into the idea that Simon Pegg could play him and we’d all be happy with that.  But Marvelous News and Bleeding Cool are reporting from inside sources that sci-fi bad-ass Nathan Fillion has clenched the part and there should be an announcement soon, probably at Comic-Con.

“Nathan Fillion is pretty much locked to be Henry Pym, and should be announced before any other new additions to the cast (think around Comic Con)”

This little gem was buried in a larger article about a fellow named Kevin Pennington that I’ve never heard of.  Apparently, he’s inked a three picture deal with Marvel Studios to play some character of some sort that doesn’t involve covering his face with a mask.  That pretty much leaves out any major character, since Marvel’s modus operandi has been to ink their stars to 9 picture deals and most of the characters wear masks.

So…

That’s the word on the street.  I have no inside info on this (though I’m doing some checking and waiting for reports to come back), so I thought I’d report what was out there and let you guys talk about it.

Reynolds in Green Lantern “Costume”… Kind of.

A few weeks ago, a rumor was reported that Green Lantern’s suit was going to be 100% CGI. Well, thanks to this set picture provided to MTV’s Splashpage, it looks like that “rumor” is now “news”.

Below, you can see Reynolds in a full-body motion-capture suit – which I would say is some pretty heavy confirmation that the chances of getting a picture of Reynolds in full GL gear prior to the studio releasing a publicity shot are slim to none. But, on the bright side, there is a ridiculously cute dog at Reynolds feet.

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Want to Read the First Draft of The Empire Strikes Back?

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According to every source running this story, before this was posted there were exactly two places you could do that: Lucasfilm’s archive and the library of the Eastern New Mexico University in Portales, New Mexico.  No copies were allowed to be made.

Somehow, MyPDFScripts.com got a hold of a digital scanned copy of the script and have made it available for download.

You can go to there site here.

This is an incredibly important piece of Star Wars history.  Brackett died before The Empire Strikes Back even started and Lawrence Kasdan (the genius behind Raiders of the Lost Ark and Return of the Jedi after this) was asked to start over.  How much of Brackett’s script got used was always a point of speculation from writing enthusiasts and Star Wars fans the world over and now we can finally see for sure.

This is the kind of thing that really excites me, both as a Star Wars fan and someone interested in the process of screenwriting, and I hope you guys enjoy it, too.  If they happen to take the screenplay down, let me know.  I’ll see if we can find it online elsewhere.

As a screenwriter, I always love to see how other screenwriters handle material and the form of screenwriting and this screenplay has a lot of unique quirks, too.  It’s just fun to look at.  Seriously, this is almost as fun as the transcript of the Raiders of the Lost Ark story conference that was going around a while ago.

And really, what better way to celebrate the 30th anniversary of The Empire Strikes Back than to read the first draft of the screenplay?

This Week IN Comics

This week I decided to dedicate our column to the incestuous relationship between comics and LOST.  I hope you guys enjoy it.  While we’re talking about LOST, I would be remiss in my duties if I didn’t refer you to our big event coming up in just over a week.  Click here for more details.

As for This Week IN Comics, it hits newsstands in the greater Salt Lake and Park City area today, so I would advise you to pick up a copy.

To check out this week’s column in an online version, you can click here, or you can just magnify the image below.

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EDITORIAL: What Batman Can Teach Conservatives

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I don’t usually like getting political on Big Shiny Robot!, but I wrote this piece for Huffington Post and Kill suggested that it might spark an interesting debate here since it had Batman in the title.

You can (and should) check out the original here, but, without further ado:

I read a lot of comic books and have since I was little. Though I was raised as a Roman Catholic, I’ve long felt that comic books crafted my moral compass much more than religion ever could. Frederic Wertham had it completely wrong.

There are a lot of obvious lessons one could derive from comic books and include them into a moral code, chief among them Spider-Man’s axiom, “With great power comes great responsibility.” But there are others in all of the comic books, and I want to focus in this piece mainly on Batman, since his comics are those that inspired this article.

What’s been on my mind the most lately, since I’ve been following the immigration debate pretty closely, is the idea by the right wing of the conservative party is that these people who arrive in the country illegally don’t deserve to be in the United States and don’t deserve any of our care, attention, or resources. Now, we’ll ignore the fact that by that standard they’d want Superman arrested and deported, and stick to the lessons that can be found in Batman’s comics.

You see, the Batman has a strict moral code. Sure he breaks and bends the law in places, but he’s a moralist. There is a very definite line he does not cross. Killing is not acceptable and every life, no matter how deranged or what country it came from, is precious. And he sticks valiantly to that code. Reading about the exploits of my favorite character as a child and seeing how strident he was in not crossing that line left quite an impact on me. I really feel like that is the basis on which I’ve predicated my views on the death penalty, immigration reform, and a hundred other issues.

I feel like not helping someone in need because of their country of origin is barbaric. We’re supposed to be the greatest country in the world and that seems like literally the least we can do. “Give me your tired, your poor, your huddled masses yearning to breathe free…” I seem to remember those words having a certain significance. And when these tired, poor, huddled masses arrive in our country, I’m more worried about helping them than dissecting the method of their arrival. (I wouldn’t ask Superman to leave the country because he didn’t arrive here properly.)

But I’ve been re-reading some recent older comics, and one passage in Detective Comics #853 (written by Neil Gaiman no less) had an impact on me that hit me right between the eyes. This comic was right after Batman’s “death” at the hands of Darkseid and Gaiman was asked to write sort of a sum up of the character in a two-part story called “Whatever Happened to the Caped Crusader?” In it, heroes and villains alike spoke at Batman’s funeral.

Clayface, one of the lesser known villains in Batman’s rogues gallery, was speaking over the coffin and said, “He died saving the city. No, that’s not true. He saved the city, he died saving me. I said, ‘I’m not worth it.” And he said, ‘Everyone’s worth it.'”

And right then and there, it hit me. It smacked me in the face.

It was an incredibly poignant moment and it solidified in my mind everything I felt about the immigration debate, the death penalty, jailing drug offenders, and a dozen different issues.

It really doesn’t matter who you are; as long as you’re a person, you’re worth saving, worth protecting, worth welcoming with open arms.

And I hope one day conservatives can see past where someone came from, the color of their skin, what they might have done in the past, or how little they’re able to work or contribute, and know that it isn’t their job to judge them. It’s their job to help them.

Bryan Young is the producer of Killer at Large and is the editor of the comic news site Big Shiny Robot!

BSR! ROUNDTABLE REVIEW: Iron Man 2

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Well folks, the wait has come and gone. Iron Man 2 opened here in the US over the weekend and many of us bots here at BSR! flocked to our local theaters of choice to check it out. Below is what some us thought about the film, a mini-review if you will, and be sure to let us know what you thought about the film in the comments section at the end!

Arse-Bot: Was Iron Man 2 a perfect superhero movie? No. However, was it a fantastic follow up to Iron Man 1? Absolutely. I had rather high expectations for this film going in, because like most, I loved the first one. I as worried that the movie wouldn’t live up to my expectations because like so many of you out there, I have been burned by Marvel sequels before (*cough* X3 *cough*). I am happy to say that Iron Man 2 held up to my lofty expectations and Favreau has delivered a solid follow-up.

First off, Tony Stark. I loved that he has somewhat reverted back to being an arrogant ass. He has brought about an incredible level of world peace due simply to the fact that Iron Man exists, he’s a genius, and he’s rich. And while we all know that deep down in there is a big heart, the narcisism always manages to take front an center for Stark. Some critics out there complained at this fact that it seems as though all the “lessons learned” by Stark in the first one had been washed away – not true – it’s just Tony Stark being Tony Stark, constantly wavering between arrogant narcissism and compassion for others. This whole argument is made null by this fact: While Stark is being arrogant and bragging about being Iron Man, the suit is accelerating the palladium poisoning he is succumbing to from his chest reactor – yet he still dons the suit to protect and help people. Stark is a complicated character, you need to look beyond the narcissism that is always there.

Secondly, the plot. Swank-mo-tron and I have talked about this a little and I’m sure he will have a solid argument for me on the contrary. Swank argues that it feels as though there is nothing at stake in this film. I tend to disagree. I don’t feel that every superhero film needs to be an “end of the world” scenario or have ridiculously large stakes. What makes this a great follow-up film for me is that when we left Stark at the end of Iron Man 1 he declared that he is Iron Man – this film now deals with those consequences, not only the moral and political implications, but how this film’s villains play in. They are both gunning for Stark at multiple angles: his legacy, his company, his friends and of course, his life. I don’t feel that every superhero film needs to have a “Lex Luthor”, someone that wants to kill the hero and in doing so take over the world! This was a simple device that I felt worked well: Stark just admitted to being Iron Man, now people are gunning for him. This provided plenty of tension and excitement for me!

Also, there were some complaints about a lack of action. What this film maybe lacked in action sequences every ten minutes, it made up for in some pretty solid character development. Personally, I didn’t feel there was the lack of action I keep hearing about and the final 20 minutes of the film more than make up for a mid-film lull. Of course, some people just can’t be pleased; if there is too much action, then there isn’t enough character development – if there’s too much character development, then there isn’t enough action. I felt this film balanced both very well.

In my conclusion, I will say this: This film is not perfect –  there are some plot holes that could have been avoided, and the film – while still pretty interesting – gets a bit “talky” through the second act, but the final action sequence in the third act really provided that “Hell Yeah! Iron Man can whoop some ass!” action I was waiting for. For me personally,  while I feel they were completely avoidable, the plot holes were “over-lookable”. I see how they were intended to move the story along, but if you think about them, they are quite glaring. I’d imagine somewhere on the cutting room floor are a few deleted scenes that probably fill in these holes to a degree. Overall though, I enjoyed the hell out of this movie,  I definitely plan to see this again – hopefully in IMAX.

Swank-mo-tron: I really enjoyed Iron Man 2, but I think it fell short of being the best Marvel sequel ever, or even one of the best super-hero movies. It was fun, the acting was all great, the fights and action choreography top notch, but the story and the script had a couple of lulls and holes that really just served no purpose. And I felt like there was no threat or growing shadow of a problem to make me invest into the story further. Don’t get me wrong, I really loved this movie and enjoyed the hell out of it, but I didn’t feel like it had a “fuck yeah” moment like Spider-Man 2 or X2. I know it did for some people, but it wasn’t a universal thing like in the other to sequel movies. But in those movies, the stakes were raised higher than that of the first film, and in Iron Man 2, they were exactly the same. It was a guy bent out of shape about Tony taking a part of his legacy and hard work and building a suit that roughly mimics the Iron Man armour only bigger and then having a blink-and-you’ll miss it fight. Sure, they added some drones and War Machine (which were cool!) but the story stakes NEVER got higher.

And my biggest complaint was the lousy screenwriting surround the car race in Monaco. How did Vanko know Tony was heading to Monaco before Tony did? And when no one, including Tony, knew that he was going to be racing on the track, why was Vanko’s plan to get on there and attack Tony? It made no sense. The other one was when Agent Coulson told Tony if he tried to leave the premises that he’d tazer him and so on. Two scenes later, Tony leaves, comes back, and is instantly met by Coulson. “Heard you left,” he says, as though he never meant to keep him there in the first place. “I had things to do elsewhere,” he says flippantly. Some have told me that it was to “set up the problem with the Hulk, or deal with Thor” but that’s thin. They did plenty of that later so this made no sense and only served to confuse the audience.

Having said that, despite its flaws, I really loved this movie and I’ve seen it twice. I won’t hold it up as high as X2 or Spider-Man 2 or the Incredibles, but it was pretty damnein Iron Man 2, they were exactly the same. It was a guy bent out of shape about Tony taking a part of his legacy and hard work and building a suit that roughly mimics the Iron Man armour only bigger and then having a blink-and-you’ll miss it fight. Sure, they added some drones and War Machine (which were cool!) but the story stakes NEVER got higher.

And my biggest complaint was the lousy screenwriting surround the car race in Monaco. How did Vanko know Tony was heading to Monaco before Tony did? And when no one, including Tony, knew that he was going to be racing on the track, why was Vanko’s plan to get on there and attack Tony? It made no sense. The other one was when Agent Coulson told Tony if he tried to leave the premises that he’d tazer him and so on. Two scenes later, Tony leaves, comes back, and is instantly met by Coulson. “Heard you left,” he says, as though he never meant to keep him there in the first place. “I had things to do elsewhere,” he says flippantly. Some have told me that it was to “set up the problem with the Hulk, or deal with Thor” but that’s thin. They did plenty of that later so this made no sense and only served to confuse the audience.

Having said that, despite its flaws, I really loved this movie and I’ve seen it twice. I won’t hold it up as high as X2 or Spider-Man 2 or the Incredibles, but it was pretty damned fun.

Budgetron: The trailers and other marketing materials failed to grab me with the story elements that would make me thing, “Wow!  How in the world is Iron Man gonna weasel his way out of this pickle jar?  I gotta see this now!”, and as such, it won’t be difficult for me to wait and see it when it hits my preferred discount theater pub, Brewvies.

Clang! Boom! Steam!: It’s easy to say that Iron Man II was either, not as good as or way better than one super hero movie or another, but the only comparison that I feel is fair to bring to the table is that to the original Iron Man, which was almost universally hailed and with good reason. Critics and audiences were amazed at how much they grew to love a B list character that they knew so little about going into the movie, even as a seasoned Marvel Comics addict, I feel that Robert Downey Junior’s performance made Tony Stark more charismatic, complex and accessible than he had ever been in any Iron Man comic I’d read thus far. (Though I admit I’d only read him in Avenger’s titles) But as with any sleeper hit turned box office juggernaut, the bar was set sky high for the sequel, and rightfully so – the trail has been blazed, now tear it the fuck up right? Well maybe that’s what irked me just a little bit about Iron Man II, they blazed one Hell of a trail with Iron Man (I) only to end up taking a brisk stroll down it.

I don’t mean to imply that the action wasn’t intense or the characters have necessarily lost any of their charm, I just feel that the formula of the movie didn’t end up working quite as well as it could/should have. I will attempt to articulate without sounding like a joyless, overly academic douche.

By my count, most people who have seen the Iron Man II so far, myself included can more or less agree on 2 things –

1) They really enjoyed the movie

2) It wasn’t as good as the original, and I believe it is largely for the reasons stated below.

Many conflicts that existed in the original film spilled over into the sequel (okay) but where I feel it went wrong was the villains, subplots and conflicts seemed to multiply (fine) and diffuse (not okay) – creating a sort of “more is less” effect. It’s not that you didn’t sense any menace, conflict or danger, it’s just that none of it stabbed at your heart as with the Iron Man (1) , nor did it feel like a million pins needles slowly draining your blood as with Spider-Man II – it was more like Tony Stark taking a beating in a sparring match, cuts, bruises and humiliation for sure but not near the intensity or depth that we saw in the original. Because of this, the emotional peaks and valleys were less jagged, the light at the end of the tunnel was a bit fuzzy and the personal investment in the outcome was less complete.

In closing I give HUGE props for mass robot violence and sexy Russian spies – two things that I feel almost all movies could benefit from.

All the same, really enjoyed it, well worth the price of admission and don’t you DARE leave the theater until the end of the credits.

Zombietron:

I went into Iron Man II expecting mediocrity. I was pleasantly surprised with a great action movie with a pretty solid story. I agree with Clang’s statement that Iron Man 1 turned a B super hero into something everyone cared about, and Robert Downy Jr. once again knocked the roll out of the park. There were definitely plot holes, (if Agent Romanov could hand War Machine’s control back, why couldn’t she just turn off the other Hammer bots?). Those aside I was having so much fun watching the movie that I found them easy to ignore. I pray to god, whichever god will listen, maybe the god of superhero movies, or super-hero fans, or super-hero jesus, I don’t care which god. THAT THEY NEVER EVER EVER, have another Scarlet Johansson role in a movie, she was good to look at, and I don’t think any female actor ever could have been a worse black widow.

Go See Iron Man II, and like all the bots are saying STAY AFTER THE CREDITS!

Dr. Cyborg’s Comic Colonoscopy Vol. 4!!!

I know it’s been a while since my last colonoscopy– long story short, there were some malpractice hearings, and I was forced to hang up my colonoscopy scalpel until I agreed to wash my hands before procedures. Thankfully I was able to bribe the judge, and now I’m back!

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First up: Nemesis

The new book from Mark Millar and Steve McNiven. It follows a criminal that hunts down law enforcement, and kills them in less than humane ways. (You know how to humanly kill someone? Well it’s even less humane than that.)
There really wasn’t much to the first issue, just a bunch of very bad ass things happening very rapidly, and then it ended. I would also like to mention that it ended on a very generic Mark Millar cliffhanger. (This is at least the third time he’s had the President of the United States humiliated in front of the world at the hands of his enemy.)
Basically I don’t have anything bad to say about this book, it was gory, quick, and fun to read. But not bad doesn’t mean good. Based on the first issue, I wouldn’t call it a must read. Whereas I thought Kick-Ass felt like a must read immediately. Although judging from past history, I’ve acquired some blind faith in Mark Millar, so I will definitely be picking up the next issue to see if it gets any better.

Overview: I wish Mark Millar would eat more fiber before coming into my office… His ass is as powerful as ever, but everything on the inside is indistinguishable mush. After today’s colonoscopy I’ve set two new rules: The first, that Mark Millar isn’t allowed to fart while on the table… Second while examining Mark Millar, goggles and turd galoshes are a must… You live and you learn.

Prognosis: The bunghole is in good order, my only problem is, I shouldn’t have to preform colonoscopies with a shop vac!

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Next, Invisible

Before giving this comic a colonoscopy, I had to ask it if it was eating hamburger with its butt…. Written by the poor man’s Jeph Loeb, (Robert Kirkman), and illustrated by the illustrious Ryan Ottley.

Invisible is one of my favorite comic book series of all time. My only problem with the series is that now and again it’s known to hit a lull. I believe this is due to the fact that Robert Kirkman spreads himself too thin. (Haunt, Invisible, Astounding Wolf-man, Walking Dead, and I believe he’s also writing Archie?) To alleviate any misinterpretation I would like to lay it down really clearly. I am a huge fan of Robert Kirkman, I just think he is burned out lately and that the series is suffering for it. At this point I would fully support Judd Winick taking over for a few issues until Kirkman can get his groove back. Now, I’m not suggesting that Judd Winick could do any better, but simply that he couldn’t do any worse…

You don’t have to stop reading Invincible… it would be much easier to just lower your expectations –Slugtron

Overview: I would never suggest that Kirkman’s ass has any STD’s. Though I did make him sign a waver before leaving my office that he would agree not to have sex with anyone ever again without first giving them illicit warning that in seven days a little girl would likely walk through their television to murder them.

Prognosis: Thankfully there is a cure, the common butt plug.

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And finally, Ultimate Avengers 2

In my opinion Mark Millar has a serious problem. He starts out series in the best way possible, and keeps making them better issue after issue, but then ultimately fails to procure an ultimate climax. This was a major problem for me with Ultimate Avengers 1. The first issue was great and by the fifth issue I thought it was one of the best books coming out… And then issue 6 rolled around… it resolved everything, but wasn’t a fraction as cool as any of the previous books in the series. He did the same thing for Old Man Logan. It was awesome, then awesomer, and then it was never awesome again.

Mark Millar books and sex with Dr.Cyborg sound like they have a lot in common.  –Slugtron

Ahem…. Thankfully, at times he’s been able to break this chain, Ultimates 1&2, Civil War, Ultimate X-men & Fantastic 4. Therefore, all I can do is hope that this series happens to be cool… But just like the pre-cogs, Mark Millar is very  capable of a false positive, and I worry.

Overview: I wake up in the morning and I go to work. My secretary tells me, “I tried to stop him, he wouldn’t listen.” I tell her to put on a pot of coffee and I walk into the office. I wasn’t surprised to see Mark Millar…again…  lying over my desk with his pants down. “Mark,” I said, “Pull up your pants, I just checked you out. You’re shit is exactly the same as the last time.” and I think that statement sums up how I feel about this new series.

Prognosis: I think Mark Millar has a very attractive ass-hole, but I’ve seen it so many times now it’s hard to get excited… down there.

Until next time, Keep those asses clean!