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Pentax Offers DC Comics Themed RS1500 Camera!

If it wasn’t enough for you to show your geek pride with various items of clothing, jewelry, and other accouterments, now you can geekify your camera as well! Pentax and Warner Brothers/DC Comics have partnered up to make a limited-edition version of the popular RS1500 compact camera.

The “DC Super Heroes RS1500” camera pack comes with 7 skins for the camera. You get Superman, Batman, Flash, Green Lantern, Wonder Woman, Catwoman, and The Joker. It also comes with a 4 GB SD card for storage, as well as a special Green Lantern protective case, which nicely coincides with the upcoming movie. The camera of course has the same features as the regular RS1500, and for the price, they’re no slouches.

  • 14 Megapixel CCD sensor
  • 4x Optical zoom/wide-angle zoom
  • HD Video (720p) recording at 30 frame per second
  • 3″ LCD Screen
  • Customizable front skins

As for that price I mentioned? Well, that’s the only sour note in this product. As far as I can tell, it’s only going to be available overseas. It’ll be available in the UK on May 1st. The price is reasonable at £119.99 (approx. $197), but with import costs, it may not be worth your effort, but you still have to admit, it’s very cool.

via Digital Photogrpahy Review.

Comic-Con Announces 2011 Eisner Nominees!

Every year, Comic-Con International announces their nominees for the prestigious Eisner award, named after legendary creator Will Eisner. Today, the hopefuls for 2011 were announced, and there is some truly great nominations this year. It’s a laundry list of what is great about comics today. Of particular note, Return of the Dapper Men has gotten 5 nominations, including Best Writer, Best Artist, and Best Publication Design.

In a rundown of the various publishers, DC and its various imprints have gotten 14 nominations, Image Comics and IDW are tied with 12, Fantagraphics and Drawn & Quarterly both have 11. Dark Horse with 9, plus 2 shared with other companies/creators, Archaia with 9, VIZ with 4, and Marvel with 3, plus 2 shared.

One of my favorite new creators, Nick Spencer, is getting his due with 4 nominations, but it is Mike Mignola who earned the most creator nods with 5. You can check out the full list below (it’s massive), and the winners will be announced July 22nd at Comic-Con International. Please note, that the Hall of Fame category has already been voted on and the winners decided, which you can also see below.,

While standard superhero fare isn’t as prominent on this year’s nomination list, you can be sure anything you decide to pick up from the list is well worth your time!

You can find out more about the Eisners and Comic-Con International as a whole at the official website: http://www.comic-con.org!

Best Short Story

  • “Bart on the Fourth of July,” by Peter Kuper, in Bart Simpson #54 (Bongo)
  • “Batman, in Trick for the Scarecrow,” by Billy Tucci, in DCU Halloween Special 2010 (DC)
  • “Cinderella,” by Nick Spencer and Rodin Esquejo, in Fractured Fables(Silverline Books/Image)
  • “Hamburgers for One,” by Frank Stockton, in Popgun vol. 4 (Image)
  • “Little Red Riding Hood,” by Bryan Talbot and Camilla d’Errico, inFractured Fables (Silverline Books/Image)
  • “Post Mortem,” by Greg Rucka and Michael Lark, in I Am an Avenger#2 (Marvel)

Best Single Issue (or One-Shot)

  • The Cape, by Joe Hill, Jason Ciaramella, and Zack Howard (IDW)
  • Fables #100, by Bill Willingham, Mark Buckingham, and others (Vertigo/DC)
  • Hellboy: Double Feature of Evil, by Mike Mignola and Richard Corben (Dark Horse)
  • Locke & Key: Keys to the Kingdom #1: “Sparrow,” by Joe Hill and Gabriel Rodriguez (IDW)
  • Unknown Soldier #21: “A Gun in Africa,” by Joshua Dysart and Rick Veitch (Vertigo/DC)

Best Continuing Series

  • Chew, by John Layman and Rob Guillory (Image)
  • Echo, by Terry Moore (Abstract Studio)
  • Locke & Key, by Joe Hill and Gabriel Rodriguez (IDW)
  • Morning Glories, by Nick Spencer and Joe Eisma (Shadowline/Image)
  • Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)
  • Scalped, by Jason Aaron and R. M. Guéra (Vertigo/DC)

Best Limited Series

  • Baltimore: The Plague Ships, by Mike Mignola, Christopher Golden, and Ben Stenbeck (Dark Horse)
  • Cinderella: From Fabletown with Love, by Chris Roberson and Shawn McManus (Vertigo/DC)
  • Daytripper, by Fábio Moon and Gabriel Bá (Vertigo/DC)
  • Joe the Barbarian, by Grant Morrison and Sean Murphy (Vertigo/DC)
  • Stumptown, by Greg Rucka and Matthew Southworth (Oni)

Best New Series

  • American Vampire, by Scott Snyder, Stephen King, and Rafael Albuquerque (Vertigo/DC)
  • iZombie, by Chris Roberson and Michael Allred (Vertigo/DC)
  • Marineman, by Ian Churchill (Image)
  • Morning Glories, by Nick Spencer and Joe Eisma (Shadowline/Image)
  • Superboy, by Jeff Lemire and Pier Gallo (DC)

Best Publication for Kids

  • Amelia Earhart: This Broad Ocean, by Sara Stewart Taylor and Ben Towle (Center for Cartoon Studies/Disney/Hyperion)
  • Amelia Rules!: True Things (Adults Don’t Want Kids to Know), by Jimmy Gownley (Atheneum/Simon & Schuster)
  • Binky to the Rescue, by Ashley Spires (Kids Can Press)
  • Scratch9, by Rob M. Worley and Jason T. Kruse (Ape Entertainment)
  • Tiny Titans, by Art Baltazar and Franco (DC)
  • The Unsinkable Walker Bean, by Aaron Renier (First Second)

Best Publication for Teens

  • Ghostopolis, by Doug TenNapel (Scholastic Graphix)
  • Hereville: How Mirka Got Her Sword, by Barry Deutsch (Amulet Books)
  • Return of the Dapper Men, by Jim McCann and Janet Lee (Archaia)
  • Smile, by Raina Telgemeier (Scholastic Graphix)
  • Yummy: The Last Days of a Southside Shorty, by G. Neri and Randy DuBurke (Lee & Low)

Best Humor Publication

  • Afrodisiac, by Jim Rugg and Brian Maruca (Adhouse)
  • Comic Book Guy: The Comic Book, by Ian Boothby, John Delaney, and Dan Davis (Bongo)
  • Drinking at the Movies, by Julia Wertz (Three Rivers Press/Crown)
  • I Thought You Would Be Funnier, by Shannon Wheeler (BOOM!)
  • Literature: Unsuccessfully Competing Against TV Since 1953, by Dave Kellett (Small Fish Studios)
  • Prime Baby, by Gene Luen Yang (First Second)

Best Anthology

  • The Anthology Project, edited by Joy Ang and Nick Thornborrow (Lucidity Press)
  • Korea as Viewed by 12 Creators, edited by Nicolas Finet (Fanfare&midot;Ponent Mon)
  • Liquid City, vol. 2, edited by Sonny Liew and Lim Cheng Tju (Image)
  • Mouse Guard: Legends of the Guard, edited by Paul Morrissey and David Petersen (Archaia)
  • Trickster: Native American Tales, edited by Matt Dembicki (Fulcrum Books)

Best Digital Comic

Best Reality-Based Work

  • It Was the War of the Trenches, by Jacques Tardi (Fantagraphics)
  • Picture This: The Nearsighted Monkey Book, by Lynda Barry (Drawn & Quarterly)
  • Special Exits: A Graphic Memoir, by Joyce Farmer (Fantagraphics)
  • Treasury of XXth Century Murder: The Terrible Axe Man of New Orleans, by Rick Geary (NBM)
  • Two Generals, by Scott Chantler (McClelland & Stewart)
  • You’ll Never Know Book 2: Collateral Damage, by Carol Tyler (Fantagraphics)

Best Graphic Album-New

  • Elmer, by Gerry Alanguilan (SLG)
  • Finding Frank and His Friend: Previously Unpublished Work by Clarence ‘Otis’ Dooley, by Melvin Goodge (Curio & Co.)
  • Market Day, by James Sturm (Drawn & Quarterly)
  • Return of the Dapper Men, by Jim McCann and Janet Lee (Archaia)
  • Wilson, by Daniel Clowes (Drawn & Quarterly)

Best Graphic Album-Reprint

  • The Amazing Screw-on Head and Other Curious Objects, by Mike Mignola (Dark Horse)
  • Beasts of Burden: Animal Rites, by Evan Dorkin and Jill Thompson (Dark Horse)
  • Motel Art Improvement Service, by Jason Little (Dark Horse)
  • The Simpsons/Futurama Crossover Crisis, by Ian Boothby, James Lloyd, and Steve Steere Jr. (Abrams Comicarts)
  • Tumor, by Joshua Hale Fialkov and Noel Tuazon (Archaia)
  • Wednesday Comics, edited by Mark Chiarello (DC)

Best Adaptation from Another Work

  • Dante’s Divine Comedy, adapted by Seymour Chwast (Bloomsbury)
  • The Little Prince, by Antoine de Saint-Exupéry, adapted by Joann Sfar (Houghton Mifflin Harcourt)
  • The Marvelous Land of Oz, by L. Frank Baum, adapted by Eric Shanower and Skottie Young (Marvel)
  • 7 Billion Needles, vols. 1 and 2, adapted from Hal Clement’s Needle by Nobuaki Tadano (Vertical)
  • Silverfin: A James Bond Adventure, adapted by Charlie Higson and Kev Walker (Disney/Hyperion Books)

Best Archival Collection/Project-Strips

  • Archie: The Complete Daily Newspaper Strips, 1946–1948, by Bob Montana, edited by Greg Goldstein (IDW)
  • 40: A Doonesbury Retrospective, by G. B. Trudeau (Andrews McMeel)
  • George Heriman’s Krazy Kat: A Celebration of Sundays, edited by Patrick McDonnell and Peter Maresca (Sunday Press Books)
  • Polly and Her Pals Complete Sunday Comics, vol. 1, by Cliff Sterrett, edited by Dean Mullaney (IDW)
  • Roy Crane’s Captain Easy, vol. 1, edited by Rick Norwood (Fantagraphics)

Best Archival Collection/Project-Comic Books

  • Dave Stevens’ The Rocketeer Artist’s Edition, edited by Scott Dunbier (IDW)
  • The Horror! The Horror! Comic Books the Government Didn’t Want You to Read!, edited by Jim Trombetta (Abrams Comicart)
  • The Incal Classic Collection, by Alexandro Jodorowsky and Moebius (Humanoids)
  • Lynd Ward: Six Novels in Woodcuts, edited by Art Spiegelman (The Library of America)
  • Thirteen “Going on Eighteen,” by John Stanley (Drawn & Quarterly)

Best U.S. Edition of International Material

  • It Was the War of the Trenches, by Jacques Tardi (Fantagraphics)
  • The Killer: Modus Vivendi, by Matz and Luc Jacamon (Archaia)
  • King of the Flies, Book One: Hallorave, by Mezzo and Pirus (Fantagraphics)
  • The Littlest Pirate King, by David B. and Pierre Mac Orlan (Fantagraphics)
  • Salvatore, by Nicolas De Crécy (NBM)

Best U.S. Edition of International Material-Asia

  • Ayako, by Osamu Tezuka (Vertical)
  • Bunny Drop, by Yumi Unita (Yen Press)
  • A Drunken Dream and Other Stories, by Moto Hagio (Fantagraphics)
  • House of Five Leaves, by Natsume Ono (VIZ Media)
  • Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)

Best Writer

  • Ian Boothby, Comic Book Guy: The Comic Book; Futurama Comics #47–50; Simpsons Comics #162, 168; Simpsons Super Spectacular #11–12 (Bongo)
  • Joe Hill, Locke & Key (IDW)
  • John Layman, Chew (Image)
  • Jim McCann, Return of the Dapper Men (Archaia)
  • Nick Spencer, Morning Glories, Shuddertown, Forgetless, Existence 3.0(Image)

Best Writer/Artist

  • Dan Clowes, Wilson (Drawn & Quarterly)
  • Darwyn Cooke, Richard Stark’s Parker: The Outfit (IDW)
  • Joe Kubert, Dong Xoai, Vietnam 1965 (DC)
  • Terry Moore, Echo (Abstract Studio)
  • James Sturm, Market Day (Drawn & Quarterly)
  • Naoki Urasawa, Naoki Urasawa’s 20th Century Boys (VIZ Media)

Best Penciller/Inker or Penciller/Inker Team

  • Richard Corben, Hellboy (Dark Horse)
  • Stephen DeStefano, Lucky in Love Book One: A Poor Man’s Story(Fantagraphics)
  • Rob Guillory, Chew (Image)
  • Gabriel Rodriguez, Locke & Key (IDW)
  • Skottie Young, The Marvelous Land of Oz (Marvel)

Best Painter/Multimedia Artist (interior art)

  • Lynda Barry, Picture This: The Nearsighted Monkey Book (Drawn & Quarterly)
  • Brecht Evens, The Wrong Place (Drawn & Quarterly)
  • Juanjo Guarnido, Blacksad (Dark Horse)
  • Janet Lee, Return of the Dapper Men (Archaia)
  • Eric Liberge, On the Odd Hours (NBM)
  • Carol Tyler, You’ll Never Know Book 2: Collateral Damage (Fantagraphics)

Best Cover Artist

  • Rodin Esquejo, Morning Glories (Shadowline/Image)
  • Dave Johnson, Abe Sapien: The Abyssal Plain (Dark Horse); Unknown Soldier (Vertigo/DC); Punisher/Max, Deadpool (Marvel)
  • Mike Mignola, Hellboy, Baltimore: The Plague Ships (Dark Horse)
  • David Petersen, Mouse Guard: Legends of the Guard (Archaia)
  • Yuko Shimizu, The Unwritten (Vertigo/DC)

Best Coloring

  • Jimmy Gownley, Amelia Rules!: True Things (Adults Don’t Want Kids to Know), Amelia Rules!: The Tweenage Guide to Not Being Unpopular, by Jimmy Gownley (Atheneum/Simon & Schuster)
  • Metaphrog (Sandra Marrs and John Chalmers), Louis: Night Salad(Metaphrog)
  • Dave Stewart, Hellboy, BPRD, Baltimore, Let Me In (Dark Horse);Detective Comics (DC); Neil Young’s Greendale, Daytripper, Joe the Barbarian (Vertigo/DC)
  • Hilary Sycamore, City of Spies, Resistance, Booth, Brain Camp, Solomon’s Thieves (First Second)
  • Chris Ware, Acme Novelty Library 20: Lint (Drawn & Quarterly)

Best Lettering

  • Darwyn Cooke, Richard Stark’s Parker: The Outfit (IDW)
  • Dan Clowes, Wilson (Drawn & Quarterly)
  • Jimmy Gownley, Amelia Rules!: True Things (Adults Don’t Want Kids to Know), Amelia Rules!: The Tweenage Guide to Not Being Unpopular, by Jimmy Gownley (Atheneum/Simon & Schuster)
  • Todd Klein, Fables, The Unwritten, Joe the Barbarian, iZombie(Vertigo/DC); Tom Strong and the Robots of Doom (WildStorm/DC);SHIELD (Marvel); Driver for the Dead (Radical)
  • Doug TenNapel, Ghostopolis (Scholastic Graphix)
  • Chris Ware, Acme Novelty Library 20: Lint (Drawn & Quarterly)

Best Comics-Related Periodical/Journalism

Best Comics-Related Book

  • Doonesbury and the Art of G. B. Trudeau, by Brian Walker (Yale University Press)
  • Fire and Water: Bill Everett, the Sub-Mariner, and the Birth of Marvel Comics, by Blake Bell (Fantagraphics)
  • The Oddly Compelling Art of Denis Kitchen, by Denis Kitchen and Charles Brownstein, edited by John Lind and Diana Schutz (Dark Horse Books)
  • Shazam! The Golden Age of the World’s Mightiest Mortal, by Chip Kidd and Geoff Spear (Abrams Comicarts)
  • 75 Years of DC Comics: The Art of Modern Mythmaking, by Paul Levitz (TASCHEN)

Best Publication Design

  • Dave Stevens’ The Rocketeer Artist’s Edition, designed by Randall Dahlk (IDW)
  • Polly and Her Pals Complete Sunday Comics, vol. 1, designed by Lorraine Turner and Dean Mullaney (IDW)
  • Return of the Dapper Men, designed by Todd Klein (Archaia)
  • 75 Years of DC Comics: The Art of Modern Mythmaking, designed by Josh Baker (TASCHEN)
  • Two Generals, designed by Jennifer Lum (McClelland & Stewart)

Hall of Fame

Judges’ Choices:

  • Ernie Bushmiller
  • Jack Jackson
  • Martin Nodell
  • Lynd Ward

 

PREVIEW: A Clip From Thor Featuring Hawkeye?!

I have no idea why there’s a random shot of what seems to be Hawkeye in the middle of this clip (since it has no payoff and seems to be outside of the whole situation) but who else would it be?

Thor is obviously breaking out of a S.H.I.E.L.D. facility and if they’re taking an Ultimates take on Hawkeye and he’s one of Fury’s men right off the bat it makes perfect sense.

What do you guys think? Does this look incredible or what? And do you think that’s Hawkeye? Or not?

Special thanks to Mockingnerd and Mandybu for bringing this to my attention.


FIRST LOOK: Fear Itself #2

Marvel provided us with this preview of Fear Itself #2.

I haven’t read the first one yet, but I picked it up because everyone has quite begrudgingly told me I had to. In fact, I’ve been told by numerous people spanning the United States “I kind of didn’t want to like it, but it was good.”

I’ll have to see for myself.

From Marvel’s press release:

Marvel is proud to present your first look at Fear Itself #2 (of 7), from comics megastars Matt Fraction and Stuart Immonen. The comic blockbuster of 2011 is here and fans and critics everywhere are asking “Who are The Worthy?” Seven hammers of unfathomable power have fallen to the far corners of the Earth and the race is on to see who will be the Serpent’s champions. With the Asgardians leaving the Marvel Universe to fend for itself, can the Avengers repel a foe that gets stronger the more he’s feared? The Marvel Universe’s worst nightmare comes true this May as the event iFanboy.com calls “a huge, epic story that is exactly the kind that comic books are made for” continues, only in Fear Itself #2 (of 7)!


The Big Movie Mouth-Off for April 7, 2011

We’re back with another episode of The Big Movie Mouth-Off podcast!

The podcast features the stars and producers of The Big Movie Mouth-Off film review show, which appears here at Big Shiny Robot! and on Xfinity (Utah On Demand and Channel 6). That lineup is: Jeff Vice from MSN Entertainment, Jimmy Martin from SLUG Magazine, and Bryan Young (me) and Elias Pate from Big Shiny Robot! and ShineBox Media Productions.

To download the latest episode from iTunes, follow this link.

There, you should rate and subscribe to the podcast.

This week, we talked about:

  • Green Lantern: Will it make its money back?
  • Other stuff
  • Kickass Girl-power movies
  • In Memoriam: Farley Granger

Listen! Let us know what you think! Spread the word!

For those of you who don’t like iTunes, you can get a direct .mp3 here. And you can add the BSR! podcast RSS feed by right clicking this link.

First up, we have Diary of a Wimpy Kid 2:

Then the Easter film: Hop

And finally Source Code:


This Week IN Comics

It’s time for another installment of This Week IN Comics!

Big Shiny Robot! has a weekly column in the Salt Lake City alt-weekly IN Magazine and every week we bring it to you on the site.

If you live in the greater Salt Lake area, you can pick up a copy of IN Magazine up from one of their ubiquitous newsstands, and we would highly suggest that you do.

You can read the online version of the story here.

This week we talk about Superhero Uniforms.

 


Secret Origins: Loki!

So, the summer movie season is almost upon us, and we’re getting a ton of comic-book related movies. That’s all well and good, but since we’re past the heroes that everyone knows, you may be intimidated going in. Take Thor, for instance. All you need to know about him is that he’s the God of Thunder, and swings around an awesome hammer. When it comes to villainy in Thor’s world, there is much more subtlety. Sure, you have your Frost Giants, and Ragnarok and all that looming over the heads of the Norse Gods all the time, but Thor’s opposite number is much closer to home, his half-brother, Loki. How can two boys raised together turn out so differently? What gave Loki the moniker of “God of Mischief”? That’s what this column is for, as I give you the Secret Origin of… Loki!

Loki’s tale begins with a tale of two fathers, Odin and Laufey. Odin, of course is the king of the Norse Gods, and father to Thor. Laufey on the other hand, is the king of the giant warriors of Jotunheim. The two monarchs came to blows over who has rightful rein over all of Asgard. The battle was as fierce as you might expect, but Odin was at a disadvantage, and he knew it.

"If only my inner monologue was less verbose!"

Odin, knowing actions speak louder than words, hurls his hammer into Laufey’s war club, shattering its hilt, rendering it useless. While an awesome move, worthy of a warrior of Odin’s caliber, his actions cause Laufey’s fellows to join the fray. It has suddenly shifted from a mano a mano match, to a decidedly one-sided affair. Odin isn’t without his own backup though, and he calls his own warriors to battle. I would try to describe to the battle, but I have to defer to the words of Stan Lee on this one.

In other words, it is ON!

The battle rages for what seems like days, until the forces of Laufey give up and attempt retreat. Odin is a bit of a bloodthirsty king though, and orders his warriors to not stop until the Warlord of Jotunheim is slain! The chase is on, but Laufey is the sort that would rather die in battle than retreat, so he has his wish granted. In the aftermath of the battle, one of Odin’s warriors finds a child, wrapped in blankets, hidden away. Odin, who was pretty wise even before he sacrificed his eye for knowledge, realizes that the baby is actually Loki, son of Laufey. Loki was hidden away because Laufey was ashamed of him for not being a giant like the rest of the denizens of Jotunheim. Odin, being ever the noble, decides that since Loki is of princely blood, there is only one thing he can do.

Apparently Odin can just bestow immortality. Good to know.

We skip ahead some years now into the boyhoods of Loki and Thor. We find the two half-brothers watching a warrior’s tournament. Thor is commenting that he knows the combatant, Uller, will win because he is more skilled than his opponent, Volsak. Loki is kind of annoyed that Thor is a know-it-all and makes a wager that Volsak will be victorious. The tournament goes on, and it look like Uller will indeed be the champion, until Loki decides to put the odds in his own favor.

"And if anyone asks why I'm posing like this, I'll say I'm vogueing!"

Loki’s actions cause Uller’s staff to disintegrate, and Volsak is indeed declared the winner. Unfortunately for Loki, his spell was pretty darned obvious, and before you know it, the authorities are after the boys. When they are inevitably caught, the blame all falls on Loki. This is just of course, but the reasoning behind it is not. It is just assumed that because Thor is Odin’s “real” son, he of course could have nothing to do with it. I’m not saying it’s cool for Loki to be evil, but I was raised constantly being told I’m not fit to lick my half-brother’s boots, I’d lash out a bit too. Anyway, since Thor is the golden boy, he insists that since he was with Loki, that they should share punishment. Taken aback by Thor’s gallantry, it is decided that there won’t be any punishment at all. Thor begs forgiveness, and then the boys are on their way. Thor takes Loki aside and they share a moment, but not in the way you might think.

I know Loki is in the wrong, but how pretentious is that "T" tunic of Thor's?

Thor and Loki do indeed go onto their horsemanship training, and when riding, Thor, having already forgotten the transgressions of the day, challenges Loki to race to the foot of the fabled Rainbow Bridge. Loki initially refuses due to the knowledge that Thor’s steed is the faster of the two. Thor goads Loki into by saying the skill of the rider is also a large factor. The race is heated, but it is becoming obvious that Thor is once again the better Norseman. He yells out for Loki to try harder, grinning all the while. For Loki, this is the last straw, and he makes himself a solemn vow…

If you look up "Overreaction" in the dictionary, you get this picture.

More time passes and Loki and Thor are on the fringes of adulthood. It seems that Ghan, a deadly Storm Giant has threatened Asgard, and Odin appoints Thor to lead a task force to stop the threat before it can be carried out. Loki is also on hand, bitterly wishing he was leader. In his twisted mind, Loki decides that since he can’t be leader, he must instead make sure Thor fails.  The group encounters Ghan, and Thor enters the fray eagerly, while Loki stays in the background, planning his revenge…

"But first, I practice my light show for the upcoming Rave!"

As all of the battles in this tale seem to, it rages on. Thor and the task force finally assemble a catapult which contains a sleeping potion which will allow them to subdue the giant with ease. While successful, when they reach the giant, he is inexplicably not there. Thor didn’t get to be the God of Thunder by being completely ignorant though. He realizes that magic must be rearing its ugly head. But if Ghan possessed no magic, who could have accomplished such trickery? Now, remember when I said just a second ago that Thor wasn’t completely oblivious? He’s still a little slow on the uptake where his half-brother is concerned. Indeed, even as Loki volunteers to stay behind and search, Thor is trusting. When the warriors finally do part ways, we discover that Ghan is not really gone. Loki had just transformed him into an eagle. With the need for such tricks over, Ghan and Loki converse a bit…

"If you want to repay me now, shave that unsightly beard!"

And with that, Loki was well and truly on his way to earning the title of God of Evil. Throughout the years, Loki would continuously conspire to not only destroy his half-brother, but to seize the throne of Asgard for himself. Now we know how Loki because the mischievously devious cuss that he is today. It’s a bit tragic actually. If Loki was given the same compassion as Thor, he probably would not have turned out like he did.  Let that be a lesson to us all, favoring one child over another can lead to depression, loneliness and a desire to destroy everything you hold dear!

That’s it for this week. This story was originally serialized in Journey Into Mystery #112-113 and #115. It is available in reprint form in the various Thor Masterworks and Essential volumes, and also on Marvel’s Digital Comics Unlimited, which is where I read it.



X-Wing Books Now Out of Print

It’s a sad day in the world of Star Wars books today. Michael Stackpole, the author of the X-Wing series, tweeted (and then blogged about) the unceremonious way in which he found out that the X-Wing series is officially out of print.

These are some of the best books in the entire EU and were some of the few books I read and enjoyed immensely before largely quitting the EU for the most part in 1999.

He didn’t even get a phone call:

Usually when an envelope arrives from your publisher during royalty time, it’s a happy event. This time, not so much. A quick glance at the statements revealed that Bantam Spectra chose, during the second half of 2010, to let my Star Wars™ X-wing novels go out of print.

Getting the news that such a decision had been made that way is kind of like learning your dog has been killed by seeing his squished body in the road in front of your house. Not really a good feeling.

My hope is that they’ve gone out of print this is the first step in getting them back in print, at least in eBook format. There is also the very real chance that we just need to deal with the fact that they’re out of print. I’ve actually worn out and had to replace. I’ve even bought the first book a couple of times just because it has a habit of disappearing when it’s lent out.

If you still want to pick up the books, you can pick up the first one on Amazon, though it happens to run upwards of $130. Which is making me second guess my decision to loan my 8 year old son my copy to read.

If that’s too rich for your blood, check out Stackpole’s “In Hero Years… I’m Dead” It’s a great little book and you can read my review of it here.


REVIEW: Sleek Audio CT7 Custom Ear Monitors

This is a guest post from James Bell of Xmodz. We did a write up on his services a little while back.

As a person that loves technology, especially the latest and greatest gadgets, I’m always on the hunt to find things that peak my interest. I had always wanted to take the plunge on some custom in ear monitors. I had been looking for over a year at all different types of custom IEMs; from Ultimate Ears, Shure to Westone. I hadn’t heard of Sleek Audio until one of my customers introduced them to me. His excitement in their products intrigued me enough to do research of my own. This ensued a 48 hour Google search to find as many reviews as I could about the products Sleek Audio offers. My finding showed that the company, even though they have only been in business for a short period of time compared to other IEM manufacturers, has started to revolutionize the industry in their own way by offering low priced IEMs that can be tuned basically on the fly (SA product line). This peaked my interested and my journey into the CT7s began.

After getting in contact with Sleek Audio they pointed me to an audiologist within my area for my ear impressions. My first attempt at the ear impressions was by an audiologist that Sleek Audio didn’t mention. I chose them due to price. The audiologist doing the impressions disregarded the instructions that Sleek Audio had provided. The end result was an impression that was not usable. I then decided to spend the few extra bucks and go see someone that Sleek Audio had initially referred me to. The skilled and knowledgeable people were able to get my impressions done flawlessly. I should have gone to them the first time. This set me back $50.

1st Impressions

2nd Impressions

I packaged the ear impressions up and sent the off to Sleek Audio on March 2nd.

After Sleek Audio received my impressions, I spoke to one of the techs that asked what colors I’d like and the type of music I listen to. After speaking with him for a few minutes I decided on my colors. The left ear is smoke on the inside with a clear red cap along with a black logo. The right ear is red on the inside with a black cap and a red logo. I chose to go with plus tuning for the top end for better highs. After speaking with the Sleek Audio tech my excitement grew and I couldn’t wait to get my new CT7s.

Only 10 day after I had sent my ear impressions off, Sleek Audio had my CT7s at my door.

Everything came very well packaged.

CT7s come in a custom Pelican Case that fits them perfectly. This case is watertight and dust proof to keep your investment completely safe from the elements. It also contains a pressure release valve for altitude changes. This is the same case that is issued in military environments.

Inside the beast of a case you will find your custom monitors, coax audio cable and cleaning tool.

Now on to the part that matters, the sound. My first listening experience was jaw dropping. I had previously been listening to Ultimate Ears TripleFi 5. Ultimate Ears were a huge improvement over low-end earphones such as Skull Candy. The CT7 is an all around even bigger step up from the TripleFi 5. The highs are crisp and contain no screech or top out fuzz. Lows are simply amazing with a super clear real like flow. The bass sounds genuine, not forced or overwhelming like other earphones. All of the sounds levels, lows, mids and highs, perfectly coexist with each other in near perfect harmony for just about every genre. Each monitor has a duel driver setup with an internal crossover.

The coaxial cable plugs into the monitor and rotates freely for an even more custom fit. They use the same cable as the lower end universal earphones. Unfortunately the cable is the only thing that I dislike on this setup as it can be improved upon. I love the coaxial connecter but find that it needs a 2-inch flex section on the end. This would allow an ultimate custom & comfort fit around your ear. The cable that was initially included had some of the rubber insulation pull down from one of the end connectors and was showing bare wire. I called Sleek and informed them and they immediately sent out another. Many other IEMs have 3rd party cables, which are usually a better build over the manufactures cable. This is something I hope we can look forward to.

The coax end plug slides into the connecter.

The KLEER wireless W-1 accessory is a fantastic addition to the CT7. CD quality lossless sound over wireless. I was a bit skeptical about how it would perform. After using it I became a huge fan. It is an almost perfect wireless solution. There is a slight hiss while music is not playing but not enough to bother. The receiver hangs comfortably behind the back of your head and opens possibilities of use that a cable can hinder. The sound quality is exceptional for a wireless setup. I had stopped using audio over Bluetooth because of the massive degrade in quality. The W-1 has won me back to wireless.

The module plugs into the audio source and the receiver plugs into the monitors, both of which have their own battery. They are charged by a micro USB (Cable is included). Full charge will last up to 10 hours. The module will provide up to 4 receivers with audio, all by a press of a button. My only gripe on the W-1 is the power switch is VERY small and not quickly accessible. In order to turn them on and off you will need something with a very small tip, something I usually don’t carry with me.

W-1 & Receiver on an iPhone

USB charge plug

Power switch on receiver

Carrying case for wireless accessory

All and all, the CT7 is amazing and hands down the best IEM that has been in my ears. The KLEER Wireless is a keeper. I find myself using it even when I am just sitting around the house. I am excited to see what Sleek Audio brings in the years to come. You might read this review and say, “Where can I buy? I want them now!” If you are a true audiophile then your ears need these, but they come with a price. The CT7 runs $699.99 without the KLEER wireless or $799.99 with. The KLEER wireless accessory is also sold separate for $120. So, with impressions, shipping, CT7 and wireless you will come really close to $900. If you don’t have that in your budget Sleek Audio has some lower priced options that are universal. I will be reviewing some of them in the future so check back!

FIRST LOOK: Moon Knight #1


Moon Knight has been a favorite character of mine since I was a kid and I’ve been sad that his most recent iterations have been pretty boring to me. At his best, Moon Knight is a schizophrenic mix between Batman and Daredevil with all the powers of a Moon God and at his worse he’s a white hooded sidekick with no personality.

It’s interesting to see a team like Brian Michael Bendis and Alex Maleev take on the character. I’ll certainly be putting it in my hold to see what all the hubbub is about.

From Marvel’s release:

Marvel is pleased to present your first look at Moon Knight #1, from the Eisner Award-winning creative team of Brian Michael Bendis and Alex Maleev! Moon Knight heads to Los Angeles as a one-man Avengers team to dissolve a criminal syndicate tearing the City of Angels apart. Except there will be no warm welcome, because once word gets out about Marc Spector’s arrival, the mastermind behind LA’s crime circuit will stop at nothing to make an example of any Avengers who cross him. Plagued by incurable schizophrenia, can Moon Knight hold it together to clear out a city riddled with villains? This May, two of comics’ biggest talents reunite to redraw, and redefine one of Marvel’s Big Shots, only in Moon Knight #1!