Tag Archives: Movies

Reynolds in Green Lantern “Costume”… Kind of.

A few weeks ago, a rumor was reported that Green Lantern’s suit was going to be 100% CGI. Well, thanks to this set picture provided to MTV’s Splashpage, it looks like that “rumor” is now “news”.

Below, you can see Reynolds in a full-body motion-capture suit – which I would say is some pretty heavy confirmation that the chances of getting a picture of Reynolds in full GL gear prior to the studio releasing a publicity shot are slim to none. But, on the bright side, there is a ridiculously cute dog at Reynolds feet.

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Want to Read the First Draft of The Empire Strikes Back?

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According to every source running this story, before this was posted there were exactly two places you could do that: Lucasfilm’s archive and the library of the Eastern New Mexico University in Portales, New Mexico.  No copies were allowed to be made.

Somehow, MyPDFScripts.com got a hold of a digital scanned copy of the script and have made it available for download.

You can go to there site here.

This is an incredibly important piece of Star Wars history.  Brackett died before The Empire Strikes Back even started and Lawrence Kasdan (the genius behind Raiders of the Lost Ark and Return of the Jedi after this) was asked to start over.  How much of Brackett’s script got used was always a point of speculation from writing enthusiasts and Star Wars fans the world over and now we can finally see for sure.

This is the kind of thing that really excites me, both as a Star Wars fan and someone interested in the process of screenwriting, and I hope you guys enjoy it, too.  If they happen to take the screenplay down, let me know.  I’ll see if we can find it online elsewhere.

As a screenwriter, I always love to see how other screenwriters handle material and the form of screenwriting and this screenplay has a lot of unique quirks, too.  It’s just fun to look at.  Seriously, this is almost as fun as the transcript of the Raiders of the Lost Ark story conference that was going around a while ago.

And really, what better way to celebrate the 30th anniversary of The Empire Strikes Back than to read the first draft of the screenplay?

Out Today on DVD and Blu-ray 5/11/2010

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The first film on the list today is Fritz Lang’s masterpiece M.  You can read my review of the Blu-ray from Criterion here.

Next on the docket is the Blu-ray release of Mel Brooks’ classic parody Robin Hood: Men in Tights.  It’s a fitting release since Ridley Scott’s Robin Hood hits theatres this week.  This film still holds up as incredibly funny, though a number of the jokes are pretty directly tied to the Costner Prince of Thieves picture.

For those of us who remember the Beavis and Butthead spin-off Daria, the entire series comes out on DVD today.  It was a good show and it sucks that MTV has fallen out of playing music videos and cool animation.  I don’t even know what the hell they program that isn’t a reality show.  Is there still music on MTV?  I’ll never know.

The last film I’ll mention today is the Blu-ray release of the original Karate Kid.  I bought this film for my kids a while ago, interested in forcing them to relive bits of my childhood and I was surprised to see that not only did this film hold up remarkably well, it still works for the kids of today as well.  Whether or not you have kids, if you have a nostalgia for this movie, as long as you can deal with the cheesy conventions of 80s filmmaking, this is a safe one to pick up.  Though it’s way longer than I remembered it.

First Look at Hector Hammond!

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Showbiz.com has posted a photograph taken on the set of Green Lantern showing Peter Sargaard in his make-up for the villain, Hector Hammond. I am rather new to the Green Lantern universe, but for as cheesy as this villain could be, I think they have done an okay job bringing this look into a realistic world. Apparently, Hammond is a Senator’s son with daddy issues who get psychic powers when he comes in contact with a meteor.

Readers familiar with this character: What are your thoughts?!

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BSR! ROUNDTABLE REVIEW: Iron Man 2

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Well folks, the wait has come and gone. Iron Man 2 opened here in the US over the weekend and many of us bots here at BSR! flocked to our local theaters of choice to check it out. Below is what some us thought about the film, a mini-review if you will, and be sure to let us know what you thought about the film in the comments section at the end!

Arse-Bot: Was Iron Man 2 a perfect superhero movie? No. However, was it a fantastic follow up to Iron Man 1? Absolutely. I had rather high expectations for this film going in, because like most, I loved the first one. I as worried that the movie wouldn’t live up to my expectations because like so many of you out there, I have been burned by Marvel sequels before (*cough* X3 *cough*). I am happy to say that Iron Man 2 held up to my lofty expectations and Favreau has delivered a solid follow-up.

First off, Tony Stark. I loved that he has somewhat reverted back to being an arrogant ass. He has brought about an incredible level of world peace due simply to the fact that Iron Man exists, he’s a genius, and he’s rich. And while we all know that deep down in there is a big heart, the narcisism always manages to take front an center for Stark. Some critics out there complained at this fact that it seems as though all the “lessons learned” by Stark in the first one had been washed away – not true – it’s just Tony Stark being Tony Stark, constantly wavering between arrogant narcissism and compassion for others. This whole argument is made null by this fact: While Stark is being arrogant and bragging about being Iron Man, the suit is accelerating the palladium poisoning he is succumbing to from his chest reactor – yet he still dons the suit to protect and help people. Stark is a complicated character, you need to look beyond the narcissism that is always there.

Secondly, the plot. Swank-mo-tron and I have talked about this a little and I’m sure he will have a solid argument for me on the contrary. Swank argues that it feels as though there is nothing at stake in this film. I tend to disagree. I don’t feel that every superhero film needs to be an “end of the world” scenario or have ridiculously large stakes. What makes this a great follow-up film for me is that when we left Stark at the end of Iron Man 1 he declared that he is Iron Man – this film now deals with those consequences, not only the moral and political implications, but how this film’s villains play in. They are both gunning for Stark at multiple angles: his legacy, his company, his friends and of course, his life. I don’t feel that every superhero film needs to have a “Lex Luthor”, someone that wants to kill the hero and in doing so take over the world! This was a simple device that I felt worked well: Stark just admitted to being Iron Man, now people are gunning for him. This provided plenty of tension and excitement for me!

Also, there were some complaints about a lack of action. What this film maybe lacked in action sequences every ten minutes, it made up for in some pretty solid character development. Personally, I didn’t feel there was the lack of action I keep hearing about and the final 20 minutes of the film more than make up for a mid-film lull. Of course, some people just can’t be pleased; if there is too much action, then there isn’t enough character development – if there’s too much character development, then there isn’t enough action. I felt this film balanced both very well.

In my conclusion, I will say this: This film is not perfect –  there are some plot holes that could have been avoided, and the film – while still pretty interesting – gets a bit “talky” through the second act, but the final action sequence in the third act really provided that “Hell Yeah! Iron Man can whoop some ass!” action I was waiting for. For me personally,  while I feel they were completely avoidable, the plot holes were “over-lookable”. I see how they were intended to move the story along, but if you think about them, they are quite glaring. I’d imagine somewhere on the cutting room floor are a few deleted scenes that probably fill in these holes to a degree. Overall though, I enjoyed the hell out of this movie,  I definitely plan to see this again – hopefully in IMAX.

Swank-mo-tron: I really enjoyed Iron Man 2, but I think it fell short of being the best Marvel sequel ever, or even one of the best super-hero movies. It was fun, the acting was all great, the fights and action choreography top notch, but the story and the script had a couple of lulls and holes that really just served no purpose. And I felt like there was no threat or growing shadow of a problem to make me invest into the story further. Don’t get me wrong, I really loved this movie and enjoyed the hell out of it, but I didn’t feel like it had a “fuck yeah” moment like Spider-Man 2 or X2. I know it did for some people, but it wasn’t a universal thing like in the other to sequel movies. But in those movies, the stakes were raised higher than that of the first film, and in Iron Man 2, they were exactly the same. It was a guy bent out of shape about Tony taking a part of his legacy and hard work and building a suit that roughly mimics the Iron Man armour only bigger and then having a blink-and-you’ll miss it fight. Sure, they added some drones and War Machine (which were cool!) but the story stakes NEVER got higher.

And my biggest complaint was the lousy screenwriting surround the car race in Monaco. How did Vanko know Tony was heading to Monaco before Tony did? And when no one, including Tony, knew that he was going to be racing on the track, why was Vanko’s plan to get on there and attack Tony? It made no sense. The other one was when Agent Coulson told Tony if he tried to leave the premises that he’d tazer him and so on. Two scenes later, Tony leaves, comes back, and is instantly met by Coulson. “Heard you left,” he says, as though he never meant to keep him there in the first place. “I had things to do elsewhere,” he says flippantly. Some have told me that it was to “set up the problem with the Hulk, or deal with Thor” but that’s thin. They did plenty of that later so this made no sense and only served to confuse the audience.

Having said that, despite its flaws, I really loved this movie and I’ve seen it twice. I won’t hold it up as high as X2 or Spider-Man 2 or the Incredibles, but it was pretty damnein Iron Man 2, they were exactly the same. It was a guy bent out of shape about Tony taking a part of his legacy and hard work and building a suit that roughly mimics the Iron Man armour only bigger and then having a blink-and-you’ll miss it fight. Sure, they added some drones and War Machine (which were cool!) but the story stakes NEVER got higher.

And my biggest complaint was the lousy screenwriting surround the car race in Monaco. How did Vanko know Tony was heading to Monaco before Tony did? And when no one, including Tony, knew that he was going to be racing on the track, why was Vanko’s plan to get on there and attack Tony? It made no sense. The other one was when Agent Coulson told Tony if he tried to leave the premises that he’d tazer him and so on. Two scenes later, Tony leaves, comes back, and is instantly met by Coulson. “Heard you left,” he says, as though he never meant to keep him there in the first place. “I had things to do elsewhere,” he says flippantly. Some have told me that it was to “set up the problem with the Hulk, or deal with Thor” but that’s thin. They did plenty of that later so this made no sense and only served to confuse the audience.

Having said that, despite its flaws, I really loved this movie and I’ve seen it twice. I won’t hold it up as high as X2 or Spider-Man 2 or the Incredibles, but it was pretty damned fun.

Budgetron: The trailers and other marketing materials failed to grab me with the story elements that would make me thing, “Wow!  How in the world is Iron Man gonna weasel his way out of this pickle jar?  I gotta see this now!”, and as such, it won’t be difficult for me to wait and see it when it hits my preferred discount theater pub, Brewvies.

Clang! Boom! Steam!: It’s easy to say that Iron Man II was either, not as good as or way better than one super hero movie or another, but the only comparison that I feel is fair to bring to the table is that to the original Iron Man, which was almost universally hailed and with good reason. Critics and audiences were amazed at how much they grew to love a B list character that they knew so little about going into the movie, even as a seasoned Marvel Comics addict, I feel that Robert Downey Junior’s performance made Tony Stark more charismatic, complex and accessible than he had ever been in any Iron Man comic I’d read thus far. (Though I admit I’d only read him in Avenger’s titles) But as with any sleeper hit turned box office juggernaut, the bar was set sky high for the sequel, and rightfully so – the trail has been blazed, now tear it the fuck up right? Well maybe that’s what irked me just a little bit about Iron Man II, they blazed one Hell of a trail with Iron Man (I) only to end up taking a brisk stroll down it.

I don’t mean to imply that the action wasn’t intense or the characters have necessarily lost any of their charm, I just feel that the formula of the movie didn’t end up working quite as well as it could/should have. I will attempt to articulate without sounding like a joyless, overly academic douche.

By my count, most people who have seen the Iron Man II so far, myself included can more or less agree on 2 things –

1) They really enjoyed the movie

2) It wasn’t as good as the original, and I believe it is largely for the reasons stated below.

Many conflicts that existed in the original film spilled over into the sequel (okay) but where I feel it went wrong was the villains, subplots and conflicts seemed to multiply (fine) and diffuse (not okay) – creating a sort of “more is less” effect. It’s not that you didn’t sense any menace, conflict or danger, it’s just that none of it stabbed at your heart as with the Iron Man (1) , nor did it feel like a million pins needles slowly draining your blood as with Spider-Man II – it was more like Tony Stark taking a beating in a sparring match, cuts, bruises and humiliation for sure but not near the intensity or depth that we saw in the original. Because of this, the emotional peaks and valleys were less jagged, the light at the end of the tunnel was a bit fuzzy and the personal investment in the outcome was less complete.

In closing I give HUGE props for mass robot violence and sexy Russian spies – two things that I feel almost all movies could benefit from.

All the same, really enjoyed it, well worth the price of admission and don’t you DARE leave the theater until the end of the credits.

Zombietron:

I went into Iron Man II expecting mediocrity. I was pleasantly surprised with a great action movie with a pretty solid story. I agree with Clang’s statement that Iron Man 1 turned a B super hero into something everyone cared about, and Robert Downy Jr. once again knocked the roll out of the park. There were definitely plot holes, (if Agent Romanov could hand War Machine’s control back, why couldn’t she just turn off the other Hammer bots?). Those aside I was having so much fun watching the movie that I found them easy to ignore. I pray to god, whichever god will listen, maybe the god of superhero movies, or super-hero fans, or super-hero jesus, I don’t care which god. THAT THEY NEVER EVER EVER, have another Scarlet Johansson role in a movie, she was good to look at, and I don’t think any female actor ever could have been a worse black widow.

Go See Iron Man II, and like all the bots are saying STAY AFTER THE CREDITS!

BLU-RAY REVIEW: Fritz Lang’s “M”

Tomorrow, Criterion is officiating a Blu-ray release of Fritz Lang’s M.  This is was a film made by a master of atmosphere in films, back when craft meant something.  Starring Peter Lorre and made only 4 years after the advent of sound, M tells the story of a city gripped in the terror of having a child murderer on the loose.  When the police are unable to catch him, the criminals of the city combine forces to do it for them, knowing that killing children is bad for everyone.

Lang manipulates the audience beautifully in ways that only silent film directors seem to pull off best.  They came up with using sound in the film to tell the story instead of letting the dialogue do it.  In this case, it’s the tune the killer whistles as he’s closing in on his prey.  It’s chilling.  But the film brings to bear all the force of suspenseful filmmaking we’d come to expect from masters like Alfred Hitchcock a decade before he gained notoriety.  Lorre wraps the film up with a monologue that is perhaps one of the greatest in film history (easily in contention with Toshiro Mifune’s speech about the samurai in Seven Samurai).  After being caught, Lorre manages to turn the feeling of the audience around on those who would cast stones at him and it’s powerful stuff.

Seeing it in Blu-ray is a treat, like any older film in black and white, seeing it in crisp HD is a rare treat that I feel like I’m getting more and more used to, and I’m not sure how I feel about that.  In any case, Criterion has put a whole host of special features on the disc including the fascinating British version of the film.  It’s been recently unearthed and not seen for 70 years.  Basically, Frtiz Lang, assembled an English language version of the film with alternate takes, some different actors and Peter Lorre’s first English language performance.

Overall, this is a disc that is well worth the money you’ll spend on it.  Criterion outdid themselves on this one.  It’s a fine film and one that needs to be studied and often.

It comes out tomorrow.  You can get it on Amazon here.

Ghostbusters 3: More Support

Pretty much everyone BUT Bill Murray is saying this movie is going to happen. The most recent edition has come from Harold Ramis:

“And what are you working on now?”

“Well, there’s been a lot of talk about a third Ghostbusters film, which has now become real.”

“Really?!”

“It’s… I can say with some certainty that there will be a third movie. It won’t be out until Christmas 2012, but the work is going on now.”

“You’ll be in it?”

“All the old guys will be back, we’ll introduce some new guys…”

“Egon comes back, huh?”

“Egon, yeah, yeah…”

Also, in this super kick-ass video about a fan Ecto-1 that makes me extraordinarily envious, Dan mentions there being a new Ecto-1 and some new ghostbustin’ gear:

Ecto 1 Maiden Voyage from JTurchetta on Vimeo.

I don’t know how keen I am on a new Ecto 1 or equipment (Extreme Ghostbusters anyone?). But it would make sense to have updated all that over the course of 25 years. Most likely the Ecto-1 would’ve been destroyed at some point. Meh. Mo’ Ghostbusters is mo’ Ghostbusters. I can’t complain.

Harold Ramis quotes via: ABC.

DVD/Blu-ray Announcement Round Up – Week of 05/02/10

Hot Tub Time Machine
Release Date:
June 29
Distributor:
MGM Home Entertainment
Summary:
Delivering “non-stop political incorrectness” and “about a billion laughs” (Los Angeles Times), the film stars John Cusack (High Fidelity), Craig Robinson (“The Office”) and Rob Corddry (“The Daily Show with Jon Stewart”) as buddies looking to recapture a little of their youthful glory by returning to the ski resort where they used to party. After a crazy night of drinking in the hot tub, they realize that they’ve been transported back to the 80s and into the bodies of their younger selves. Now they have to decide whether they should change their futures while wading through a sea of spandex, blue eye shadow and heavy metal hair bands. Hot Tub Time Machine also features a hilarious supporting cast including comedy legend Chevy Chase (Caddyshack), Crispin Glover (Back To The Future) and Clark Duke (Kick-Ass).
Special Features:

DVD:

  • Deleted scenes
  • Theatrical trailer

Blu-ray:

  • Deleted Scenes
  • Theatrical Trailer
  • Theatrical Promotional Spots: “Production: Acting Like Idiots”, “Chevy Chase: The Nicest Guy in Hollywood”, “Totally Radical Outfits: Dayna Pink”, “Crispin Glover: One Armed Bellhop”
  • Digital copy of the film

Box Art:

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Bored to Death – The Complete First Season
Release Date:
September14
Distributor:
HBO
Summary:
Meet Jonathan Ames: writer, romantic, unlicensed private detective. Moonlighting from his job as a novelist and writer for a New York magazine, Jonathan is looking to jettison some heavy emotional baggage (his girlfriend just dumped him, okay?) through an unusual second careerof cracking cases of missing persons, espionage and infidelity in the Big Apple.
Special Features:

  • Audio Commentary
  • Behind the Scenes Featurette

Box Art:

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Stentz and Miller Talk ‘X-Men: First Class’

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io9 got the opportunity to talk to Thor writers Zack Stentz and Ashley Edward Miller about the work they contributed to Bryan Singer’s return to the X-Universe in X-Men: First Class. In the interview they talk (vaguely, of course) the direction they are taking the script and how working on TV projects such as Terminator: The Sarah Connor Chronicles and Fringe have helped them with their scripting.

What were your first meetings with Bryan Singer like?

AEM: Bryan is a great collaborator. He’s very smart, he knows what he wants and he’s great with the back-and-forth of designing cool scenes and moments. And when you get into the superheroics, he wants to understand how and why things work.

ZS: In TV terms, it was like meeting with a great showrunner — he absolutely knows what he wants, but is interested in your opinion and enjoys means-testing all of the ideas that come out.

How difficult was it to settle on the story to tell? There are so many firsts the X-Men had…how do you choose just one?

AEM: Step One: You can’t think of it that way. You have to let go of all of that.

ZS: Yeah, that way lies checking boxes on a list instead of just finding a great story.

AEM: So you ask the same questions you’d ask on any other script: Who are these characters? What do they want? What’s in their way?

True. but with so much to choose from, are there conscious decisions of the things you know you want in there?

AEM: Sure, but it has to feel organic. If it doesn’t emerge naturally, you should never ever force it. (And yes, that’s what she said.)

You can read the full interview here

Frankly, it appears like some of Marvel’s best characters are in some very enthusiastic and capable fan-boyish (in a good way) hands. Seems like these writers are devoted to the Marvel Universe and all that entails – hopefully that shines through in Thor, and if it does I can’t imagine not having some high-hopes for First Class.

BLU-RAY REVIEW: Armageddon

So let’s get one thing out of the way: Michael Bay is very good at what he does.  I don’t always like or appreciate what he does, but what he does, he is definitely good at. I think, though, that the pinnacle of his intensely limited abilities were shown in the first Transformers picture, I think the Michael Bay who made Transformers 2 could learn quite a bit from the Michael Bay that made Armageddon.  Where Transformers 2 was an incomprehensible mess, Armageddon was suprisingly cohesive, simple, and concise.  But, ultimately, it’s still just a movie with big explosions and more cheese than the state of Wisconsin.

I like cheese, though, when it’s firm and sharp, like Armageddon, instead of the curdled, foot-smelling, molded cheese of Transformers 2.  In Transformers 2, lots of things were supposedly at stake, including the end of the world, just like in Armageddon, but it all fell flat.  And though Armageddon is not even close to one of my favorite movies (or even one I like very much), it offered stakes that seemed real, had a realistic emotional core, and when sacrifices were made (by the star no less!) they were constructed in a way that had an emotional impact on even the most jaded audience member…like me.

Watching Armageddon again made me wish that Michael Bay from 1998 would have come to the Michael Bay of a decade later and slapped some storytelling sensibility into himself.  It also reminded me how long the film was, but the thing I was most struck by was how astonishing it was to watch the special effects of the late 90’s on Blu-ray.  For the first time in a recent movie, I felt that you could identify the era by the special effects the same way you could look at Star Wars in the 70s, Labyrinth in the 80s or whatever….  It had a distinct period feel that I was a little surprised to notice.  And maybe it took a decade for me to realize it.  But watch it and it’s there.  That’s not a bad thing, it’s just incredibly interesting.

Having said that, Armageddon holds up exactly as well as it did when it came out.  It’s not great filmmaking, it’s not high art, but it’s a pretty fun popcorn movie with lots of explosions and an emotional core we haven’t seen in a Michael Bay film in a long, long time.

The Blu-ray is nice to look at, though short on special features.  It’s worth a night of your time.  Pizza, beer, friends, and a desire to laugh a lot.  That’s what would make a great night with this picture.

You can pick it up on Amazon here.