Tag Archives: Iron Man

COMIC-CON: Avengers Teaser Video

Comingsoon.net got a hold of a very good looking copy of the video they played at Comic-Con just before the real life Avengers took the stage.

It’s a very, very brief clip, it’s narrated by Samuel L. Jackson’s Nick Fury and shows… well… you’ll just have to see.

Pretty soon, you won’t have to leave your house to go to Comic-Con. They’ll just have a television station dedicated to Comic-Con content… (I wonder if they record the panels for posterity… Hell, I’d love to watch old Comic-Con panels on TV)…

But I bet you want the teaser:

The Avengers is going to be directed by Joss Whedon, comes out May 4th, 2012, and stars Chris Evans, Robert Downey, Jr., Mark Ruffalo, Chris Hemsworth, Jeremy Renner, and Samuel L. Jackson.

The Avengers at Comic-Con

This con so far has been run sooooo much better than in recent years (though I will be submitting a list of 10 things to make the con better in a future article), but then, as I waited in line for hours and hours for the Marvel Panel in Hall H (and Paul and Cowboys and Aliens before that) but couldn’t get in because there was an altercation in Hall H and someone got stabbed in the eye with a pen, Joe Pesci style.

I was 100 people from gaining entrance to Hall H, but they closed entrance and exits, not that I think anyone would leave if they had the chance.

I got a series of live tweets about the altercation and first-hand information from security guards.  And the ambulances came by, etc.  It was during the Resident Evil panel, and I guess that’s just the sort of crowd that would stab a guy in the face over a chair in Hall H.

The big news out of the Marvel Panel, though, is that they assembled the Avengers for the first time with their official director.

Our friend Jimmy Martin was in Hall H all day, so we’ll try to get a first hand report from him.  But we would like to present to you the Avengers:

The Avengers, from left: Robert Downey Jr., Clark Gregg, Scarlett Johansson, Chris Hemsworth, Chris Evans, Samuel L. Jackson, Jeremy Renner, Mark Ruffalo, director Joss Whedon and Marvel Studios President Kevin Feige.

This confirms our report from Thursday about Mark Ruffalo, and all of the rumours about Jeremy Renner.

I’m incredibly happy with this cast.  I wanted to see Edward Norton as an Avenger, but Mark Ruffalo is perfect, too.  Jeremy Renner is a great choice for Hawkeye.  And I’m very happy with Wheedon directing as well.

There is a whole slew of photos and coverage I have that I’ll be posting over the next week, including photos of Chris Hemsworth, interviews and pictures of the cast of Scott Pilgrim and Paul, and my interview with Kevin Smith, among a ton of other coverage, so be sure to check in throughout the week.

More From Joss About The Avengers

So we all know that now Joss Whedon if OFFICIALLY directing. Its great, we love it, it makes us happy. Now what the fuck is he going to do to them? What is his Avengers world going to be like? Are Cap and Iron Man going to be friendly? How is a Thunder God going to fit with those two? Well I09 got a little interview with him at the From Dusk Til Con party and we get some info that makes me happy and will probably make you a little happy too.  Heres a little excerpt to whet you appetite and head over to I09 for the full thing.

While working the press line at AMC’s From Dusk Till Con, Comic Con party we got the chance to ask Whedon just what he plans to do with The Avengers – specifically with the complicated relationship between Tony Stark and Iron Man.

The JJ and the Joss panel was great. How does it feel to finally be able to talk about The Avengers and have that off your chest?

It is a great relief, to actually just go ahead and say, “I have a problem.” To come out to people and say “I’m directing the Avengers.” And the first step is admitting it, and hopefully I’ll be cured, in two years.

As always go on into the forums and share your thoughts about this development.

REVIEW: Iron Man Noir #3

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Iron Man Noir #3

Publisher: Marvel Comics

Writer: Scott Snyder

Artist: Manuel Garcia

Inker: Lorenzo Ruggiero

Scott Snyder, the mind behind Vertigo’s American Vampire, is doing just as much great work over at Marvel writing the compelling and fun Iron Man Noir series.  A cross between Iron Man and Indiana Jones with a dash of Steampunk, Snyder’s “Noir” iteration of Iron Man is an action-packed adventure told just like the old adventure serials.

A lot of the conceits of the standard Tony Stark story are there, his heart is in trouble, he has Jarvis, etc., but for some reason this time and place seems a lot more interesting to me.  It’s set during the late 30s, Nazi’s are all around, looking for artifacts to help win the war, Baron Zemo is leading the villainous charge, but who is he really?  You might not like the answer to the question, but I certainly did and it added such a layer of depth to the whole issue and raised so many intriguing questions that I’m dying to read the next one.  Although it reads like a pulpy-adventure, after reading and re-reading the issue, you can tell that the story is told with a careful finesse that seems to come natural to the storyteller.  It begs to be read over and over again.  The story is fun, the art is pretty to look at, and the story telling is great.

This is definitely a book you should be picking up.  I understand if you feel like you’re jumping in too late and want to wait for the trade, but I guess my point might be that you missed the boat and you should pre-order your trade now.

Snyder is proving to be a force to be reckoned with in the comics medium and, as excellent as his prose work is, I hope he’s able to stay working in comics for a very long time.

Marvel Comics reviews are brought to you by Dr. Volts Comic Connection.

REVIEW: Avengers Prime #1

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Avengers Prime #1

Writer: Brian Michael Bendis

Pencils: Alan Davis

Inks: Mark Farmer

On Shelves: June 2, 2010

With the coming of the “Heroic Age” I had in my mind an image where Tony Stark, Steve Rogers, and Thor were best of friends and most of the friction between these three that have plagued (to beautiful dramatic effect) the Marvel Universe for the last decade.  They might be playing poker together, hanging out, and being all warm and fuzzy with each other.  I enjoyed the friction and was thinking I was sorry to see it go with the end of Siege, which is what the Heroic Age has been touted as a little bit.

I’m happy to say that with Bendis’ Avengers Prime #1, all the rivalries we’ve come to expect from the holy trinity of Avengers is alive and well.  Steve and Tony seem truly ready to kill each other in this tale of the aftermath of the Siege.

Though the Avengers are helping Thor put Asgard back together, and they all have common purpose, Steve still blames Tony as the lynchpin for everything bad that has happened in the Marvel Universe, starting with the Civil War, handing power of S.H.I.E.L.D. over to Norman Osborne, and The Siege.

But it seems as though Thor couldn’t care less about any of that.  His father’s kingdom is in ruins and needs to be put back in place.  Unfortunately, someone else has other plans for them and they all end up being transported somewhere they didn’t expect to go and encountering a villain that is one of my favorites, but hasn’t been around in quite a while.

I really felt like this was a fun, compelling issue and it laid to rest any worries I had that the Heroic Age was going to take the teeth out of the characters I’ve come to love seeing argue, bicker, and fight.  In some ways, this book feels like Thor and the Warriors Two (Iron Man and Cap) and that works just fine for me.  I think Thor’s adventuring in the Nine Worlds are some of the best stories Marvel has ever told and while I’m sad to see that he’s not with the actual Warriors Three, it’s nice to see that he’ll be forging ahead with his two most favoured allies of Midgard.

This is a great book, Bendis is always a good read.  If he can keep this up and it turns into an adventure book with these three characters I’ll be reading this religiously.

This comic book review was brought to you by Dr. Volts Comic Connection.

This Week IN Comics

This week, we review The Avengers #1 and try to hook some new readers coming into comics on the heels of Iron Man 2.  We also chide you once more to come to our LOST event.

In Magazine is kind enough to give us space each week in their print version to try to convert new comics readers and if you live anywhere in the Greater Salt Lake area, you should pick up a copy of the magazine on the newsstands.

As usual, you can read the online version of the article over here, and you can enlarge the image to read the laid out version below:

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BSR! ROUNDTABLE REVIEW: Iron Man 2

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Well folks, the wait has come and gone. Iron Man 2 opened here in the US over the weekend and many of us bots here at BSR! flocked to our local theaters of choice to check it out. Below is what some us thought about the film, a mini-review if you will, and be sure to let us know what you thought about the film in the comments section at the end!

Arse-Bot: Was Iron Man 2 a perfect superhero movie? No. However, was it a fantastic follow up to Iron Man 1? Absolutely. I had rather high expectations for this film going in, because like most, I loved the first one. I as worried that the movie wouldn’t live up to my expectations because like so many of you out there, I have been burned by Marvel sequels before (*cough* X3 *cough*). I am happy to say that Iron Man 2 held up to my lofty expectations and Favreau has delivered a solid follow-up.

First off, Tony Stark. I loved that he has somewhat reverted back to being an arrogant ass. He has brought about an incredible level of world peace due simply to the fact that Iron Man exists, he’s a genius, and he’s rich. And while we all know that deep down in there is a big heart, the narcisism always manages to take front an center for Stark. Some critics out there complained at this fact that it seems as though all the “lessons learned” by Stark in the first one had been washed away – not true – it’s just Tony Stark being Tony Stark, constantly wavering between arrogant narcissism and compassion for others. This whole argument is made null by this fact: While Stark is being arrogant and bragging about being Iron Man, the suit is accelerating the palladium poisoning he is succumbing to from his chest reactor – yet he still dons the suit to protect and help people. Stark is a complicated character, you need to look beyond the narcissism that is always there.

Secondly, the plot. Swank-mo-tron and I have talked about this a little and I’m sure he will have a solid argument for me on the contrary. Swank argues that it feels as though there is nothing at stake in this film. I tend to disagree. I don’t feel that every superhero film needs to be an “end of the world” scenario or have ridiculously large stakes. What makes this a great follow-up film for me is that when we left Stark at the end of Iron Man 1 he declared that he is Iron Man – this film now deals with those consequences, not only the moral and political implications, but how this film’s villains play in. They are both gunning for Stark at multiple angles: his legacy, his company, his friends and of course, his life. I don’t feel that every superhero film needs to have a “Lex Luthor”, someone that wants to kill the hero and in doing so take over the world! This was a simple device that I felt worked well: Stark just admitted to being Iron Man, now people are gunning for him. This provided plenty of tension and excitement for me!

Also, there were some complaints about a lack of action. What this film maybe lacked in action sequences every ten minutes, it made up for in some pretty solid character development. Personally, I didn’t feel there was the lack of action I keep hearing about and the final 20 minutes of the film more than make up for a mid-film lull. Of course, some people just can’t be pleased; if there is too much action, then there isn’t enough character development – if there’s too much character development, then there isn’t enough action. I felt this film balanced both very well.

In my conclusion, I will say this: This film is not perfect –  there are some plot holes that could have been avoided, and the film – while still pretty interesting – gets a bit “talky” through the second act, but the final action sequence in the third act really provided that “Hell Yeah! Iron Man can whoop some ass!” action I was waiting for. For me personally,  while I feel they were completely avoidable, the plot holes were “over-lookable”. I see how they were intended to move the story along, but if you think about them, they are quite glaring. I’d imagine somewhere on the cutting room floor are a few deleted scenes that probably fill in these holes to a degree. Overall though, I enjoyed the hell out of this movie,  I definitely plan to see this again – hopefully in IMAX.

Swank-mo-tron: I really enjoyed Iron Man 2, but I think it fell short of being the best Marvel sequel ever, or even one of the best super-hero movies. It was fun, the acting was all great, the fights and action choreography top notch, but the story and the script had a couple of lulls and holes that really just served no purpose. And I felt like there was no threat or growing shadow of a problem to make me invest into the story further. Don’t get me wrong, I really loved this movie and enjoyed the hell out of it, but I didn’t feel like it had a “fuck yeah” moment like Spider-Man 2 or X2. I know it did for some people, but it wasn’t a universal thing like in the other to sequel movies. But in those movies, the stakes were raised higher than that of the first film, and in Iron Man 2, they were exactly the same. It was a guy bent out of shape about Tony taking a part of his legacy and hard work and building a suit that roughly mimics the Iron Man armour only bigger and then having a blink-and-you’ll miss it fight. Sure, they added some drones and War Machine (which were cool!) but the story stakes NEVER got higher.

And my biggest complaint was the lousy screenwriting surround the car race in Monaco. How did Vanko know Tony was heading to Monaco before Tony did? And when no one, including Tony, knew that he was going to be racing on the track, why was Vanko’s plan to get on there and attack Tony? It made no sense. The other one was when Agent Coulson told Tony if he tried to leave the premises that he’d tazer him and so on. Two scenes later, Tony leaves, comes back, and is instantly met by Coulson. “Heard you left,” he says, as though he never meant to keep him there in the first place. “I had things to do elsewhere,” he says flippantly. Some have told me that it was to “set up the problem with the Hulk, or deal with Thor” but that’s thin. They did plenty of that later so this made no sense and only served to confuse the audience.

Having said that, despite its flaws, I really loved this movie and I’ve seen it twice. I won’t hold it up as high as X2 or Spider-Man 2 or the Incredibles, but it was pretty damnein Iron Man 2, they were exactly the same. It was a guy bent out of shape about Tony taking a part of his legacy and hard work and building a suit that roughly mimics the Iron Man armour only bigger and then having a blink-and-you’ll miss it fight. Sure, they added some drones and War Machine (which were cool!) but the story stakes NEVER got higher.

And my biggest complaint was the lousy screenwriting surround the car race in Monaco. How did Vanko know Tony was heading to Monaco before Tony did? And when no one, including Tony, knew that he was going to be racing on the track, why was Vanko’s plan to get on there and attack Tony? It made no sense. The other one was when Agent Coulson told Tony if he tried to leave the premises that he’d tazer him and so on. Two scenes later, Tony leaves, comes back, and is instantly met by Coulson. “Heard you left,” he says, as though he never meant to keep him there in the first place. “I had things to do elsewhere,” he says flippantly. Some have told me that it was to “set up the problem with the Hulk, or deal with Thor” but that’s thin. They did plenty of that later so this made no sense and only served to confuse the audience.

Having said that, despite its flaws, I really loved this movie and I’ve seen it twice. I won’t hold it up as high as X2 or Spider-Man 2 or the Incredibles, but it was pretty damned fun.

Budgetron: The trailers and other marketing materials failed to grab me with the story elements that would make me thing, “Wow!  How in the world is Iron Man gonna weasel his way out of this pickle jar?  I gotta see this now!”, and as such, it won’t be difficult for me to wait and see it when it hits my preferred discount theater pub, Brewvies.

Clang! Boom! Steam!: It’s easy to say that Iron Man II was either, not as good as or way better than one super hero movie or another, but the only comparison that I feel is fair to bring to the table is that to the original Iron Man, which was almost universally hailed and with good reason. Critics and audiences were amazed at how much they grew to love a B list character that they knew so little about going into the movie, even as a seasoned Marvel Comics addict, I feel that Robert Downey Junior’s performance made Tony Stark more charismatic, complex and accessible than he had ever been in any Iron Man comic I’d read thus far. (Though I admit I’d only read him in Avenger’s titles) But as with any sleeper hit turned box office juggernaut, the bar was set sky high for the sequel, and rightfully so – the trail has been blazed, now tear it the fuck up right? Well maybe that’s what irked me just a little bit about Iron Man II, they blazed one Hell of a trail with Iron Man (I) only to end up taking a brisk stroll down it.

I don’t mean to imply that the action wasn’t intense or the characters have necessarily lost any of their charm, I just feel that the formula of the movie didn’t end up working quite as well as it could/should have. I will attempt to articulate without sounding like a joyless, overly academic douche.

By my count, most people who have seen the Iron Man II so far, myself included can more or less agree on 2 things –

1) They really enjoyed the movie

2) It wasn’t as good as the original, and I believe it is largely for the reasons stated below.

Many conflicts that existed in the original film spilled over into the sequel (okay) but where I feel it went wrong was the villains, subplots and conflicts seemed to multiply (fine) and diffuse (not okay) – creating a sort of “more is less” effect. It’s not that you didn’t sense any menace, conflict or danger, it’s just that none of it stabbed at your heart as with the Iron Man (1) , nor did it feel like a million pins needles slowly draining your blood as with Spider-Man II – it was more like Tony Stark taking a beating in a sparring match, cuts, bruises and humiliation for sure but not near the intensity or depth that we saw in the original. Because of this, the emotional peaks and valleys were less jagged, the light at the end of the tunnel was a bit fuzzy and the personal investment in the outcome was less complete.

In closing I give HUGE props for mass robot violence and sexy Russian spies – two things that I feel almost all movies could benefit from.

All the same, really enjoyed it, well worth the price of admission and don’t you DARE leave the theater until the end of the credits.

Zombietron:

I went into Iron Man II expecting mediocrity. I was pleasantly surprised with a great action movie with a pretty solid story. I agree with Clang’s statement that Iron Man 1 turned a B super hero into something everyone cared about, and Robert Downy Jr. once again knocked the roll out of the park. There were definitely plot holes, (if Agent Romanov could hand War Machine’s control back, why couldn’t she just turn off the other Hammer bots?). Those aside I was having so much fun watching the movie that I found them easy to ignore. I pray to god, whichever god will listen, maybe the god of superhero movies, or super-hero fans, or super-hero jesus, I don’t care which god. THAT THEY NEVER EVER EVER, have another Scarlet Johansson role in a movie, she was good to look at, and I don’t think any female actor ever could have been a worse black widow.

Go See Iron Man II, and like all the bots are saying STAY AFTER THE CREDITS!

This Week IN Comics

This week, in anticipation of Iron Man 2 tonight, I took a look at Demon in a Bottle for IN Magazine.

As usual, if you’re in the Greater Salt Lake area, you can pick up a copy on newsstands. You can read the online version here or you can read the print version below.

For those of you interested, you can get Demon in a Bottle at your local comic book store, or on Amazon.

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Out Today on DVD and Blu-ray 5/4/2010

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Steven Spielberg’s D-Day epic Saving Private Ryan is heading to Blu-ray, today.  This is a pretty good film, but it’s reputation is much better than it deserves.  Like I said, it’s pretty good, but it’s not great.  It’s overly long and some of the casting and script choices were questionable at best.  If you want a really great war film from the same year, I would suggest Terrence Malick’s The Thin Red Line.  Where Saving Private Ryan is the terse prose of war, The Thin Red Line is elegant poetry.  According to Amazon, Criterion is putting out a Blu-ray of it some time in the future, and that’s one I’m more excited for than just about anything.  But as far as Ryan goes, the only thing that gets into “great” territory is the D-Day invasion, and seeing it on Blu-ray is a must.

What I think is the third greatest of David Lean’s epics (behind Lawrence of Arabia and Bridge on the River Kwai) Doctor Zhivago comes out on Blu-ray.  Blu-ray is exactly the format that suits Lean best and this is a movie that is perfect for it.  It’s a sweeping epic with frames so dense with information, I daresay you’ll get more out of a release like this than the DVD.

In the geek department today, comes the fifth volume of the 90s X-Men cartoon series and the fifth volume of Wolverine and the X-men.  We should have full reviews up soon, but be sure to check out the contest we have going to give away a copy of the X-Men, along with the complete series of the 1994 Iron Man cartoon, which also comes out today.

I’m also terribly interested to see Francis Ford Coppola’s Tetro, starring Vincent Gallo.  I want to see what Coppola does in his quest for “small, personal” films.  They’re just so damned hard to catch.  His last, Youth Without Youth, starring Eric Roth, was here and gone in a flash and I haven’t picked up a DVD of that yet, either.  But you should check it out if you feel so inclined.

The last thing on my list today is a four pack Turner Classic Movies war collection.  It contains one of my favorite movies ever, Gunga Din, as well as Battle of the Bulge, The Dawn Patrol and Operation Pacific.  Errol Flynn, Cary Grant, Henry Fonda, Cary Grant, and Douglas Fairbanks, Jr. all together in one set for less than $20, that’s simply a deal you can’t beat.

Preview of Avengers #1

This just came to us today from the folks over at Marvel giving us a sneak peak of Avengers #1 which is coming out on May 19th.

Your First Look At AVENGERS #1

Marvel is proud to present your first look at Avengers #1, from superstar, award-winning creators Brian Michael Bendis and John Romita Jr! Kicking off the biggest launch of the decade, Avengers #1 ushers in a new era for the Marvel Universe as the world’s greatest heroes assemble once again. But what deadly threats await them? And who makes the team? Find out on May 19th on the first inaugural Avengers Day, as participating retailers worldwide celebrate this landmark Marvel Universe issue with special variant covers, prints and more!

Plus, visit www.IAmAnAvenger.com and submit your photo for a chance to have your picture appear in an upcoming issue of an Avengers comic book. This limited-time invitation is only open to those at least 18 years old and therefore old enough to join the greatest heroes in this universe—or any other!

AVENGERS #1 (MAR100516)

AVENGERS #1 ROMITA JR VARIANT (MAR100517)

AVENGERS #1 DJURDJEVIC VARIANT (MAR100518)

AVENGERS #1 HEROIC AGE VARIANT (MAR100519)

Written by BRIAN MICHAEL BENDIS

Pencils & Cover by JOHN ROMITA JR.

Variant Cover by JOHN ROMITA JR.

Variant Cover by MARKO DJURDJEVIC

Heroic Age Variant by GREG LAND

Rated T+ …$3.99

FOC – 4/28/10, On Sale – 5/19/10

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