Tag Archives: Graphic Novels

COMICS: Indulge With ‘Monsters! & Other Stories’

I fell in love with comics when I was a young kid. Before my parents bought me comic books staring the friendly neighborhood Spider-man or Gotham City’s Dark Knight I read strips out of the newspaper and collected editions from the city library. Those collected editions helped me learn how to read. They expanded my vocabulary. I learned the meaning of many words based simply on the context of the image in the panel. It was only because of great storytellers like Chares M. Shulz (“Peanuts”), Mort Walker (“Beetle Bailey”), and Jim Davis (“Garfield”) that the panels were readable without needing to know all of the words. The stories themselves were the beginning of a life-long passion for illustration and sequential art.

I’d get gifts from my grandfather who was a fellow fan of, as he’d say, “the funnies.” I was exposed to even more masters of the medium when he bought me stories of “The Little King” and “Little Nemo” as birthday or Christmas gifts. Recalling those books and those masters is a fond part of my youth so I’m always on the lookout for something that’s nostalgic.

“Monsters! & Other Stories” is that book.

Courtesy of Dark Horse Comics, I recently got my hands on a book I know my grandpa would enjoy. The book reminds me of all of those great masterful works from my past. It is a graphic novel that is so perfect in its execution that I’m now a life-long fan of the exceptionally talented master Gustavo Duarte.

“Monsters! & Other Stories” is a comic book that anyone of any age can enjoy. Despite being devoid of written dialogue (and the fact that the storyteller, Duarte, is a Brazilian from Sao Paolo), there is nothing lost in translation. Each story in the book is easily read – or viewed – and understood completely. What’s more is that Gustavo is an excellent comedian, so the stories are also funny – a hard thing to accomplish with only illustrations. Each panel is carefully crafted and is a piece of art in itself.

Like any master the collection of the panels as a page is also an amazing piece of work. After reading through the book you’ll find yourself admiring the panels and pages again and again.

Monsters! & Other Stories
Images courtesy of Dark Horse Comics

Defining Gustavo Duarte as a cartoonist in few words would be over simplistic but inevitably an apt description. His cartooning is summed up with the use of strong lines and simple colors. That combination makes the images pop, like Sendak’s or Suess’s, but his stories have a darker streak to them that is uniquely Duarte. His style is in the realm of cartooning with a mixture of pop-art but it is a style distinctly his own. Of the three stories in “Monsters! & Other Stories”, the one I like the most is “Monsters!”. It is a story where his style is given the most room to stretch. It has a plethora of characters in it, unlike the other two tales that are focused on a drunk with chickens (“Co!”) and a pair of birds who have a date with The Grim Reaper (“Birds”).

Monsters! & Other Stories
Images courtesy of Dark Horse Comics

The book’s genre is horror/humor and Gustavo nails the comedy as expected. The horror though, isn’t what most people would think of when they hear that term. The parts that are frightening or horrific are more in line with a twisted “Twilight Zone” kind of story that contains cartoon slapstick violence. Some of the images (like a decapitated bird) could be horrifying to small children but will read as darkly humorous to most every other reader. 

The book itself is available now in print and digitally through Dark Horse’s website or through their comic book app. I suggest going to your local comic’s shop or bookstore to get your hands on a physical one. The book itself is nicely bound and has a great feel in your hands. Flipping through illustrations like this is much more enjoyable in the trade paperback format. If you’d like to see more preview art, please visit “Monsters!” page on Dark Horse’s website

Monsers! & Other Stories Cover
Images courtesy of Dark Horse Comics

COMICS: ‘Godzilla Awakening’ is Coming

The Director of the new “Godzilla” film that wowed us last month with a phenomenal trailer has another video announcement for us. “Godzilla Awakening” will release on May 7, 2014 for $19.99 as a 72 page graphic novel. This book will be illustrated by Eric Battle, Yvel Guichet, Alan Quah and Lee Loughridge. The story will be written by Max and Greg Borenstein and the cover will be done by Arthur Adams. This is not Legendary’s first foray into comics, and judging by our thoughts on their previous release, this aims to be a quality book. Keep an eye out for it and sound off below!

REVIEW: Shadow Walk

Shadow Walk

“Shadow Walk” is an action-packed original graphic novel that comes from the minds of Mark Waid, Max Brooks and Thomas Tull. There are monster attacks, gunfights and plenty of death in unique ways. What else would you expect from an adventure that takes place in Hell on Earth? This is one amazing ride from beginning to end that any horror fan will love and any non-horror fan can enjoy.

“Shadow Walk” is really about one thing, and the book sums it up perfectly. 

“Is the Valley of the Shadow of Death a metaphor or could it actually be a real place? Three separate paranormal incidents over the last century, in a valley near modern day Iraq, seem to give credence to these claims. When satellite photos taken over the area hint at a dangerous new energy source, the U.S. decides to send in a Spec-Ops team to locate and extract it before it can fall into enemy hands.

Led by John Raines, a deadly soldier who has been left to rot in Guantanamo, after being accused of allegedly killing his entire platoon in the very same valley years prior. The team heads into dangerous territory to battle demonic creatures with little chance of survival. Armed with two arcane artifacts as their guide and protector, they will find out the road to Hell just opened up on Earth.”

“Shadow Walk” was a great monster/demon graphic novel from cover to cover but that is only scratching the surface of what made this book earn it’s place on my top shelf with other graphic novels like “Kingdom Come” and “Batman: The Killing Joke”

At its core the writing focuses on human nature’s struggle with spirituality. Even with demons from Hell bearing down from all sides they are still skeptical of a higher power. The only exception is Father Tucker who even gives an interesting speech about faith when all else seems lost.

Shane Davis really shines with the action, the art is amazing and with Mark Morales’ ink and Morry Hollowell’s colors it seems to leap off the page and fit with the plot and writing in a way that simply fits perfectly.

Shadow Walk 

On top of the amazing writing and artwork monster lovers will enjoy every page. Each page turn reveals new monsters, ranging from a curtain of human flesh to glowing sirens with eyes for breasts and fanged vaginas taking “safe sex” to a whole new level.

“Shadow Walk” is an intense and a fast read that it hooks you from the beginning. I hope we see more of John Raines in more works from Mark Waid, Thomas Tull and Max Brooks because for me they will be instant buys.

Stay tuned for an interview I had with Mark Waid himself in an upcoming episode of the Big Shiny Podcast!  and find out which character he relates to most and get the inside scoop on working on something like “Shadow Walk”, and doing work for Marvel and DC.

BIFF! BANG!! POW … WOW!!!: Boxers/Saints

Disclaimer: All of the comics reviewed in this column were either comped by the respective creators/companies, or purchased from Dr. Volts Comics in Salt Lake City.

BOXERS & SAINTS (graphic novels, First Second, $18.99 and $15.99, 336 pages and 176 pages)  

WHO’S RESPONSIBLE? Gene Luen Yang (writer, artist and letterer); Lark Pien (colorist).

Historical fiction has become a well escape hatch for comics creators feeling constrained by the limitations of super heroics and other comics genre trappings. Their approaches to this form of storytelling have differed greatly – while Alan Moore and Kevin O’Neill’s employed fictional characters and real-life figures in their irreverent “League of Extraordinary Gentlemen” tales, graphic journalist Joe Sacco has taken a more scholarly path with his nonfiction novels “Palestine” and “Safe Area Gorazde.”

Fitting neatly somewhere between those is “Boxers & Saints,” a two-part graphic novel from writer-artist Gene Luen Yang, the creator of the acclaimed, award-winning “American-Born Chinese.” Ambitious in scale, and using real-life events as their basis, “Boxers” and “Saints” both re-create parts of the 1899-1900 Boxer Rebellion, a Chinese Civil War that pitted Eastern traditionalists against “foreign devils” trying to bring more Western ways into the country, including organized Christianity.

The lengthier “Boxers” follows Little Bao, a rural Chinese villager who learns kung-fu from a master and eventually becomes one of the rebellion’s main leaders, for the so-called Society of the Righteous and Harmonious Fist. While he remains committed to the cause, Little Bao does become conflicted and more than a little distracted when meets two very different women.

Its companion/complementary volume, “Saints,” is told from the perspective of Four-Girl, another rural villager who has become an outcast. Four-Girl’s family blames her for causing the death of her father, so, seeking peace and redemption, she studies Christianity. Eventually, she is re-christened Vibiana and tries to spread the word about her new Catholic faith.

THE GOOD.

As he did in “Chinese-Born American,” Yang employs the supposed “magic realism” to tell these stories. When Little Bao and his brothers … and eventual followers … employ their unique style of kung-fu, they actually turn into incarnations of various Chinese gods and other legendary figures.

And when Four-Girl is questioning whether to join in with the Christian side in the conflict, she receives visitations from a spectral vision that appears to be Joan of Arc.

As fantastical as these developments are, they’re smartly, vividly done, even with some very welcome humor at times. Also, Yang’s art has continued to develop and progress (he’s also honed his craft on Manga versions of “Avatar: The Last Airbender”). His art here is clean and compelling, employing the style of traditional Chinese folk art.

THE BAD.

By giving voice to the Christian side, still side by many as unwelcome in China, Yang has invited some controversy. And make no mistake about it, he does make Four-Girl at least as sympathetic a character as Little Bao. In fact, if anything she’s more relatable to American readers – For one thing, she doesn’t slaughter those who disagree with her (as Little Bao often does).

And obviously, anyone familiar with Chinese history knows these aren’t happy tales. Blood was shed on a large scale, and without spoiling too much, it’s clear that the rebellion isn’t going to end well for at least one of these characters.

THE UGLY.

While it does make the package more economical for some, the decision to split the two volumes into separate graphic novels does give readers the choice to read only one. But these stories deserve to be – need to be – read in tandem. They complement each other, and do shed a light on a period in Chinese (and Western) history in a memorable, compelling fashion.

IN CONCLUSION.

You have to applaud Yang for taking on such a daunting project practically single-handedly (though he is aided by fellow artist Lark Pien, who provides the properly muted colors). Researching the period costuming and architecture had to have taken considerable time, but those efforts were well-worth it. This is a book that looks at least as good as it reads.

Jerk-bot, better known in human form as Jeff Michael Vice, can be heard reviewing films, television programs, comics, books, music and other things as part of The Geek Show Podcast (www.thegeekshowpodcast.com), as well as be seen reviewing films as part of Xfinity’s Big Movie Mouth-Off (www.facebook.com/BigMovieMouthOff).

COMICS: The Black Beetle Volume 1: No Way Out

Francesco Francavilla’s critically acclaimed The Black Beetle volume 1: No Way Out from Dark Horse Comics is now available. The graphic novel collects the entire No Way Out story into a hard cover format for the first time; and the story is spectacular. The marriage of image and story in comics is rarely this perfect. The book is a creation of Francavilla’s that is all his own. The illustrations are not only done in his classical pulp noir style, but the story is built from the ground up by Francavilla as a pulp noir mystery. That makes the collected edition so much better because the mystery can be enjoyed in one big serving.

The Black Beetle is a character who is part super-hero, part man of action, and part Continental Op. He is the protector in the shadows of Colt City. The story starts with Black Beetle protecting a museum curator and her archeological treasures from machine-gun wielding Nazi’s with jetpacks. Gun play and intrigue ensue as Francavilla’s hero investigates his way in and out of trouble. Most of the time he’s saved by the use of some amazing gadgets created in the noir era of the 1930’s & 40’s but clearly based on modern technology. You will not be alone in comparing the gadgets to Dick Tracy, Inspector Gadget, James Bond and a Navy Seal.

That’s not to say that the story isn’t firmly grounded in storytelling. The use of the gadgets and action isn’t a cheap trick to make up for an uninteresting story. It is instead part of the fun and flavor to an already exciting thriller. The Black Beetle puts the puzzle together through detective work in sewers and in night clubs. The smoky lounge scene when the band plays and the canary sings are spectacularly done. The music is drawn in a way that gives the visual a sense of sound. As you read along, you’ll swear you can smell bourbon and tobacco. Francavilla’s pencils and colors create and then draw you into his world like few others can.

The book’s foreword is by the amazing Darwyn Cooke and there are 19 pages of additional content in the back. That many extras with a total page count at 152 is not something you always see at the 20 dollar price point. For anyone who likes a little sampling before they jump in, there is a nice sized preview after the solicit below. For any additional Fracesco Francavilla art check out his page here. To tell me I talk about Francesco Francavilla too much, go ahead and leave a comment or send me a tweet @MarkAvo.

Writer & Artist: Francesco Francavilla
Cover Artist: Francesco Francavilla
Genre: Superhero, Crime, Action/Adventure
Publication Date: October 16, 2013
Format: FC, 152 Pages; HC, 7″ x 10″
Price: $19.99

The Black Beetle Preview 1

The Black Beetle Preview 2

The Black Beetle Preview 3

The Black Beetle Preview 4

The Black Beetle Preview guns

The Black Beetle Preview

PREVIEW: UXB from Dark Horse

Being surprised by a story is one of the true joys in life. I’m not talking about having seen parts of a trailer spoil some of a movie, or an accidental comment on a social media thread spoiling a television show you’ve yet to watch off of the DVR. No, I’m talking about enjoying a story totally new to you in every way. That’s the thrill I had during my read of the new graphic novel, UXB, from Dark Horse.

Colin Lorimer is the sole storyteller behind the beautifully dark UXB. The tale is a unique spin on the old apocalypse trope. As the world crumbles around three brothers, their father will stop at nothing to insure their safety during the end. They’re prisoners who, for their own safety, are trapped in an underground bunker near the heart of London. They spend their days playing with the latest VR video games, movies and pornography only to later be subjected to testing for a new kind of high tech body armor. The body armor’s sole purpose is to protect the children through the coming war, but like any great adventure, that’s not all there is to it. Will their body armor be their salvation, damnation, or is it just another layer to their gilded cage?

Lorimer’s art will pull you into his world and his story will leave you wanting more. He has published some parts of this story in Dark Horse presents, and other parts on the web, but this is the first published collection of UXB. It comes in a wonderful hardcover with never before seen pages that will leave you stunned and horrifed. It’s another release by Dark Horse with perfect timing for the season.

Pick up UXB from your local comic book store and you’ll see that the enjoying something you never thought of before is a true joy. If the preview pages here aren’t enough to convince you, check out the additonal art over at his blog http://colinlorimerart.blogspot.com/. If you’d like some more inforomation about the story in 140 characters or less, go ahead and tweet me @MarkAvo.

Writer: Colin Lorimer
Artist: Colin Lorimer
Cover Artist: Colin Lorimer
Genre: Science-Fiction, Fantasy
Publication Date: October 09, 2013
Format: FC, 136 pages; HC, 7” x 10”
Price: $19.99

UXB PreviewUXB Preview 1UXB Preview 2