Tag Archives: Anime

Pixelbot’s Anime Update: New Ghibli films in the works?

 LogoGhibli

Source: Anime News Network

Producer and former Studio Ghibli head Toshio Suzuki revealed on his Ghibli Asemamire radio program that the anime studio will announce its next film on December 16. He added that Oscar-winning director and studio co-founder Hayao Miyazaki is currently animating a television commercial.

Suzuki had previously confirmed in October that the studio’s next project is from a new director, and a July 10 entry in the official Studio Ghibli blog had already revealed the studio’s plans to open its next theatrical feature film next year. Suzuki predicted in October that Miyazaki’s next feature film might open in four years.

Studio Ghibli revealed during a February 2008 press conference that “directors [Isao] Takahata and [Hayao Miyazaki’s son] Goro Miyazaki are both developing works” for release after Hayao Miyazaki’s Gake no Ue no Ponyo (Ponyo on a Cliff), which opened in Japan last year. Studio Ghibli President Koji Hoshino added in July of 2008 that there is a likely chance that Ghibli will promote one of its own animators to direct a film or recruit a director from outside the studio. Miyazaki himself told his studio’s staff in November of that year that they will start two feature-length works, with young staffers at their core, over the next three years.

Movies from both Takahata and Miyazaki? This is going to be a great couple of years.

Pixelbot’s Anime Update

 birdy
This week, I present you with a preview of Tetsuwan Birdy Decode. As you may guess from this preview image, Birdy Decode is not here to make you ponder deep questions about humanity. Nor will it fundamentally change your life. No, sometimes every anime fan wants mindless violence, crazy storylines, and boobs.

Funimation is here to help you with that. Tetsuwan Birdy Decode’s plot line revolves around Birdy, an interstellar agent sent to investigate aliens seen on Earth. She of course conducts this under the guise of a pop idol. Sound crazy? Wait, I’m not done yet. A late night mission causes her to catch an innocent schoolboy, Tsutomu in her deadly line of fire. That’s bad, so Birdy uses some of her advanced medical technology to save the boy, by implanting his mind into her own. Now, they must share her body while Tsutomu’s body heals.
 Tetsuwan Birdy DECODE - 01 - Large 22
I think we all know where this will go from here, and admit it. We all love it. Funimation intends to release the episodes in half season box-sets starting 2010. So if you enjoy B-Movie plots and hormonal teens locked in sexually awkward situations, keep your eyes peeled for this title.

You want more anime updates? Follow me on Twitter here.

REVIEW: Evangelion Throw-back Toy

 AYANAMI

Evangelion Throw-back Toy Review
1/6 scale pre-painted figure
“Rei Ayanami”
Sculpted by Tsukuru Shirahige
Craftsmanship Kotobukiya Co.
www.kotobukiya.co.jp
www.kotoUS.com

A must-have for Anime collectors, toy hedz, & anyone who is looking to spice-up their displays.

Unlike most Anime figures, this female character is fully-clothed & in actual costume/dress from the popular series. What stands out most is her plug suit’s glowing-like properties. It’s white at first glance, but a closer look reveals perfectly placed blasted gloss. Her face & hair don’t take a back seat to this either. Adequate air-brushing to her hair enhances a look of innocence on her face.

The packaging is by far the most “display friendly” I’ve seen. Clear-cubed packaged with minimal graphics, centered, & posed. To make it even better, Rei’s also got a clear plastic shell around (but not touching) her more than “perfect” shape.

This figure will easily stand out from the rest of your collection & you will be very satisfied with your new addition.

Anime Banzai – Day 2-3

It is, sadly, the end of festivities at Anime Banzai. Fan-made AMVs, flying hug-tackles, and some of the greatest, and scariest, cosplays this side of the Valley.

Cloud and Zack from Final Fantasy VII: Crisis Core.

Cloud and Zack from Final Fantasy VII: Crisis Core.

High speed dancing conga lines make the way through main floor of the Sheraton, the always gracious host of the convention. Banzai is an event like no other. As always, there’s no reason anyone slightly nerdy shouldn’t go next year. It’s really an educational experience for people who may have no idea about the culture of anime. Sit in some of the viewing rooms, take in some shows. Or just head into the main floor and mingle with some generally friendly people. A big thanks to the staff and coordinators who made this weekend possible, and I can’t wait to get there next year. For now, let’s get some pictures. (These were taken with a cell… so bear with me.)

The courtyard crowd.

The courtyard crowd.

More Final Fantasy cosplayers.

More Final Fantasy cosplayers.

Anime Banzai Talks To Gavin’s Underground

Downtown Salt Lake City officially becomes overcome with costumed fans of the Japanese artform this morning with three days of celebration at the Sheraton Hotel, including viewings and interviews and even gaming (both card and arcade) to be had. Two of the festival’s organizers sat down and chatted with City Weekly‘s own Gavin Sheehan for a chat about the convention and all that can be expected. Check it out at the link below, and if you’re int he area… go!

Gavin’s Underground interview with Anime Banzai

Gavin: For this year who will you have on hand as guests for panels and interviews?

Tyla: This year we’re happy to announce Michelle Ruff, a voice actress who has done voice work in both anime and video games. A few of her more popular roles would be Rukia in Bleach and Yuki in The Melancholy of Haruhi Suzumiya. She will be in a few panels as well as an autograph session. Coming back again this year is Steve Nunez, aka Warky T. Chocobo. He is a local talent who can recreate video game music on his piano. I believe he will be performing a concert as well as playing the background music for our Banzai Brawl which has become a very popular event at the convention.

Gavin: Speaking of panels, what have you got lined-up in that area?

Chris: There are a ton of different panels taking place throughout the weekend from costuming panels to individual fan panels. There are also several events in the main events hall, the most attended of which are the AMV contest and the Cosplay contest both of which take place on Saturday afternoon and evening. The convention schedule was just uploaded to our site and can be found here.

Eureka Seven – Good Night, Sleep Tight, Young Lovers –

 eureka7_flyer_round1

September 24th, theaters will be showing the new Eureka Seven movie, which I mentioned here sometime ago. A few more details have been revealed on this movie, the biggest one being that it’s set in a sort of “alternate timeline” Same characters, but completely different plot, and having nothing to do with the series.

LFOs Battle a new enemy, a mysterious organism known as "EIZO"

LFOs Battle a new enemy, a mysterious organism known as "EIZO"

The story seems to follow Renton, though he’s now a young soldier as he seeks his childhood friend, Eureka. As the events unfold a new enemy appears, threatening to shatter their reunion. Appearances from other cast members are expected, screens have shown Domonic, Holland, and Talho, though their role in the story has yet to be established.

Eureka (pronounced eau-wreck-uh) is seen in a pose similiar to Renton's upon meeting in the series

Eureka (pronounced eau-wreck-uh) is seen in a pose similiar to Renton's upon meeting in the series

While the new setting may be concerning, I have all faith that this will be a great film. I’m a huge fan of the series, which features stellar character development, an outstanding soundtrack, and killer artwork. Following a simple and appealing love story, Eureka Seven explored the effects of conflict and dogmatic government on individuals, while carrying a strong, unpretentious green message.

Dominic stands in another screen for Eureka Seven - GN, ST, YL -

Dominic stands in another screen for Eureka Seven - GN, ST, YL -

So, I’ll definitely be there. If you want to be there, make sure to get your tickets for this one-night only event.
Images courtesy of Bandai Entertainment, Inc.

Gigantor giveaway!

 gigantor

So who wants free stuff? Not only that, but this is Gigantor, a bona-fide classic. Where to even start? Gigantor coming to America is one of the reasons we have anime here, and one of the grandfathers of the Mecha/Giant Robot genre. Series like Evangelion, Eureka Seven, and countless others.

It’s a lot simpler this time around, just go here and follow the very simple steps. Contest ends noon this saturday, so get on that, people!

DVD Review: Dragonball: Evolution

This review originally appeared on Arse-bot’s DVD Examiner site.

In the late 1990’s Japanese Animation flooded the American airwaves. From more toned down shows geared towards kids -Hamtaro comes to mind- to more adult oriented anime such as Gundam and Big O, these Japanese shows were incredibly popular and if you were a kid watching cartoons during this time chances are you were exposed to the genre in one form or another. Perhaps one of the most popular of these anime shows was Dragonball (or more specifically, Dragonball Z), the beloved show created by Akira Toriyama, which follows Goku and his friends going on countless adventures, most of which pertaining to the fabled seven Dragon Balls in one way or another. Personally, I was one of those sucked in by this “new” Dragonball show -which aired during Cartoon Network’s “Toonami” and “Adult Swim” blocks- and eventually found myself making my way through most of the 300 episodes and movies. While at this point in my life I have lost most interest in anime, Dragonball has always held a special place in my childhood as the cartoon that bridged that gap of being too old to thoroughly enjoy current Saturday morning cartoons, but still longing for some epic animated adventure. I always figured it would be a matter of time before Hollywood got its grubby hands on this beloved show.

I must admit, I was one of those fans. One of the people that -as optimistic as I honestly tried to be- was less than impressed with any screen cap, leaked photo, and trailer that hit the internet. As my hope diminished so did my ability to hold back my disdain for all material released, I finally got to the point I just eventually gave up even following what was going on with regards to the development of the film. I skipped seeing Dragonball: Evolution in theaters, I haven’t been watching for it to come out on DVD; but when a review copy came across my desk, I couldn’t resist, I had to know, “Is it that bad?”

Yes.

And then some. What happened here with Dragonball: Evolution is an unfortunate scenario that we see all to often in Hollywood. A bunch of execs get their hands on some potentially high quality source material then proceed to strip it of everything that was loved about it and produce a product that barely even resembles what it once was. Before I get carried away as to why this movie was just so bad, allow me to try to sum up the “plot” for you:

2000 years ago an alien names Piccolo and a giant monkey named Oozaru destroyed much of the earth, but were then captured in a Urn by some monks. Flash forward to “present day” and we have Goku who is training with his grandfather Gohan. Goku is “special” and is picked on by classic movie bullies at school because apparently he is a geek (despite the fact that he looks like he could fit right in with said assailants). Eventually, while at Chi-Chi’s sweet high school house party, the bullies are disposed of. But while Goku is away getting frisky with Chi-Chi, Gohan is attacked by Piccolo and dies in Goku’s arms once he gets there. What then proceeds to happen in this train-wreck of a movie is characters such as Bulma, Yamcha, and Master Roshi are introduced, given really bad lines, thrown into some really bad CG environments, and forced to participate in less than spectacular fight scenes… all on the way to collecting the seven Dragonballs before Piccolo does which will bring about the end of the world. The movie culminates in Goku turning into Oozaru (which shouldn’t have come as a surprise to anyone familiar with the anime series) via some sub-par animation, then turning back through sheer will to throw a laughable Kamehameha at Piccolo, putting an end to his threat. Though, before the credits roll, they set it up for a sequel -that probably won’t happen- and have a “flirty” fight between Goku and Chi-Chi.

There is a lot wrong with this movie, but where they really went wrong with Dragonball: Evolution is with the script and the scale of the film. There were a lot of elements of the original Dragonball series and the follow up series, Dragonball Z, mixed together and what happened is the writers seemed to cram in hundreds of episodes worth of material into a 90 minute “action comedy” with hopes of pandering to a young crowd. Neither those familiar with Dragonball or those with no former knowledge of the series were acknowledged in the making of this film. Those walking off the streets not know a thing about Goku or the source material will probably just be absolutely baffled at the movie playing before them; nothing is explained clearly, -or in some cases, at all– there is next to no motivation for the actions of the characters, all in all, nothing to familiarize the beginner with Dragonball lore. As far as fans of the original manga and anime are concerned, it should only take about 5-10 minutes before they begin to become increasingly irate at how far off the path from the source material Dragonball: Evolution actually goes. It’s almost as if 20th Century Fox wanted to see just how far away from the original manga and anime they could take a live-action version of Dragonball without having to actually no longer call it “Dragonball”. If that were the case, they walked right up to the line and planted their feet firmly on top of it.

The script is full of plot holes and inexcuseable inconsistencies. For instance, at one point Master Roshi reveals that he can fly, but a short time later in the film he can’t figure out how to cross a lava pond. Fly maybe? The scale of Dragonball: Evolution is embarrassing; the locations and sets all just felt crammed, a far cry from the vast landscapes that are so dominant in the original anime series. The fight scenes were also toned down and boring, not even close to scale as they should have been. They were brief, uninspired, and hardly resembled the epic showdowns that Dragonball is known for.

Justin Chatwin and Emily Rossum seem to try to do what they can with the dialogue, but executing 90% of the lines in this movie with quality would prove to be nearly impossible. All the other actors involved with the film suffer from the same, which is too bad being that several of these actors have all been in movies that I enjoyed and put up decent performances. As I stated before, the special effects leave something to be desired and how they portrayed Goku’s infamous Kamehameha was insulting.

To sum it all up, Dragonball: Evolution was as bad as all the fanboys knew it was going to be and the cautiously optimistic fans feared it would be. The only things resembling the source material were the names of characters and places, most everything else seemed to just be thrown out the window when 20th Century Fox purchased the rights to make Dragonball into a film. Young kids who are just wanting to be entertained by a short, fast paced movie with lots of “action” may be the ones most entertained by this movie, but my guess is that anyone that has more than one digit in their age will likely not enjoy Dragonball: Evolution. Overall, it seems this film apeals to nobody, and yet, there are “talks” of actually making the sequel that the first film sets up, which absolutely blows me away. I went into watching this film with the lowest expectations I could possibly find, and yet, I was still appauled at just how bad this was.

Pass on this film, in every format.

If you feel that I have been over critical or unfair at just how awful this film was, please, feel free to check out Dragonball: Evolution for yourself.

COMIC-CON: Marvel to Unveil Anime Series at Comic-Con

The Marvel Animation panel just got a whole lot more interesting.

News just rolled in that there will be an exclusive sneak-peek at the new Anime versions of Wolverine and Iron Man.

This could be very good news and a lot of fun to look at.  Earlier in the decade Marvel published a Manga Spider-man book that was quite fun to look at and I had hoped they’d revisit that idea sometime.  I hope this is cool, there’s a lot of talent involved (including Warren Ellis.)  My concern?  It’s not scheduled to hit TV even in Japan until 2010, so this might be an extremely early look at something we might not see here in the United States for quite a while.

Without further comment, here’s the press release:

CULVER CITY, CA (7/15/09) – Marvel Entertainment Inc., has partnered with renowned Japanese animation studio Madhouse (Paprika, Tokyo Godfathers) to create four all new anime versions of classic Marvel Super Heroes. Get an exciting first glimpse of two of the planned four series at this year’s Comic-Con International, the country’s leading comics and popular arts convention. The Marvel Animation Panel will be held on Friday, July 24, and will include an exclusive first look at official teaser trailers for two of these new series, hosted by writer and multiple-Eagle Award winner Warren Ellis, who will appear to discuss writing the all new adventures of these re-imagined Super Heroes.

These Marvel Anime TV series are being created as a way of merging the beloved Marvel Super Heroes of western culture with the bold animation tradition of Japan. The resulting product will be four visually groundbreaking anime series featuring popular Super Heroes redesigned and repurposed as emerging from the fabric of Japanese culture. The series is expected to begin appearing on the Animax channel in Japan in spring of 2010.

The Marvel Animation Panel with run from 4:30 to 5:30 p.m. on Friday, July 24, at the San Diego Convention Center. An autograph signing with Ellis will follow the panel at Marvel’s Comic-Con booth #2429.

Madhouse, Inc., established in 1972 with offices in Tokyo, Los Angeles and Beijing, is one of the top animation studios in the world working exclusively with some of Japan’s top anime directors. They have created many well-known titles such as worldwide hits Ninja Scroll, Vampire Hunter D, Trigun, Tokyo Godfathers, and Metropolis, Japanese successful TV series such as “Death Note” and “Nana”, as well as Paprika (an Official Selection at the 2006 Venice Film Festival) and The Girl Who Leapt Through Time (2007 Japanese Academy Award for Best Film – Animation) Marvel Entertainment, Inc. is one of the world’s most prominent character-based entertainment companies, built on a proven library of over 5,000 characters featured in a variety of media over seventy years. Marvel utilizes its character franchises in licensing, entertainment (via Marvel Studios and Marvel Animation) and publishing (via Marvel Comics). Marvel’s strategy is to leverage its franchises in a growing array of opportunities around the world, including feature films, consumer products, toys, video games, animated television, direct-to-DVD and online.

Pixelbot’s Anime Update (Gigantor Contest)

gigantor

Ah, where would any of us be without Gigantor? Before you answer, think about what kind of state anime would be in if it weren’t for the original giant robot show. I mean, not only was Gigantor one of the first animes to ever come to America, but think of other classics that wouldn’t be possible without it: Evangelion, Gundam, Full Metal Panic!, and countless others may have never come shore side if Gigantor hadn’t first.

It’s truly a piece of history, and the simple story of a boy and his giant robot has stood the test of time. Sure, it’s cheeseball at its best, and the ridiculous character names stand as evidence. (Dr. Katz Meow, Dick Strong) However, these elements serve only to bring a smile to your face.

So who wants a copy?

518bdg-2kal_ss500_

Here’s how you can get one, absolutely free: Send me a picture of all your anime/anime collectibles to bigshinyrobot@gmail.com with the subject “Gigantor”. The more expansive and obsessive, the better. Of course, the only rule is keeping it clean. I obviously want to feature the winning room, so none of those “special” body pillows… You know what I’m talking about. I’ll be accepting entries until the 15th of May, so get them to me before then.

Trust me, you want this DVD set. Not only does it contain 650 hours of Gigantor awesomeness, but interviews with Fred Ladd, and the Gigantor Comic series, issue 1-6.

I’ll pick the one I like, reply and get your mailing address, and you’ll get Gigantor. Simple enough, right?

Of, course, if you don’t want to try to win it, you can just buy it here.

Come back next week when I return to my regular article, and keep checking for the winner!