The Graveyard Book Graphic Novel, Volumes One & Two. By P. Craig Russell (Adapter), Neil Gaiman (Author). Published July 29th 2014 by HarperCollins & 192 pages & Published September 30th 2014 by HarperCollins, 176 pages. (8 out of 10)
I have been in love with The Graveyard Book ever since I first saw the cover in the book store. It is such a special book and very dear to my heart. True to the written story, this graphic version has a wonderful creepy vibe and does not shy away from the horror elements. The story is brought vividly to life by this new format and also brings it to new readers who may not have read the written work.
The plot revolves around a toddler whose family is murdered and somehow the toddler finds himself in an old somewhat run down cemetery. The ghosts of the cemetery decide to take care of the boy, It has been compared with The Jungle Book, because of its content.
The art of volumes one and two are note-perfect, capturing the mood and tone beautifully. The horror, magic and whimsy of Gaiman’s storytelling is evident in every frame of this book. Thanks to the signature illustration style of each of the artists, these books take different views of the graveyard, the characters and the story. With each change in artist, there is a sense of refreshment and wonder anew. It has the feel of an Enid Blyton-esque tale, given the most superficial of “edges” by having the inclusion of gothic horror staples that are nevertheless rendered totally safe. I can see this appealing to younger readers if only for perhaps not having had much experience with occult books – like a primer for Stephen King, Shirley Jackson, etc.
The technical application and choice of color, how characters both living and dead are portrayed and how the narrative and dialogue are incorporated don’t negate the other-they compliment. The ghosts in the graveyard are drawn in a faded style, but are never too wispy. The night-gaunts are a horrific delight. Lovern Kindzierski, the colourist, does fine work, giving the pages a bright, lively quality despite the settings being mostly nocturnal and potentially drab. The two volumes of the graphic adaptation are harmonious with many elements being carried over throughout. You won’t be able to put it down. But maybe you should, when you’re near the end: the last chapter is perhaps the most bittersweet thing I’ve ever read. It is sure to enthrall readers of all ages.